She said: "The last time I talked to him was last November. He called to have a chat and asked me what I was doing for Christmas. But he was quite poorly at that point." Platonov, Rachel S. “Remapping Arcadia: ‘Pastoral Space’ in Nineteenth-Century Russian Prose.” Modern Language Review 102, no. 4 (October, 2007): 1105-1121. If he didn't like you that was another matter, of course. But in all our time together we never had a single argument. I think it was because I was a listener."

Tolstoy’s favourite novel is a guide to being idle | The Tolstoy’s favourite novel is a guide to being idle | The

The classic play opened at the Lyric Theatre, London, on October 6, 1964, and roused little praise from audiences or critics. HARJAN, GEORGE (1 January 1976). "Dobroliubov's "What is Oblomovism?": An Interpretation". Canadian Slavonic Papers. 18 (3): 284–292. doi: 10.1080/00085006.1976.11091456. JSTOR 40866920. Goncharov was born into the family of a wealthy merchant, elevated as a reward for military service of his grandfather to gentry status. A boarding school, then the Moscow college of commerce, and finally Moscow State University educated him. After graduating, he served for a short time in the office of the governor of Simbirsk before moving to Saint Petersburg, where he worked as government translator and private tutor, while publishing poetry and fiction in private almanacs. People published A Common Story, first novel of Goncharov, in Sovremennik in 1847.As for Stolz himself, his own line of work remains suspiciously vague. “He owned part of a company that sent goods abroad,” Goncharov writes. “If they needed someone to write a draft or put a new idea into practice, they chose him.” Stolz drags Oblomov “here and there” while he tends “to affairs.” Whatever Stolz does, it seems, must be so tedious that Goncharov can’t bear to describe it. Stolz represents an idea that we instinctively hold dear, but would be hard-pressed to prove: that work and effort are salutary in themselves, even in the absence of a noble goal. He has a descendant in Tolstoy’s Levin in Anna Karenina—after a day now and then spent mowing rye with his peasants, Levin feels vastly superior to his brother, who maintains his genteel repose. Keynote line: VS Pritchett catches the charm of this novel, and of the long-day fiction of Goncharov and his ilk. It can stand as the novel's keynote line: "In all those Russian novels we seem to hear a voice saying: 'The meaning of life? One day all that will be revealed to us – probably on a Thursday.'"

Oblomovism?: An Interpretation - JSTOR

a b c d e f g h i j k l m n o p q r s Mashinsky, S. Goncharov and His Legacy. Foreword to The Works of I.A.Goncharov in 6 Volumes. Ogonyok's Library. Pravda Publishers. Moscow, 1972. Pp. 3–54 Az Oblomov (oroszul: Обломов) Ivan Alekszandrovics Goncsarov orosz író regénye, az orosz irodalom egyik kulcsműve, a felesleges ember típusának egyik csúcsteljesítményű megfogalmazása. Chekhov, Anton. 2004. Anton Chekhov: A Life in Letters. Edited by Rosamund Bartlett and translated by Rosamund Bartlett and Anthony Phillips. London: Penguin. Meanwhile, in the play, Oblomov's friends hoped to entice him out of his melancholy through the power of love. Despite this, the Queen invited Spike to her private birthday party at Kensington Palace after the show.

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Oblomov lakása pamlagán heverészik és ábrándozik nap mint nap. Gondolatban tele van reformokkal a világ megváltoztatása érdekében. Megváltoztatja fejben birtoka gazdasági rendjét: reformokat vezet be, amelyek éppúgy szolgálják az ő érdekét, mint a jobbágyaiét. Příběh se vyvíjí až v okamžiku, kdy mu Štolc představí svou známou Olgu, mladou a krásnou dívku a talentovanou zpěvačku, do které se Oblomov zamiluje. Ta ho ale donutí být aktivnější, více číst a chodit do společnosti, s pomocí Štolce Oblomov dokonce začne konečně na své vesnici provádět ona plánovaná zlepšení, takže začne opět prosperovat. Two people try their best to save Oblomov. First Stolz, the half-German entrepreneur, as lean as an English racehorse where Oblomov is fat and flabby, uses reason and intellectual appeal to convince Oblomov to change. Then Olga, already adapted to a modern intelligentsia but preserving a deep love for Russia’s cultural past, lures him with promises of selfless love. Sexually aroused, Oblomov briefly responds to her, but when he finds that Olga also demands intellectual arousal, constant mental awareness, he takes flight. The equally dull-witted widow offers both maternal and mistress services without the necessity of mental effort. Some years after settling into Agafia’s house, he has a debilitating stroke, and another year later, a fatal one. His doctor blames his inactivity and heavy lunches, and so does Goncharov: “His perpetual rest, perpetual silence, and lazy crawl from one day to the next quietly stopped the machine of his life.” A valóságban azonban mindez túl sok energiát kívánna tőle, ezért végső soron nem tesz semmit. Levonja a tanulságot, hogy nem érdemes semmin sem változtatni. A birtoka közben szép lassan pusztul.

A Few Days from the Life of I. I. Oblomov - Wikipedia

Cohn, Elisha. 2015. Still Life: Suspended Development in the Victorian Novel. Oxford: Oxford University Press.

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Nikolai Dobrolyubov, in his 1859 article "What is Oblomovism?", [8] described the word as an integral part of Russian avos'. Stolz suggests that Oblomov's death was the result of "Oblomovism". [5] Russian novelist Ivan Aleksandrovich Goncharov (/ˈɡɒntʃəˌrɔːf, -ˌrɒf/; Russian: Ива́н Алекса́ндрович Гончаро́в), best known for his novels A Common Story (1847), Oblomov (1859), and The Precipice (1869). He also served in many official capacities, including the position of censor. a b c d e Borowec, Christine (1 January 1994). "Time after Time: The Temporal Ideology of Oblomov". The Slavic and East European Journal. 38 (4): 561–573. doi: 10.2307/308414. JSTOR 308414.

Short Happy Life of Ilya Ilyich Oblomov | Elaine Blair The Short Happy Life of Ilya Ilyich Oblomov | Elaine Blair

Spike is today remembered for calling his friend Prince Charles "a grovelling little bastard" at the British Comedy Awards. But few know about the time he took a gun into the Comedy Theatre after a member of the cast annoyed him.In "Son of Oblomov" on the London stage years ago, Spike Milligan and Bill Owen were a few minutes into the opening dialogue when Spike noticed some late-comers being shown to their seats.