Poling, Dean (March 19, 2010). "Bad to the Funny Bone: A Strange Conversation with George Thorogood". Valdosta Daily Times . Retrieved April 2, 2010. Unless mandatory applicable law provides otherwise, your use of and membership to the Service are exclusively governed by Dutch law. We shall first try to settle any dispute over a dram of whisky. Disputes that cannot be settled over multiple drams of whisky shall be solely submitted to the court of Amsterdam, The Netherlands unless mandatory applicable law provides otherwise. Laberge, Yves (2006). "Amos Milburn". In Komara, Edward (ed.). Encyclopedia of the Blues, Volume 2: K–Z. New York City: Routledge. ISBN 978-0-415-92699-7. You are responsible for all activities through your account. You are responsible for the accuracy of the information you provide to us in relation to your account, and for updating it where necessary. You are not allowed to create multiple accounts. We may terminate or temporarily suspend your account to protect you, ourselves or our partners from (suspected) identity theft or other (suspected) fraudulent (e.g. false, misleading, deceptive) activity. You have the obligation to keep your login credentials confidential. You shall not authorize any others to use or access your account. Hooker's song is notated as a medium tempo blues with an irregular number of bars in 4/4 time in the key of E. [15] It was recorded in Chicago in 1966 with Hooker on vocal and guitar, guitarist Eddie "Guitar" Burns, and unknown accompanists. [17] The song was released on the Chess Records album The Real Folk Blues (1966). [18] A live version with Muddy Waters' band recorded at the Cafe Au Go Go on August 30, 1966, has been described as "dark, slow, swampy-deep, and the degree of emotional rapport between Hooker and the band (particularly Otis Spann) [is] nothing less than extraordinary". [19] George Thorogood [ edit ]

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One Scotch, One Bourbon, One Beer" is one of Amos Milburn's popular alcohol-themed songs, that included " Bad, Bad Whiskey" (1950), "Thinking and Drinking" (1952), "Let Me Go Home, Whiskey" (1953), and "Good, Good Whiskey" (1954). [2] Written by Rudy Toombs, is a mid-tempo song, sometimes described as a jump blues. [3] Milburn recorded the song on June 30, 1953, at Audio-Video Recording studios in New York City. [4] Cook, Stephen. "John Lee Hooker: The Real Folk Blues–Review". AllMusic . Retrieved September 4, 2022. We may sell, license, transfer, assign or in any other way dispose of the Service (including Members) to any third party without any notification to you, e.g. (but without limitation) in connection with any reorganization, restructuring, merger or sale, or other transfer of assets. We may, but are not under any obligation, to release new functionalities and tools or other features for the Service every now and then. Any new functionalities, tools and features shall be part of and governed by the Terms from the moment they are launched and/or available. Further, we reserve the right to modify, change, discontinue the Service, add or remove features, update the Service, change its appearance, temporarily and permanently, at any time, in whole or any part thereof. Nothing in the Terms shall exclude or limit our liability for fraudulent misrepresentation or for death or personal injury resulting from gross negligence or willful misconduct by us.

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Laberge 2006, p.691: "[The Milburn release was] composed by Rudy Toombs. The song was later covered by John Lee Hooker ... and George Thorogood." One Bourbon, One Scotch, One Beer". The Blues. Milwaukee, Wisconsin: Hal Leonard. 1995. ISBN 0-79355-259-1. If any provision of these Terms is held invalid, the remainder of the Terms shall continue in full force and effect. Fahey, David M.; Miller, Jon S. (2013). Alcohol and Drugs in North America, Volume 1:A–L. Snta Barbara, California: ABC-CLIO. ISBN 978-1598844795. Our Service is an online platform which provides Members with information (e.g. bottle facts, market-indices, market values and prices) on (mostly) whisky and allows Members to add information to the platform. We do not sell, nor does the Service provide any option to buy, any alcoholic products.

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Regardless of whether the Service offers the functionality to contribute, you are solely responsible and liable for any content and information that you create, upload, post, publish, link to, duplicate, transmit, record, display or otherwise make available on the Service or to other Members, such as chat messages, text messages, videos, audio, audio recordings, music, pictures, photographs, text and any other information or materials, whether publicly posted or privately transmitted (“Contributions”). Hooker honed the blues into something new – a grinding, hymnal vamp, which he finessed for all it was worth. Hooker’s essential sound dispensed with the usual 12-bar blues progression to throw the focus on the thrust of the rhythm. It’s deep groove music he made, with a sound as indebted to the beat as funk, and as enamored of repetition as an incantation. In Hooker’s greatest recordings, repetition bred intensity, both in his guitar playing and in his vocals which, in their chanting, droning cadence, could reach the transcendence of devotional singing.The Service has been prepared by us solely for information purposes to Members and the Service is based on information we consider reliable and we obtain the contents of the Service from a number of different third party sources (including Contributions), but we do not endorse, support, represent, warrant or guarantee the completeness, truthfulness, accuracy, or reliability of the Services and any information therein. Birnbaum 2013, p.248: "[Milburn's] 'One Scotch, One Bourbon, One Beer' (later revived by John Lee Hooker as 'One Bourbon, One Scotch, One Beer')" Batey 2003, p.150: "one of his [Hooker's] best-known songs, 'One Bourbon, One Scotch, One Beer,' [is] an adaptation of a classic Amos Milburn drinking tune." Legendary bluesman John Lee Hooker remade a blues classic in 1966. The original version of the song had a slightly different title, “One Scotch, One Bourbon, One Beer”—it was written by Rudy Toombs and sung by Amos Milburn. Milburn’s version was a hit in 1953, but Hooker took Milburn’s song and “edited the verse down to its essentials” and added his own unique touch.