Syberia is an adventure game with stunning visuals and a very expansive feel. It was published by Microids in 2002 and the sequel, Syberia 2, was released in 2004. The third Syberia game is expected to be released later in 2015 or 2016. A tale like no other! Embark on a magical journey through the enchanting cities of eastern Europe, both in 1937 and 2004. Accompanied by the music of Inon zur and the Budapest Film Symphony, piece together the puzzles that will disentangle the mysteries of two lives entwined together

As soon as Kate arrives the owner of the factory dies and Kate is sent across Eastern Europe searching for clues and the sole heir of the factory.Siberia: The World Before is a classic adventure game. The game is about exploring locations, conversations, collecting items and solving puzzles. The game offers a great variety of puzzles. Many of them revolve around the use of mechanical constructs known as automatons. Game modes The story of Syberia: The World Before takes place in two separate timelines. One follows series’ protagonist Kate Walker in 2005, imprisoned in the salt mines (following on from the events of Syberia 3) who’s struggling with the news of her mother’s passing. The other follows a young woman called Dana Roze, a promising young pianist in 1937. After Kate escapes the mines following the tragic death of her friend, she is left alone, and the only thing of any worth in her possession is a painting of Roze: a woman that looks a lot like her. A year passes, and she becomes obsessed by finding out who the girl in the painting was, sending her to a small town called Vaghen, somewhere near Switzerland. I’m also not sure why the lore needs to offer up an alternate version of the World War 2, where Hitler and the Nazis are replaced by a fascist organisation called the Brown Shadow, which sounds like an unpleasant Marvel supervillain, and the main victims of their persecution are referred to as Vagerans instead of Jews (although one note explains that the Vagerans are Jewish). It all feels a little too vague, as you hear talk of “nasty times” and “people like us” rather than historical specifics. The story benefits from this care. Dana’s tragic love story caught up in rise of fascism is more intimate than most adventure games manage, giving her purpose and determination that the grieving Kate hungrily latches onto. Not to mention for the most part it’s a tightly plotted and directed mystery that gathers momentum throughout. As ever, you accompany perennial protagonist Kate Walker, now an investigative drifter who stumbles into intrigue and turns it into obsession. In this case, in the process of escaping enslavement in a Russian salt mine (where she ended up after the events of Syberia 3) and learning of the death of her mother, she finds an old painting of a girl who looks quite a lot like her. For our anchorless hero that poses a question which can’t be left hanging.

A full 100% walkthrough of Syberia: The World Before, showing solutions to every puzzle and code in the game. The opening of Syberia: The World Before feels slow, and it takes some time before you start to take an interest in what is going on. Much of the gameplay also feels sluggish, especially in walking and jogging around the streets, with certain conversations chugging along rather than offering anything of interest. As Kate arrives in Vaghen and visits a nearby refuge, it started to become a lot more interesting, and it helps that the visuals are stunning. The way you switch between the timelines is done well, and as the story progresses, both characters are given enough depth for you to care deeply about both of them. The list of items for the completion of the "Find Out About the Region and Its History Before You Open Junta's Coffer" secondary objective in "Silberspiegel Refuge (Part 1)" is incomplete. It's missing at least one more item, which is the "Official notice" outside, after going down the stairs north of the telescope. Indeed, when it comes to Dana’s sections, many ‘puzzles’ are really daily routines in disguise, such as serving the right drinks in a bar. This is a smart way, I think, for The World Before to spend quality time with its characters and story, as opposed to directing everything towards advancing a wild adventure. As such, I would almost call it a kind of visual novel, not in the sense that there’s loads of reading to do, but that it develops the kind of epic saga that would suit a book. Syberia: The World Before from Microids and the late Benoît Sokal is the latest entry in the long-running adventure game series, now out on PlayStation 5. Belgian comic book artist and video game developer Benoît Sokal spent the last two decades of his life working on the Syberia series, which includes Syberia, sequels Syberia II and Syberia 3 and was preceded by Amerzone, which does not share the franchise’s name but does take place in the same setting as the Syberia games. He, unfortunately, passed away last year, with Syberia: The World Before being his first posthumous release.

Syberia Walkthrough

Magnifying Glass: The cursor will turn into a magnifying glass when you can look at something more closely. At the beginning of Silberspiegel Refuge (Part 2), it's enough to examine the objects on the table to complete the secondary objective "Inspect the Common Room". In fact, one of the qualities I like most in The World Before is that it doesn’t feel a need to hurry to hold your attention. It’s willing to linger on views, expressions, thoughts as Kate zig-zags across the postcard town on quietly efficient automated trams, pondering her life and Dana’s. Moments set aside for optional ‘introspection’, meanwhile, aren’t merely a convenience to recap events with internal monologue, but punctuation points that create space for events to breathe.

The Budapest Film Symphony, led by the internationally acclaimed composer Inon Zur (Prince of Persia, Dragon Age, Fallout…) created a sublime score, and interpreted meaningful themes for the characters and locations throughout the game The game follows two timeframes with two characters: Dana Roze, a young pianist in the small fictional Central European country of Osterthal (resembling a mix of Austria, the Czech Republic and Switzerland) in the 1930s and Kate Walker, the protagonist of Syberia series, who is now imprisoned in a salt mine in the fictional Eastern European region of Taiga in early 2000s. Dana graduates from her conservatory by performing the local anthem dedicated to the city of Vaghen, where the fascist Brown Shadow faction (an analogue to National Socialists) have begun to persecute the ethnic minorities and force them into ghettoes.Unravel the intertwined fates of Kate Walker, a New-York attorney whose life was turned around by the call to adventure, and Dana Roze, a young and promising pianist in Vaghen whose career is threatened by the shadow of the Second World War. Escape prison, visit abandoned cemeteries, explore high mountains and feel the thrill of adventure. In side objectives, too, which prompt you to interview characters or rummage around more thoroughly, the aim is purely to learn more and add context. It’s refreshing for a game of this type, particularly one with so many mechanical parts, to not present the world merely as a series of useful things, or problems with discrete solutions, but as a place to observe and comprehend for its own sake. The game's story does touch on issues surrounding WWII, specifically the rise of the National Socialist Party (Nazi) (although not mentioned in game but are known as The Brown Shadow). I say this because if you are sensitive to historical themes of Nazi/Jewish (Vaghens) occupation and the persecution, then I am letting you know now so please bear this in mind. There is no graphic or insensitive content in the game or walkthrough but the references are clearly obvious.