Kate hosts the pre performance interview series at Chichester Festival Theatre in Sussex, chairs Platform Events for the National Theatre in London, as well as interviewing writers, directors, campaigners and actors at literary and theatre festivals in the UK and beyond. Kate was awarded a Fellowship at the Writer's House in Amsterdam in 2019. She is a visiting Professor of Creative Writing & Contemporary Fiction at the University of Chichester, a Patron of the Chichester Festival of Dance, Music and Speech and President of the Festival of Chichester.

Another of Mosse’s immersive dramas, which takes you to the heart of the past - Grazia Book of the Week A vibrant sequel to 2018’s Burning Chambers . . . The fascinating historical detail fuels the drama and keeps the plot zipping along - Publishers Weekly Anthology of World War I Literature for Children (essay – edited by Michael Morpurgo, Jonathan Cape, 2014)

Kate Mosse's Languedoc trilogy books in order

Another meticulously researched and stunningly written novel by a much-loved and highly accomplished author. I adored it!' - Santa Montefiore Wonderful, rip roaringly adventurous and full of indelible characters. Mosse is a conjurer - Irenosen Okojie, author of Nudibranch Another of Mosse’s immersive dramas, which takes you to the heart of the past - Grazia on The Burning Chambers Fifty Shades of Feminism (essay – edited by Lisa Appignanesi, Rachel Holmes & Susie Orbach, Virago, 2013)

A gorgeously written, utterly absorbing epic and, despite being set in the sixteenth century, has some very pertinent messages for our time about the evils of religious persecution and the transcendent power of love and family. In case it’s not clear enough yet, I absolutely LOVED it - Lucy Foley, bestselling author of The Hunting Party and The Paris Apartment, on The City of Tears Welcome to #WomanInHistory, the global campaign to honour and celebrate the incredible women of the past in whose footsteps we walk. The campaign began during the publication week for my latest novel, The City of Tears, at a FANE event on 20 January 2021. In an event with Jojo Moyes - with special guests Bernardine Evaristo, Ken Follett, Lee Child, Bettany Hughes, Paula Hawkins, Anita Anand, Sara Collins, Professor Kate Williams, Julia Spencer-Fleming, Madeline Miller and Damian Barr - we invited everyone to nominate a woman from history they wanted to champion or thought should be better known. I’m delighted to say there will now be a book – publishing in October 2022 – and a television documentary series inspired by the campaign. Mosse can tell a story . . . plunge relentlessly and breathlessly in alongside Louise and Gilles in their maritime adventure - The TimesMosse shows a deft command of character and narrative in this second volume of a planned sequence - Sunday Times Impressively bold and ambitious, it features betrayals, broken friendship, family secrets and the horrors of fanaticism. Fans will love it - Daily Mail Bringing 16th century Languedoc vividly to life, Kate Mosse's The Burning Chambers is a gripping story of love and betrayal, mysteries and secrets; of war and adventure, conspiracies and divided loyalties....

Mosse said: “I’m delighted that Mantle will be publishing my gender-swapping story of love and adventure at sea. The Ghost Ship has been a delight to work on from start to finish.” A sweeping and epic love story, ranging from France in 1610 to Amsterdam and the Canary Islands in the 1620s, The Ghost Ship is a thrilling novel of adventure and buccaneering, love and revenge, stolen fortunes and hidden secrets on the High Seas. Most of all, it is a tale of defiant women in a man's world. Mosse’s narrative lyricism, beautifully drawn female characters and deft journey from the past to the present day are a cut above - Scotland on Sunday on The Burning Chambers Similarly, with the caveat that she is not a historian, she believes that had Henry IV of France not been assassinated in 1610, there is a case to be made that the French Revolution might not have followed or, at least, not in the way it did. “Because what happened at that moment was that his toleration, his attempt to build a modern society, which is what he was doing, his understanding that Huguenots – you wouldn’t use this phrase, but it’s essentially what they were – were the working middle class. And the wealth was there – that wasn’t to do with aristocracy, or what would have been seen as the peasantry at the other end. He was building a modern state that could have stood against anyone. She is at pains, as we talk over Zoom, not to romanticise piracy, particularly in its “awful and violent and dangerous” modern-day manifestation, in which, as she notes, “the people who least can afford to suffer are suffering the most from it”. But it is undeniable that the past exercises a fascination, not least because “there is a justice within pirate society. It is very codified, but it’s also democratic. And it’s not what is going on on land, where people know their place, and you can’t rise out of your station; it’s incredibly unfair, and there’s a great deal of poverty. There, on the pirate ship, you follow the rules, you get the treasure, and everybody gets a share of the treasure.”Gripping, thrilling, a spectacular work of scholarly reimagining, The Ghost Ship is a beautiful book about two women, about love, courage, suffering, and a world in which everything was on a knife edge. A stunning novel, a whole world recreated - Kate Williams, historian and author of Rival Queens I’ve just got better as I’ve got older,” she tells me, “at leaning in to the disappointments or the failures, and letting myself feel sad about them, or a bit demoralised about them, and then drawing a line rather than trying to pretend that I don’t mind.” Another meticulously researched and stunningly written novel by a much-loved and highly accomplished author. I adored it! - Santa Montefiore, bestselling author of An Italian Girl in Brooklyn The Ghost Ship is utterly absorbing. I couldn’t put it down and fell in love with her two main characters, and felt bereft when it ended - Louise Minchin, BBC journalist, host of the Her Spirit podcast and author of Fearless Piracy. Romance. Revenge. Across the seas of the seventeenth century, two seafarers are forced to fight for their lives. The sequel to The City of Tears, The Ghost Ship is the third novel in The Joubert Family Chronicles from bestselling author Kate Mosse. Piracy. Romance. Revenge. Across the seas of the seventeenth century, two seafarers are forced to fight for their love and their lives. The sequel to The City of Tears, The Ghost Ship is the third novel in The Joubert Family Chronicles from bestselling author Kate Mosse.

