film Bugsy Malone makes its Blu-ray debut in August". HighDefDiscNews. 11 June 2021 . Retrieved 12 June 2021. a b Will Harris, "Scott Baio talks Chachi, Bob Loblaw, and Howard Cosell", AV Club 3 April 2014 accessed 7 April 2014 a b The 500 Greatest Movies of All Time – #400–301 empireonline.com; Empire Online. Retrieved 3 June 2010.

a b Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 357. Income is distributor's receipts, combined domestic and international, as at 31 Dec 1978. Bugsy Malone is an ambitious and largely successful example of creative world-building, with all of the standard gangster film tropes translated into a childhood milieu—right down to the pedal-powered cars. The songs by Paul Williams are hardly accurate for the period, but they're catchy and they work surprisingly well. What doesn't work is that the singing voices are dubbed by adults, which sounds disconcerting when coming out of the kid’s mouths. It’s a rare example of the film not being true to its concept, and while neither Parker nor Williams were happy with the results, they simply ran out of time to do anything differently. The cast is uniformly excellent, even the inexperienced actors, with kids like Babyface (Dexter Fletcher) really standing out—it’s no accident that he was one of the few in the film to make a career out of acting. At 93 minutes long, Bugsy Malone doesn't wear out its welcome, but it does end abruptly and somewhat awkwardly—it feels like Parker ran out of ideas and had to just bring things to a close. Still, the final number by Paul Williams is a classic, and it sends the film off on an upbeat note. John Cassisi as Fat Sam Staccetto, crime boss. He is dubbed by the press as "The Alleged Mobster King of the Lower East Side".

A kid’s fantasy: You get to dress up as gangster, you get to shoot guns that fire whipped cream, you get to drive cars with pedals that look like real cars, and you get to talk like a grown-up. I mean, you couldn’t ask for a better first big gig. Talk about getting you hooked on a business! It was fantastic. [13] Reception [ edit ] Kelly, Matthew (31 December 2003). "Bugsy Malone". After They Were Famous. Season 3. Episode 18. ITV. Siskel, Gene (19 November 1976). "... and 'Bugsy Malone,' where kids cut the custard as adults". Chicago Tribune. Section 2, p. 1. Shenton, Mark. "Bugsy Malone, review of Lyric Hammersmith's Olivier nominated revival", LondonTheatre.co, 27 June 2016 The story is an homage to the archetypical gangster films of yore: Fat Sam (John Cassisi) is a mob boss who finds himself in conflict with his rival Dandy Dan (Martin Lev) when the latter uses new weaponry to muscle into Sam’s territory. Low-level mug Bugsy Malone (Scott Baio) finds himself drawn into the conflict even though he just wants to romance the ingenue Blousy (Florence Garland), with Sam’s moll Tallulah (Jodie Foster) waiting in the wings. The narrative is standard fare for the genre, but that familiarity was necessary to anchor the quirky reimagining as a children’s musical.

Two rival gangsters battle for turf and a new, strategically important armament during the Prohibition Era -- a cliche if the entire cast weren't children. I had quit the business, because I didn’t like driving into Manhattan. Well, the long and the short of it is that I wanted to play with my friends after school, but it happened to be raining that day, so I went to the city to meet with Alan Parker. I read it, but I just barely read it. I didn’t even want to be there. He was English, but I didn’t even know what that was. He was just this weird guy with long hair, and I didn’t know what he was. [Laughs.] So I sort of read the script, threw it at him, and walked out the door. That was it: I’d gotten the part before I got home. [13] Bugsy Malone was Alan Parker's first feature film. Parker was trying to find a film project that was not "parochial" and decided upon an American gangster setting: "I had four young children and we used to go to a cottage in Derbyshire at weekends. On the long, boring car journey up there, I started telling them the story of a gangster called Bugsy Malone. They’d ask me questions and I’d make up answers, based on my memories of watching old movie reruns as a kid." His eldest son suggested children should be cast as the "heroes". [9] During the prohibition era, a mobster named Roxy Robinson is "splurged" by members of a rival gang, using rapid-fire cream-shooting "splurge guns". Once splurged, a gangster is "all washed up... finished". Mob boss Fat Sam Staccetto introduces himself in the opening narration, as well as introducing Bugsy Malone, a penniless boxing promoter who is 'a little too popular with the broads... but a nice guy' ("Bugsy Malone").Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. Sometime in the 2000s, Coca-Cola Ltd. (Canada) made an animated ad using "You Give A Little Love" that was only screened in movie theaters before any trailers. AFI's 10 Top 10 Nominees" (PDF). Archived from the original on 16 July 2011 . Retrieved 19 August 2016. {{ cite web}}: CS1 maint: bot: original URL status unknown ( link)

Bugsy Malone DVD Special Edition PaulWilliamsCoUK.Plus.com David Chamberlayne. Retrieved 3 June 2010. The film received eight nominations at the 30th British Academy Film Awards, including Best Film and won three: Best Supporting Actress and Most Promising Newcomer to Leading Film Roles for Foster and Best Screenplay for Parker. The film also received three nominations at the 34th Golden Globe Awards including Best Motion Picture – Musical or Comedy.A 2003 television documentary called Bugsy Malone: After They Were Famous features a reunion and interviews with Jodie Foster, Scott Baio, John Cassisi, and Florrie Dugger. The British actors who played Fat Sam's gang are also reunited at Pinewood Studios. The documentary reported that Dugger, who (unlike her co-stars) had never acted again, had chosen to pursue a career in the United States Air Force Medical Service. [35] [11] Williams felt that "... the challenge for me was to provide songs that reflected the period... and yet maintained an energy that would hold the young audiences attention." According to Parker, Williams was writing while on tour, recording songs in different cities, and sending the completed tapes to Hollywood. Arriving during the first pre-shoot rehearsals, the songs had to be accepted and used as they were, with voices by Williams, Archie Hahn, and others. Neither the director nor the songwriter were comfortable with the results. Williams later wrote "I'm really proud of the work and the only thing I've ever doubted is the choice of using adult voices. Perhaps, I should have given the kids a chance to sing the songs." Parker also commented: "Watching the film after all these years, this is one aspect that I find the most bizarre. Adult voices coming out of these kids' mouths? I had told Paul that I didn't want squeaky kids' voices and he interpreted this in his own way. Anyway, as the tapes arrived, scarcely weeks away from filming, we had no choice but to go along with it!" [15] Filming [ edit ] Bugsy Malone is a 1976 gangster musical comedy film written and directed by Alan Parker (in his feature film directorial debut). A co-production of United States and United Kingdom, it features an ensemble cast, featuring only child actors playing adult roles, with Jodie Foster, Scott Baio and John Cassisi in major roles. The film tells the story of the rise of "Bugsy Malone" and the battle for power between "Fat Sam" and "Dandy Dan". Set in New York City, it is a gangster movie spoof, substituting machine guns that fire gobs of whipped cream instead of bullets. The film is based loosely on events in New York and Chicago during Prohibition era, specifically the exploits of real-life gangsters such as Al Capone and Bugs Moran. Parker lightened the subject matter considerably for the children's market and the film received a G rating in the U.S. Bugsy Malone premiered at the 1976 Cannes Film Festival, where it competed for the Palme d'Or. It was theatrically released in the United Kingdom on July 12, 1976, by Fox- Rank Distributors, and in the United States by Paramount Pictures on September 15. Although a commercial success in the UK, it was not a financial success overseas. The film received critical acclaim, with praise drawn for Parker's screenplay and direction, its musical numbers, unique narrative and the performances of the cast.