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First ‘Nymphomaniac’ Clip: Seduction on a Train – The First ‘Nymphomaniac’ Clip: Seduction on a Train – The

Mariah Carey is SUED AGAIN over All I Want For Christmas Is You... as two writers claim her 1994 classic is a ripoff of their song of the same name Davina McCall admits her relationship with Kylie Minogue 'is complicated' after 'phone snub' despite once starring in singer's music video EDEN CONFIDENTIAL: Mystery as Prince Andrew's favourite club Tramp - which played host to stars including Michael Caine and Keith Moon - closes its doors RHONY star Ramona Singer looks tense as she steps out in NYC after getting REMOVED from BravoCon amid alleged racist slur controversy Friends scenes go viral for going from funny to 'heartbreaking' in the wake of Matthew Perry's tragic death aged 54

À ma sœur! (2001)

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Daniel Radcliffe breaks down in tears in FIRST trailer for documentary about his Harry Potter stunt double who was left paralysed in horror film set fall Alec Baldwin has 'had enough' of acting and is pitching a REALITY TV SHOW with his family - as he faces possibility of involuntary manslaughter charges The prestige erotic drama, which exploded across Hollywood in the late 80s, incorporated dozens of films, stars and directors. Yet one man remains associated with the genre above all. Adrian Lyne’s contribution may only have been three films but each represented a major milestone in the sultry sub-genre. If Fatal Attraction gave the genre its cultural capital and Indecent Proposal marked its sleazily glamorous apex, then 9½ Weeks, which preceded both, sent it hurtling into the mainstream. It may not have birthed the genre – that happened around the time of Body Heat – but it did plenty to set the defining tone of bold, brazen, faux-thoughtful filth. Eating a mince pie saved my life - it led to my breast cancer diagnosis: 39-year-old mother tells how she found a lump while sweeping crumbs off chestCertainly its belated reputation as a British classic is largely because it is seen to be a film about cinema itself. And it’s not hard to see why: it’s about a killer who poses as a documentary maker, using the allure of his job to murder women with a knife hidden in his tripod (those with an eye for symbolism needn’t look far). But it is also a film about depraved sexuality, with the killer – played by Carl Boehm not as a terrifying maniac but as a softly spoken wounded-animal type – fixating obscenely on his self-shot footage of women facing death. And his warped urges are in turn tied up in the idea of observing: when his neighbour Helen kisses him, he bizarrely kisses the lens of his camera.

Daughter encourages mother to dress half naked and embrace Daughter encourages mother to dress half naked and embrace

The slasher film’s fixation with fornication is as old as the genre itself. Classically, the relationship is puritanical and punitive: a gang of randy, hedonistic teenagers get what’s coming to them thanks to a bloodthirsty killer – penetration of one sort begetting penetration of another – with a virginal final girl the only one to be spared. Fans joke that Janelle Monáe UPSTAGED the Queen of Halloween Heidi Klum by dressing up in THIS incredible costume Kate Middleton entertains children with maracas during a music session as she visits a parenting group for fathers in north London Newly-married Joss Stone is emotional as she takes a bow at the premiere of her new musical The Time Traveller's Wife - after show left critics dividedNagisa Ōshima's film about the increasingly violent love affair between a hotel maid and her boss in late-30s Tokyo depicts, in stark detail, pretty much every sex act you can imagine, plus plenty more you'd rather not. It courted controversy accordingly. The various bans and banishings are too numerous to list in full but highlights include the film being seized by US customs officials after screening at the NY film festival, a four-year court case for its director, on charges of obscenity and Portugal's Archbishop of Braga registering his disgust by saying he "had learned more about sex in 10 minutes of the film than in his entire life". The premise is well known – a seemingly no-strings fling between a married man and a seductive publisher turns deadly when our hero tries to return to married life – and the film’s attitude towards the issues of its time seems, at a glance, straightforwardly reactionary. Glenn Close’s sexually liberated career woman unmasked for the murderous nutjob she truly is, Anne Archer’s non-working housewife remains the true model of contended womanhood, and the nuclear-family unit is, in the end, protected at all costs. But while the film’s promotional material featured its stars in skimpy outfits and the picnic-scene kiss between Sarah Michelle Gellar and Selma Blair became an early (and much-parodied) viral sensation, the film’s raunchiest moments were all verbal ones. It’s real turn-on was a screenplay that ran the full gamut from suggestive to risqué to laugh-out-loud outrageous. What men truly like doing in bed! After women gave Tracey Cox their honest confessions, men reveal what raunchy acts really get them going (and the ones they secretly hate)