THE OUTSIDER is my favorite Lovecraft story bar none. It is also one of his shortest. Written in the first-person narrative (as is often the case in his fiction), it tells of a man (or is it?) who, after having lived as a recluse for what seems like a very long time in his darkened and lifeless castle (or is it?), decides one day to go out into the world and explore. There ensues a series of discoveries––with a devastating although somewhat anticipated reveal––which will seal the narrator’s fate forever. As said, this story is super short but masterfully executed, woven around the themes of loneliness, abnormality and the afterlife. The prose is as it should given the genre––divinely gothic, deliciously verbose and darkly purple. All in all, a masterpiece. Y no solo hay repetición en sus protagonistas. Cuando llevas leidas muchas novelas y muchos cuentos ves que la mayor parte son variaciones de otras, sin que cambien muchas cosas, pues, al fin de al cabo, están relacionadas unas con otras. Y para redondear la guindilla el estilo literario de este escritor es muy lento la mayor parte del tiempo, si bien esto tiene su explicación y ha sido lo que menos me ha chocado de todo lo que he dicho anteriormente, ya que al final esto último se le perdona.

Missing only one Story which was "In the walls of Eryx" co-written by Lovecraft and Kenneth J. Sterling. This 1936 novella sees Lovecraft return to writing about strange creatures, namely the Great Race of Yith, aliens who can travel through space and time. The main human character of the story is Professor Nathaniel Wingate Peaslee, who unexpectedly finds his own consciousness linked to that of a Yithian. Though at first Peaslee worries that he is losing his mind, he’s reassured by the existence of many similar cases before his… and then plunged into terror again, when he realizes the identity of the culprit.Este volumen contiene algunos de los mejores relatos de Lovecraft. Como el título indica, todos mencionan o incluyen en alguna forma el Necronomicón, un libro ficticio de magia negra y conocimientos prohibidos. Naturalmente, Lovecraft no inventó el concepto de los libros malditos. Ha existido desde hace siglos. Hay varios ejemplos de la vida real: entre ellos, el Codex Gigas, también conocido como Códice Gigas o la "biblia del diablo". Se trata de un manuscrito medieval que pesa 75 kilos y que contiene un dibujo enorme de Satanás, y según la leyenda, fue escrito por el Diablo en persona a cambio del alma de un monje. The Horror at Red Hook: Often cited as Lovecraft's most racist story, I didn't see that. It was definitely xenophobic, and maybe the broadness of the fear of the other, of all immigrants, diluted that effect for me. The story didn't stand out for me. This complete fiction is chronological, so it's interesting to see Lovecraft progress over the years. Admittedly, it was tough to get through some of the stories at the beginning, but once you get accustomed to the way Lovecraft writes, it becomes a lot easier. Not only that, but Lovecraft himself gets better at writing and the quality of his stories vastly improve. Therefore, quite predictably, my favourite stories are actually towards the end of the collection, when Lovecraft has really mastered his craft. This collection contains most of Lovecraft's better known stories, focusing largely on his Cthulhu mythos cycle, so there is lots of squamous horror here. All the familiar names are here: Cthulhu, Hastur, Shub-Niggurath, Nyarlathotep, Yog-Sothoth, Dagon, etc. Monsters of all shapes and sizes, and degenerate inbred New England townsfolk who usually have nasty things in their barns, wells, attics, and woods.

Beyond the Wall of Sleep: It turns out the term ‘white trash’ was in use as early as 1919. Who knew? Another dream-world tale, more cosmic than the last, in which a psychiatrist receives a six-month paid vacation for taking on too much stress from his patient, a degenerate from that famous hotbed of brutish hillbillies, the Catskills. Points for ‘ululation’, ‘effulgent’ (twice), and ‘architraves’. The complete works embodies Lovecraft's progression as a writer and fills his mythos well. The only complaint I could find is some earlier works do not stand the test of time or hold well. However having to find other compilations would no longer be needed. For those into noir horror, epic monsters, and the diminished mind seeing the unspeakable terrors and having to rationalize the fear, this is a great book. With some being into lovecraftian lore from gaming, other authors, or even the creepypasta craze, and not reading the original works: buy it now. No other book covers as much. Every other book will have most of the popular selections, not all. At the price you cannot go wrong.

The Call of Cthulhu is probably Lovecraft’s most influential story, serving as the basis for his epic “Old Ones” mythos. It centers around an ancient dragon-sea monster hybrid that implants itself subconsciously into human minds, driving them slowly insane. The cultists who worship Cthulhu commit ritual killings and chant in tongues. As more details of the creature and its history come to light, our narrator realizes that no one can possibly be safe from such a powerful entity — not even himself. Joshi, S. T. (2009). H.P. Lovecraft: A Comprehensive Bibliography. Tampa, FL: University of Tampa Press. ISBN 9781597320689. Najpre, želim da pohvalim izdavačku kuću Orfelin na divnoj knjizi, predivnim ilustracijama, kvalitetu papira i same knjige kao i za izgled korica. Ovo je knjiga koji bi svaki ljubitelj horora trebalo da ima u svojoj kolekciji, iako jeste malo skuplja od ostalih ali isto tako ovde se pokazuje kako cena jeste kvalitet. Naime, čitalac se (pričam o Orfelinovom izdanju knjige) najpre suočava sa kratkom biografijom autora, odnosno Lavkrafta, zatim se prelazi na Istoriju Nekronomikona, veoma retke ali poznate mračne knjige koja igra ključnu ulogu u većini odabranih priča, nakon toga sledi 25 divno prevedenih horor priča autora Lavkrafta, i tek na kraju susrećemo se sa napomenama i čudnim pojmovima koje je upravo Lavkraft pominjao kroz priče, koje potpomažu čitaocu duboko shvatanje priče. THE SHADOW OVER INNSMOUTH is yet another effective horror story set waist-deep in the Cthulhu mythos, and from what I’ve heard, a favorite of many Lovecraft aficionados. Told once again in the first person, the story is about a student (whose name is never revealed) who goes to the ruined seaside town of Innsmouth, Mass., for what he thinks will be a one-day trip. Lovecraft spares no words in describing the cursed town, and we soon understand that the nature of the curse boils down to an invasion of Innsmouth many years ago by the Deep Ones, an ancient people that came ashore from the bottom of the sea. From the town drunk with whom the narrator has a long (perhaps overlong?) conversation, we learn that the Deep Ones used to practice human sacrifices in Innsmouth and also did not hesitate to mate with local women, hence the fishy appearance of many of the inhabitants. The whole thing ends up with a big reveal, which for once isn’t as bad as one might expect for a Lovecraft story, and the author even gives us a long, very-well-written action scene toward the end, which is something rare enough to be mentioned and relished.