Sybil – Colonel Kearney's pet pig, intelligent and clairvoyant, whom he unquestioningly relies on to make nearly all of his business decisions

Nights at the Circus Quotes and Analysis | GradeSaver Nights at the Circus Quotes and Analysis | GradeSaver

After explaining the trajectories of the others, Fevvers tells Walser that over the years, she and Lizzie had been sending their money to Lizzie's sister's business, an ice-cream shop in London; so when the time came, they had a place to stay that they'd earned and helped to build and maintain. Before all the women of Ma Nelson's establishment set off for their respective journeys, they burn the brothel to the ground, leaving Nelson's miserly brother nothing but a mound of smoldering ash for his inheritance.In 1994, the novel was broadcast by BBC Radio 4 as a series of readings. It was read by Lesley Manville, abridged by Neville Teller and directed by Neil Cargill. Mignon – initially a circus hanger-on who transmutes into a beautiful singer who dances the waltz with tigers and falls in love with the Princess Samson – The strong man of the circus and Mignon's lover before she falls in love with the Princess

Nights at the Circus | The Folio Society Nights at the Circus | The Folio Society

The mirth the clown creates grows in proportion to the humiliation he is forced to endure. ... And yet, too, you might say, might you not, that the clown is the very image of Christ. Buffo the Clown, p. 119 Fevvers and the rest of the party are being held captive by the convicts. Fevvers tells the convict leader that she cannot help them as everything that they have heard about her is a lie. Depressed, the convicts sink into drunken mourning. Lizzie convinces the clowns to put on a show for the convicts, during which a blizzard comes, blowing the clowns and the convicts away with it into the night. The remnants of the circus begin to walk in the direction in which they hope civilization lies. They come across a run-down music school and take shelter with its owner, the Maestro. A brief encounter with Walser, now thoroughly part of the shaman's village, convinces Fevvers and Lizzie to leave the safety of the Maestro's school to search for Walser. Colonel Kearney leaves the group to continue his quest for civilization so as to build another, and more successful, circus. Mignon, the Princess and Samson remain with the Maestro at his music school. Fevvers finds Walser and the story ends with them together at the moment that the new century dawns and Fevvers' victorious cry "to think I really fooled you". Forgotten the title or the author of a book? Our BookSleuth is specially designed for you. Visit BookSleuth At the start of Chapter Two, just as Walser’s interview is getting underway, he remarks that he’s “known some pretty decent whores, some damn’ fine women, indeed, whom any man might have been proud to marry,” and Lizzie responds, “Marriage? Pah! … Out of the frying pan into the fire! What is marriage but prostitution to one man instead of many? No different! D’you think a decent whore’d be proud to marry you, young man? Eh?” (21). Lizzie remains the primary lobbyist against marriage throughout the novel, while Ma Nelson, in what little we hear of her reported dialogue, explicates Lizzie’s wings as a symbol of women’s liberation. When her wings spread in the brothel for the first time, Nelson weeps, and says, “Oh, my little one, I think you must be the pure child of the century that just now is waiting in the wings, the New Age in which no women will be bound down to the ground” (25). Stichting GALA & Dusty present a Gay and Lesbian night at the circus: [brochure] The Moscow State Circus, Monday August 3rdRelish the thrilling horror of Frankenstein in Folio’s stunning new edition. Mary Shelley's darkly disturbing tale is illustrated by Angela Barrett and newly introduced by Richard Holmes. Find sources: "Nights at the Circus"– news · newspapers · books · scholar · JSTOR ( March 2013) ( Learn how and when to remove this template message)

Nights at the Circus Study Guide | GradeSaver

Before Buffo’s downfall, he offers frequent tutorials during communal meals of his personal philosophy of clowning, and, by extension, performance in the circus. “Under these impenetrable disguises of wet white, you might find, were you to look, the features of those who were once proud to be visible.” He continues to say that the clown's disguise “invites the laughter that would otherwise come unbidden” (119). Buffo proposes a theory that performance is a type of protection, an armor against the hostilities of the world. Though she’s not a clown, this analysis applies to Fevvers, too, whose persona as a winged woman and larger-than-life aerialist has lifted her and her loved ones out of constant poverty; this persona also allows her to “fly away” from the conflict and oppression with which she’s faced. Time, Aging, and Mortality The Maestro – The master of a music school in Transbaikalia that has no students. He eventually provides shelter for what is left of the circus after they escape from the convict campI fear they did not treat me kindly, for, although they were little, they were men." The Wiltshire Wonder, p. 68 In Fevvers' recounting of her childhood, she describes to Walser the moment her wings spread. At this point in the retelling, Fevvers quotes Ma Nelson, who casts metaphorical significance on Fevvers' wings. Nelson's words loudly underscore Fevvers' role as a symbol of women's liberation. Throughout Part 1, Fevvers exerts her power over the narrative to ascribe symbolic and allegorical significance to her biography, often making subtle allusions and refracting her life story through characters from literature, poetry, and theology.