Kelly Clarkson, 41, looks thin in a belted leather jumpsuit that highlights her newly slender figure after losing a dramatic amount of weight Gaz Beadle 'shamed' as his ex Emma McVey admits 'it's been hard' looking after their children six days a week as a single parent while 'trying to heal'

When he became an undertaker, Rupert Callender undertook to deal with the dead for the sake of the living. What Remains? is the brilliant, unforgettable story of the life and work of the world's first punk undertaker - but it is also a book about ordinary, everyday humanity and our capacity to face death with courage and compassion. To say goodbye to the people we love in our own way. Harry and Meghan are 'still hurt' about the delay in giving Archie and Lilibet their Prince and Princess titles, Omid Scobie claims Omid Scobie accusesPrince Edward and Sophie of 'a screw up' - and says remarks they made them seem 'casually bigoted'Death is not my friend, neither is it my enemy; it is my destiny. “Rupert Callender hope[s] to redefine the funeral.”– The Telegraph He spends time (as much as it takes) discussing arrangements with them, sensing ‘who needs the cup of strong tea, who needs to be given a wide berth for the moment because of their seething anger, who needs to be joked to’. He compares his profession and the healing powers of honest "punk" undertaking to his experiences with psychedelics and the punk music and art scene. While the two subjects might not seem related at first, the author makes a clear case for why those things are so important and intertwined to him.

An orphan in his late twenties, Callender came across The Natural Death Handbook and it sealed his future. He’d been expelled from school and blown his inheritance; acid house culture had given him a sense of community. Now he had a vocation. The first funeral he coordinated was for a postman named Barry. The fourth was a suicide. Their first child burial was one of his partner’s daughter’s classmates. Married at First Sight UK's Peggy Rose and GeorgesBerthonneau confirm they ARE still together after fans feared they'd split following reunionThis book was written by a European undertaker who became a staunch defender of a personalized version of the funeral experience.created his own service and cared for a great number of families. I had no idea that there was such a choice when it came to saying goodbye to a loved one and in a world that is trying its best to look after its environment, it was refreshing to see even in this industry that there are eco-friendly options available.

I'm A Celebrity fans convinced Nella Rose will follow in Grace Dent's footsteps and be the next to QUIT the showGrace Dent will be paid her FULL I'm A Celebrity fee despite quitting the show after just eight days in camp But a few wonderful institutions let the others visit the body in its room, and then, when it’s wheeled out, they ‘line the corridors and the communal spaces and applaud’. They took me to their forest HQ at Dartington Hall, where Simon was laid out on a funeral bier in their chapel of rest like some medieval king. What Remains? is a profound, deeply moving, and politically charged book that will change the way readers think about life, death, and the all-important end-of– life experience.

Callendar went all in on undertaking as a career, very much seat of his pants, but with the goals of speaking the truth of the deceased and building a community. The rest of the book details Callendar's growth in this field, from the early funerals to specific ones that challenged him and the creation of a partnership (and marriage) and eventually dissolution of the partnership with his ex wife Claire. A frequent counterpoint and focus of his ire is on the funerary industry as it exists in the United Kingdom. All this before a ending chapter about Callendar's part in a music/media festival with his heroes. Georgina Rodriguez treats stepson Mateo, five, to a VIP day at the Abu Dhabi Grand Prix as he takes after his dad Cristiano Ronaldo by sitting in a supercarNone of this comes cheap. The industry convinces people that they need to spend several thousand pounds on ‘a big public spectacle to prove their loss’. The expense can also be a way ‘to cover for feelings of guilt about the way we reacted during [the dead person’s] illness, or during their lives in general’. Some parts may not be for the squeamish such as the chapter on the embalming process and the environmental hazards of cremation which I hadn’t considered.