There is so much I want to say about the plot of this book. So many spoilers. But I'm not going to mention any of them. This is a book about Gemma and Talan. It's filled with magic and danger. All of the twists. So many secrets. So much pain too. But also hope and love. And I adored every part of this book. I so loved how Gemma and Talan fit together. I loved reading about Gemma and her sisters together. And oh, I did love the ending. But gosh. There are so many things I need answers to. I must have the next book now.

Her bestselling Empirium Trilogy consists of epic fantasy novels FURYBORN, KINGSBANE, and LIGHTBRINGER. Example four. Three sisters that are totally water downed versions of Archeron sisters. You really thought we wouldn’t notice? Book Description: Lady Gemma Ashbourne seemingly has it all. She’s young, gorgeous, and rich. Her family was Anointed by the gods, blessed with incredible abilities. But underneath her glittering façade, Gemma is deeply sad. Years ago, her sister Mara was taken to the Middlemist to guard against treacherous magic. Her mother abandoned the family. Her father and eldest sister, Farrin—embroiled in a deadly blood feud with the mysterious Bask family—often forget Gemma exists. My biggest complaint is just that the romance felt a bit insta-lovey at first, but it does get better! Not my favorite kind of romance arc, but I definitely enjoyed it regardless. I've not been in the mood for spice recently, but this one had a light sprinkle throughout leading to one really hot part, and I found myself loving it actually. And the cast of characters was so good, I'm excited to be able to get to see (most of :') them again in the next one.Example two. I don’t know about you but for me it’s very hard to continue with a book if nothing interesting happens in the first 20%. The first 35% of this book read like a badly written fan fiction. REALLY badly write. From insta lust with somehow zero chemistry between two main characters to almost none to very confusing world building. Talan and Gemma are two lonely souls. Talan has no family left to speak of, and Gemma is an outcast within her own family. She is the only one in her family to not possess magic, and even further she suffers from chronic pain and illness just being around magic. At first, she comes off flippant and flighty, but as the book continues we see more depth to her characters and honestly a lot of character development. If you start this book and are unsure how you feel about Gemma, just continue reading because her character goes through a journey. I think LeGrand excels at writing flawed, real women who might not always be likeable but draw you in nevertheless. Talan and Gemma are drawn to one another immediately, and their romance was sweet and tender. The result is a genuine and exciting character arc that puts disability and mental illness in the spotlight for an honest, earnest evaluation. So, overall, this was a very mixed bag for me. I think, in the end, I didn’t end up loving this book. But, BUT!, on the other hand, I’m supremely invested in the next book in this series and can’t wait to get my hands on it! Given the nature of my complaints with this book, they all feel of the very specific sort that won’t be a problem in the books going forward. Both sisters seem like much more interesting characters than Gemma. The romantic interest/plot for one of them is already laid out and is incredibly appealing. And I think the world-building is now established enough that we won’t have the same plotting/pacing issue going forward where the tone is unclear between Bridgerton or ACOTAR. So, all of this to say, while I did struggle with this book, I do recommend it for fantasy romance readers based on my faith that the trilogy will turn out to be well worth it as a whole. Gemma has grown up with a very priveleged existence: rich, beautiful, and a member of one of the most powerful families in the land. But, at the same time, Gemma has always felt herself to be on the outside looking in. Not only does she not possess any of the magical talent that her family is known for, and that both of her older sisters excel at in their own ways, but magic actively hurts Gemma, causing her to move through life in a very magical world experiencing constant levels of pain. When Gemma meets Talan, a young man who also feels that he exists outside the strictures of society, she finally begins to see a way forward, teaming up with him to hunt a powerful demon who may be the answer to her struggles with magic. But along the way, she begins to suspect that there is much more going on with Talan and the larger world as a whole.

Example one. This book is marketed as adult. But the characters and the writing is VERY YA. Cursing and bad cringy sex scenes do not make book an adult fantasy. The last third of the book couldn’t have been so much more if by the time I got there, all I wanted to do is be done already. First, a huge thank you to Sophie from Sourcebooks International for sending me this ARC. I´ll treasure it forever. My first initial reaction to this book was that it is the perfect blend between an English high society period drama and an epic fantasy novel. Did I like everything about the writing style? No, definitely not. Was the story interesting and exciting? Yes, definitely.This book was a COMPLETE mess. I’m gonna start with that I really enjoyed Bridgerton books and ACOTAR is my all time favorite. I’m telling you this right now. This book is NOTHING like those two series.

Each book will follow one of the Ashbourne sisters, and in this first novel, we are introduced to Lady Imogen “Gemma” Ashbourne…. a young, rich and beautiful woman of a family, which was Anointed by the gods and blessed with incredible abilities, she seemingly has it all.

Despite this disappointment, there’s still hope for this series. The subsequent books in the trilogy are meant to focus on Gemma’s sisters, Farrin and Mara, who both display more complexity in their brief appearances in this book than its intended heroine often does. (Plus, I’m not made of stone—the idea of eldest sister Farrin getting together with Ryder Bask, son of her family’s worst enemy is incredible .) Here’s hoping that the story’s second volume will find a more coherent way to tell their stories. Rating 7: A very mixed bag for this book specifically, but I was definitely sold on the concept and anxiously await the next entry in the trilogy! As in every Claire Legrand book, the writing, and descriptions were wonderful, as was the worldbuilding. Often, I had a clearer image of what a scene looked like than I did the role the characters played in that scene, which though problematic, made the story immersive (that is until Gemma started complaining). The sensory writing was incredibly vivid, as were the hints of horror the author included.

I think the series has a very good chance of being very good, if the story were written a little more structured. This has so much potential and I wanted to love it, but I'm spending most of my time being irritated and it's too long of a book for that. That said, this feels like TikTok fodder and there are people who will probably eat it up. The problem is that what I think this author does well isn't what this imprint and I assume these editors are leaning into. This book starts out as a regency flavored romp, following Gemma Ashbourne as she befriends the foreign Talan d’Astier, and they form a pact to hunt down the demon responsible for the Ashbourne blood feud, and in exchange Gemma helps Talan integrate into high society. From there, things slowly devolve into madness. A book that started as parties and balls slowly unwinds to a dark fantasy horror, and I loved every second of the unspooling. A Crown of Ivy and Glass was just as perfectly incredible as I knew it would be. Full of magic, romance and curses. Full of pain and passion and hope. The sisterly love between the three of them was amazing and I loved it so. The steamy romance was the most I have read in books before and I very much loved it. I know the next two books will be about Farrin and Mara. And I can't wait to know more about them, eee. I do hope there might be some Gemma point of view too. Fingers crossed. I must know more of this world. I don’t care what scars you have. I have them too. I’m not afraid of your grief. I’ll help you carry it and you’ll help carry mine.”It has the lightness and shimmer of a high society balls hosted at a beautiful mansion in the countryside that is covered in ivy from the out and inside. It has the softness of a silk gown and the magical aesthetic of a pre-Raphaelite painting. But it also has the weight and eerie darkness you would hope for in a fantasy world. The danger and mystery. Therefore, I absolutely adored the world building around the Mist, the Rosewarren, the history, folktales, and gods, since it was so characteristically “Claire Legrand” with its rich details, its depth and extended even further once the Fae and demons were introduced.