I generally use an incident meter (I rarely trust camera meters), set the ISO at 200 and shoot - I generally prefer to shoot in natural light/open shade.

It’s not like a JCH Street Pan 400, or a CineStill 800T, or a Kodak Ektachrome E100; all of which genuinely are special in their own ways, and are often used to shoot their own specialised kind of photography. It is so important, as a fellow shooter, to remember our roots, and I think of that each time I pick up a film camera or two and go out shooting (even if a D-SLR is along as well).Designed for flexibility and ease of use, C200 works equally well outdoors in daylight or indoors with flash. Even though C200 is a cheap color film, it has a cult-like following, and many people enjoy its aesthetic and choose it over more expensive emulsions. I develop this film as usual and get very consistent results By that I mean my results are always mediocre and bland. But if a model has red lipstick, or a red dress, or red hair I jump at the chance to let C200 run wild.

If you appreciate things for what they are and use them for what they were made for, I put forward that C200 is, just like all of those other films just mentioned, special in its own way. I shot the Fujicolor c200 during my trip to Sweden with the point-and-shoot Olympus AF-1, and my use of the film roll has been strictly during summertime. This Halloween season, enter director Obayashi’s fantasy horror world as created in his 1977 debut feature film “House” with the ever-experimental LomoApparat and Lomography Color Negative 800 film. However the greens look awesome because they make the plants look even more lush than they would otherwise.Designed for flexibility and ease of use, Fujicolor C200 35mm works equally well outdoors in daylight or indoors with flash.

Fujicolor C200 is a 5500°k daylight balanced, consumer-grade ISO 200 colour negative film that’s available in 35mm format only. The film was developed and scanned in a lab with the same scanner (Noritsu HS-1800) on the same afternoon on the second day after exposure. The tone is warm, and the resulting feeling you get from the photos is this feeling of a slightly more mellow and subdued summer. Perhaps it’s because Kodak doesn’t manufacture a serious line of digital cameras in which to emulate certain film looks…Or maybe they DO see a market that Fuji doesn’t.

Some of the skin tones in my C200 photos are just a tiny bit off and the less-than sharpness leaves something to be desired. While the opinions of this film may be subjective, the objective results I try to present are here to give you ideas that can help you make your own art with the film as a neutral medium. Funny that my short experience with fuji f200 and superia, both gave too much green which I didn’t like much.

The heavy lifting is provided by Classic Negative, which has a strongly evocative film print look, especially reminiscent of Fujicolor prints. In that sense, I guess it’s little different to Kodak’s Gold 200 or Colorplus 200 or Ultramax 400, or any of the Ilford consumer grade monochrome films either.A film that delivers high-quality colour renditions and moderate grain, Fujifilm C200 is forgiving with highlights and known for providing reliable results across different lighting situations. Because of its low cost, it is good to experiment and use every day in almost all photographic situations.