Each article in The Ancient Gods Speak is written by an expert on that particular aspect of ancient Egyptian mythology and religion. Covered topics range from gods and goddesses to concepts (“afterlife,”“akh,”“paradise,” etc.) to elements of religious practice – in short, virtually the whole scope of the field. The Egyptian Book of the Dead: The Book of Going Forth by DayThe Complete Papyrus of Ani Featuring Integrated Text and Full-Color Images Napoli retells the classical tales of ancient Egypt with a child-appropriate sense of awe. Sidebars that offer geographic, historical, and cultural context, as well as a fun mapping feature. enhance the stories. Ritner, Robert Kriech (1993). The Mechanics of Ancient Egyptian Magical Practice. The Oriental Institute of the University of Chicago. ISBN 0-918986-75-3.

Roger Lancelyn Green’s Tales of Ancient Egypt is the second introduction to ancient Egyptian mythology for kids that I would recommend. Like Donna Jo Napoli’s Treasury of Egyptian Mythology, Green’s book presents Egyptian mythology in a way that’s accessible and enchanting for children. But where Napoli tends toward the charming and cute, Green evokes a sense of genuine awe. His retellings are probably closer to the way that an ancient Egyptian parent might have told these stories to his or her own child. (Like Napoli, however, Green leaves out the lurid content in the originals that some parents might not want in their children’s reading material.) Kaper, Olaf E. (2001). "Myths: Lunar Cycle". In Redford, Donald B. (ed.). The Oxford Encyclopedia of Ancient Egypt. Vol.2. Oxford University Press. pp.480–482. ISBN 978-0-19-510234-5.Gujaareh is a city-state with Ancient Egypt inspiration, where peace and dreams are the sources of power. The Gatherers—the guardians of this peace—wait on the rooftops and in the dim corners of cobblestone streets. Most of Egypt's gods, including many of the major ones, do not have significant roles in any mythic narratives, [24] although their nature and relationships with other deities are often established in lists or bare statements without narration. [25] For the gods who are deeply involved in narratives, mythic events are very important expressions of their roles in the cosmos. Therefore, if only narratives are myths, mythology is a major element in Egyptian religious understanding, but not as essential as it is in many other cultures. [26] The sky depicted as a cow goddess supported by other deities. This image combines several coexisting visions of the sky: as a roof, as the surface of a sea, as a cow, and as a goddess in human form. [27] Meltzer, Edmund S. (2001). "Horus". In Redford, Donald B. (ed.). The Oxford Encyclopedia of Ancient Egypt. Vol.2. Oxford University Press. pp.119–122. ISBN 978-0-19-510234-5.

O'Connor, David (2003). "Egypt's View of 'Others' ". In Tait, John (ed.). 'Never Had the Like Occurred': Egypt's View of Its Past. UCL Press. pp. 155–185. ISBN 978-1-84472-007-1. However, Pinch’s book has some key differences in emphasis when compared to Wilkinson’s. Whereas Wilkinson’s focus is mostly on the deities, with everything else structured around that central concern, Pinch explores other aspects of the topic in more depth (and the gods in proportionately less depth). In the introductory chapters, Pinch devotes considerably more space to the history of ancient Egypt and to that civilization’s view of time. Discussions of the narratives of Egyptian mythology occur in that section. Pinch’s encyclopedia covers much more than just the gods – symbols, places, concepts, etc. – but, accordingly, covers fewer deities. More ordinary works of art were also designed to evoke mythic themes, like the amulets that Egyptians commonly wore to invoke divine powers. The Eye of Horus, for instance, was a very common shape for protective amulets because it represented Horus' well-being after the restoration of his lost eye. [115] Scarab-shaped amulets symbolized the regeneration of life, referring to the god Khepri, the form that the sun god was said to take at dawn. [116] In literature [ edit ] The true realm of the gods is mysterious and inaccessible to humans. Mythological stories use symbolism to make the events in this realm comprehensible. [28] Not every detail of a mythic account has symbolic significance. Some images and incidents, even in religious texts, are meant simply as visual or dramatic embellishments of broader, more meaningful myths. [29] [30]

Allen, James P. (2003). "The Egyptian Concept of the World". In O'Connor, David; Quirke, Stephen (eds.). Mysterious Lands. UCL Press. pp. 23–30. ISBN 1-84472-004-7. The details of these sacred events differ greatly from one text to another and often seem contradictory. Egyptian myths are primarily metaphorical, translating the essence and behavior of deities into terms that humans can understand. Each variant of a myth represents a different symbolic perspective, enriching the Egyptians' understanding of the gods and the world. Egyptian Mythology: A Guide to the Gods, Goddesses, and Traditions of Ancient Egypt by Geraldine Pinch A fantastic choice for students and those new to mythology overall, World Mythology: An Anthology of Great Myths and Epics (3rd Edition) is the book to have. Rosenberg has impressively gathered more than 50 epic legends from around the world. The audience will be able to learn about cultures across Greece, Rome, the Middle East, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas through a handful of their most treasured myths. The culture of Ancient Egypt is a must for anyone who wants to increase their cultural knowledge. We invite you to consult our Egyptian mythology books in PDF, a free collection that will allow you to take an entertaining walk through thousands of years of this great civilization.