Author's Writing Style: 5 stars!!! It is ideally written for children in third-person POV in past tenses. The written narration is easy to read and understand (...except for its small font size which can be torturing to the eyes especially for the sleep-deprived). Pacing is fast, it's not wasting time for descriptions. The Voyage of the Dawn Treader": Edmund, Lucy, and Eustace join King Caspian on a perilous mission to find his friends, the seven lost Lords of Narnia. The Horse and His Boy" - Takes place during the Golden Age of Narnia, although most of the events unfold elsewhere, in the southern lands of Calormen and Archenland. Shasta, a Calormene fisherman's son, runs away when he hears his father negotiating to sell him into slavery. Together with two talking horses and a noble Calormene girl running away from an arranged marriage, he tries to get to Narnia. The book is a meditation on faith and the concept that God helps those who help themselves. It's also my favorite of the seven books.

The Christian message is an essential part of all of the books in the Narnia series. We all react to fiction based partly on how we feel about the message(s) it conveys, and that's appropriate. So readers whose view of Christianity, or of religion in general, is highly negative could hardly be expected to give the Narnia series unqualified praise. (The converse applies, of course, to books like the His Dark Materials series by Philip Pullman, who avowedly seeks to be the "anti-Lewis;" it isn't surprising that his work is less appreciated by readers who hold a very negative view of militant atheism.) That's a subjective assessment, and fair enough as such. Some other criticisms of Lewis' series, though, are intended to be more objective, and can be debated objectively. (This discussion might contain some "spoilers.") Do not by any means destroy yourself, for if you live you may yet have good fortune but all the dead are dead alike."I liked these characters, they engaged me throughout the whole story. My favorite character were the two youngest ones: Lucy and Edmund. They seemed to always have something going on with them. There was also more human and animal interaction in this story than in the previous one, but it’s interesting to read about. Again, there are several religious metaphors present in this story too. It was pleasurable reading and seeing all the symbolism. We also get to see more of the magical world of Narnia in this story so that is exciting. I had fun with this story!

At first, I had very little idea how the story would go. But then suddenly Aslan came bounding into it. I think I had been having a good many dreams of lions about that time. Apart from that, I don't know where the Lion came from or why he came. But once he was there, he pulled the whole story together, and soon he pulled the six other Narnian stories in after him. [2] Poskanzer, Susan Cornell (May 1976). "Thoughts on C. S. Lewis and the Chronicles of Narnia". Language Arts. 53 (5): 523–526. Wanberg, Nicholas (2013). "Noble and Beautiful: Race and Human Aesthetics in C. S. Lewis's The Chronicles of Narnia". Fafnir: Nordic Journal of Science Fiction and Fantasy Research. 1 (3) . Retrieved 28 October 2015. The Magician’s Nephew is considered to be the first book since it takes place much earlier in the canon, starring a young Professor Digory Kirke as he discovers Narnia. I started this series withThe Lion, the Witch, and the Wardrobe is the first book they experience, and it's also the best known book in the series. In later editions of the series (including this one), Melia, Liz (9 December 2002). "Engaging fairytale is sure to enchant all". BBC . Retrieved 31 March 2011.

Obviously, I had no knowledge of any Christian subtext when I first read "Da Chroni *WHUT* cles". I remember devouring them in much the same way that children are now tearing through the Harry Potter series. Lewis's lavish descriptions of fauns and dragons and giants have burned themselves permanently into my memory. This story started of interesting, but I just wasn’t so captivated by the 4 main characters. The concept is good, but it just isn’t appealing to me. The desert scene felt eternal to me and unexciting. I did not hate it, but I can’t say I liked it. It was ok. Compared to how great the previous two were this wasn’t on that level. In the latter novel, closer to the end, Lewis lays out a theory of human cultures in which all of them, at their best and truest, are unique and distinct embodiments of moral and social truth, making a kind of truly multicultural mosaic in which the differences are respected and appreciated. This idea is reflected in The Last Battle, where Aslan's true country is made up of the Platonic ideal of every created country --including Calormen, where Lucy sees the towers of the true Tashbaan. So Calormen's cultural differences from Narnia can be viewed in this light --there is no reason to think Lewis' view of "shoes turned up at the toe, scimitars, suffixed phrases of praise, 'son-of' lineage declarations" was "unfavorable." The latter are found in the Bible (a book Lewis certainly viewed favorably!), and some of his writings suggest that he rather liked stately formal courtesy in social interactions. He contrasts the Calormen oral story-telling tradition favorably with English teaching practices; and if Calormen culture is called "cruel" in one place (which, Lewis would say, is a deformation caused by sin), it's also called "wise." Finally, King Miraz and his gang --who are all white-- aren't viewed as any more benevolent than the Calormen Tisroc and his toadies; the actions of both are due, not to race and nationality, but to the common experience of human fallenness. The Lion, the Witch, and the Wardrobe”: Lucy, Peter, Edmund and Susan enter a magical world of talking fauns and flying horses, where the evil White Witch has cast Narnia in perpetual winter.Easterbrook, Gregg (1 October 2001). "In Defense of C. S. Lewis". The Atlantic . Retrieved 21 March 2020. The Lion all began with a picture of a Faun carrying an umbrella and parcels in a snowy wood. This picture had been in my mind since I was about sixteen. Then one day, when I was about forty, I said to myself: "Let's try to make a story about it." [2]

Pearce, Joseph (2004). Literary Giants, Literary Catholics. Ignatius Press. ISBN 978-1-58617-077-6. Neil Gaiman (9 February 2010). Fragile Things: Short Fictions and Wonders. HarperCollins. ISBN 978-0-06-051523-2. George MacDonald's Phantastes (1858) influenced the structure and setting of "The Chronicles". [ clarification needed] It was a work that was " a great balm to the soul". [46] Dorsett, Lyle W.; Mead, Marjorie Lamp (1995). C. S. Lewis: Letters to Children. Touchstone. ISBN 0-684-82372-1.Gormley, Beatrice (2005). C. S. Lewis: The Man behind Narnia. Grand Rapids, MI: Eerdmans Books for young readers. ISBN 0-8028-5301-3. Paterson, Katherine (2005). "Questions for Katherine Paterson". Bridge to Terabithia. Harper Trophy. Plato was an undeniable influence on Lewis's writing of The Chronicles. Most clearly, Digory explicitly invokes Plato's name at the end of The Last Battle, to explain how the old version of Narnia is but a shadow of the newly revealed "true" Narnia. Plato's influence is also apparent in The Silver Chair when the Queen of the Underland attempts to convince the protagonists that the surface world is not real. She echoes the logic of Plato's Cave by comparing the sun to a nearby lamp, arguing that reality is only that which is perceived in the immediate physical vicinity. [47] O'Connor, Kyrie (1 December 2005). "5th Narnia book may not see big screen". Houston Chronicle. IndyStar.com. Archived from the original on 14 December 2005. Garceau, Scott; Garceau, Therese (14 October 2012). "The Stepson of Narnia". The Philippine Star . Retrieved 9 July 2015.