Also part of their household is Granny Rosie, Mosse’s mother-in-law, who will turn 93 this year and who, as we speak, is sipping the lunchtime gin and tonic Mosse has prepared for her. The writer and her husband are Rosie’s carers, and it is that experience, along with having cared for her own, much-loved parents, that formed the basis of Mosse’s memoir An Extra Pair of Hands, with its evocative subtitle, A Story of Caring and Everyday Acts of Love. But the ship’s crew hides a secret, and the stakes could not be higher. The bravest among them are not who they seem: if arrested, they will hang for their alleged crimes. Can they survive their journey and escape their fate? Mosse is a master storyteller, balancing thrilling suspense with complex characters and a thoughtful exploration of a fascinating time in history. Her heroine Minou is a pleasure to root for: clever, loving, down-to-earth and courageous! - Madeline Miller, author of The Song of Achilles and Circe She is particularly interested in those moments when societies and countries have stood at crossroads. “All of my books are set at a turning point in history,” she explains, on cusps at which “if things had gone the other way, the whole of what happened would have been different. So in City of Tears, obviously, it’s the St Bartholomew’s Day massacre. It looked like there would be peace. And because of that, there wasn’t, and it went on for another generation. In The Burning Chambers, the first one, it’s if the Duke of Guise had not opened fire on people praying in Vassy on the first of March 1562, the wars of religion would not have happened like that.”

Its synopsis goes on: “The Barbary Coast, 1621. A mysterious vessel silently rides the swell. She is known only as the Ghost Ship. For these past months, her crew has fought to liberate those enslaved by corsairs. But the two bravest mariners on board are not who they seem. And the stakes could not be higher: if captured, they will be hanged for their alleged crimes…” Mosse does what good popular historical novelists do best – make the past enticingly otherworldly, while also claiming it as our own - Independent Carcassonne, 1562: 19-year-old Minou Joubert receives an anonymous letter at her father’s bookshop. Sealed with a distinctive family crest, it contains just five words: "She Knows That You Live". But before Minou can decipher the mysterious message, a chance encounter with a young Huguenot convert, Piet Reydon, changes her destiny forever. For Piet has a dangerous mission of his own, and he will need Minou’s help if he is to get out of La Cité alive. Mosse has, for many years, been a full-throated advocate for the power of books and reading to provide fulfilment, entertainment and education. Perhaps her greatest achievement beyond her own fiction is her creation, in 1996, of what is now the Women’s Prize for Fiction; its winners have included the very first, the late Helen Dunmore, Carol Shields, Zadie Smith, Eimear McBride and the recently victorious – and two-time winner – Barbara Kingsolver. Now, with Mosse as founder director, it has just launched its inaugural nonfiction prize, as a response to research showing that women who write nonfiction are less likely to be reviewed, to be shortlisted or win prizes, than their male counterparts. The work of ensuring that women writers’ work is judged on a level playing field continues. But the bravest among them are not who they seem. The stakes could not be higher. If arrested, they will be hanged for their crimes. Can they survive the journey and escape their fate?