Close-ups can be very revealing, with faces, eyes and hair really gaining information. Texture on Weller’s face and the stretched latex appliances that join it to the metal and circuitry is, indeed, excellent. We can plainly see the wire that the ED-209’s missile travels along. There are still some reflections of the crew to be gleaned on Robo’s gleaming surface, and on the TV screens in the boardroom. Naturally, the many media breaks and commercials look appallingly soft and low-grade resolution. There was no chance of these ever getting spruced-up. Murphy (Peter Weller) is a cop in Detroit who is assigned to a new partner: Lewis (Nancy Allen). But Murphy is butchered and left for dead by a drug gang led by ruthless mobster Clarence (Kurtwood Smith), who is laundering his coke profits through a creepy corporation led by chilling CEO Mr Jones (Ronny Cox). Jones happens to be developing “RoboCop” technology for the city’s police department: a cyborg officer which will be cheaper to run and impossible to kill, but which needs a cop’s body. Poor Murphy is chosen as the first bionic officer. And so the terrible beauty of RoboCop is born. The View's Sunny Hostin Suggests Trump Is Using Racist "Dog Whistles" When He Confuses Biden And Obama: "That's What's Happening" In 1995, The Criterion Collection premiered the 'unrated' edition of RoboCop on LaserDisc. The 1987 theatrical release was cut in several scenes to attain an R-rating, and this unrated version restored that footage. The unrated version has subsequently been used for many of the film's DVD and Blu-Ray releases.

RoboCop: Edited for Television, a compilation of alternate scenes from two edited-for-television versions, including outtakes newly transferred in HD from recently unearthed 35mm elements The audacious filmmaking of Robert Eggers is always a gift for fans, and we can promise that his Nosferatu is planning quite the Christmas feast,” Focus Features chairman Peter Kujawski stated. Nosferatu stars Bill Skarsgård, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney and Willem Dafoe. Producers include both Chris Columbus and Eleanor Columbus. Arrow goes all out offering a number of audio options for both versions of the film, providing the original 4.0 theatrical surround presentation, a 2.0 stereo surround mix (I assume similar to what has been used on video since its original VHS release), and the 5.1 surround remix, all presented in DTS-HD MA.In the near future, where America has become a police state, one hundred boys are selected to enter an annual contest where the winner will be awarded whatever he wants for the rest of his life. The game is simple – maintain a steady walking pace of four miles per hour without stopping. The DC offers another shot from the side where be can gaze at the stump where Murphys arm used to be. Blood is definitely brighter and gaudier than it was last time around, but not to any detrimental or overtly pronounced and fake degree. It looks terrific, folks. After the dark raspberry jam seen in You’re Next, it is a pleasure – an unhealthy one, I suppose – to enjoy proper old school claret being flung around the screen. Blood squibs certainly seem more energetic and lively than previously, with some of the bullet-hits in the drug factory are now much more cleanly visible. Even the splat of blood that Clarence spits onto the desk in the cop shop looks meaner and more vivid. We get the best of both worlds. Onboard computer assisted memory and a lifetime of on the street law enforcement programming. Like Arrow’s other recent 4K release, 12 Monkeys, RoboCop’s visual improvement in 4K is more of incremental than revolutionary. Given the film’s vintage and its use of special effects of the old school optical variety, the jump to 4K is a double-edged sword: little details are better, resulting in image quality that might even surpass what you could see in the movie theater in 1987, while the softness of the special effects stands out more.

More Man Than Machine: Composing RoboCop, a tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson RoboProps, a newly filmed tour of super-fan Julien Dumont’s collection of original props and memorabilia

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Director’s Cut Production Footage, raw dailies from the filming of the unrated gore scenes, presented in 4K (SDR)