A poem in one of Searle's books called "St Trinian's Soccer Song", by D. B. Wyndham Lewis and Johnny Dankworth, states that the motto is Floreat St Trinian's ("May St Trinian's Bloom/Flourish"), [12] a reference to the motto of Eton ( Floreat Etona—"May Eton Flourish"). The gauge 0 model train manufacturer ACE Trains produce an "unorthodox" model of a British Schools Class steam locomotive (which were named after British schools), numbered 1922 and named "St Trinneans" (sic). This model is bright pink and has a pair of uniformed schoolgirls as driver and fireman. [14] Please everyone leave Bunster alone.He's obviously very nice man with big town concerns for all and likes to protect innocents with big fluffy embrace

The film was not a critical or commercial success. [3] It has yet to be released on DVD except in the US. [ citation needed] Plot [ edit ] This movie starts out with a group of younger "fourth-form" girls from the titular "St. Trinian's" girls' school singing a surly rendition of their school song, which is strangely intercut with shots of the more mature "sixth-form" girls doing a sexy dance in unfeasibly short skirts. This strange opening scene is very typical of the strange movie to follow. Not being British, I'm not really familiar with the earlier 50's and 60's "St. Trinian's" films. I know they featured rebellious, cigarette-smoking, working-glass schoolgirls and were not quite as innocuous and family-friendly as something like "The Trouble with Angels". Still they really couldn't have hoped to compete with the saucy, sex-obsessed fare that dominated home-grown British cinema by 1980, and they really shouldn't have tried to. The St. Trinian's girls begin to infiltrate other schools by kidnapping pupils and replacing them with one of their own. But one girl they kidnap is a princess, the daughter of the ruler of an oil-rich Middle Eastern state, something that threatens a diplomatic incident.

The Pure Hell of St. Trinian's

This time the St. Trinian's girls decide to form a union, so that they can go on strike. To increase their bargaining power, their partner in crime, former school boot boy Harry (Joe Melia), encourages them to infiltrate the top schools in the country, so that they can form a "closed shop" and bring all of the other schools out on strike as well. Barchester and Barset were used as names for the fictional towns near which St Trinian's School was supposedly located in the original films. In Blue Murder at St Trinian's, a signpost was marked as 2 miles to Barset, 8 miles to Wantage, indicating a location in what was Berkshire at the time of filming (transferred to Oxfordshire in 1974}. For the 2007 film, see St Trinian's (film). For the actual progressive school, see St Trinnean's School. Cover of a modern re-issue of St Trinian's drawings Joe Melia replaces George Cole as Flash Harry, Cole having wisely decided to pass on this one. George Cole had just taken on his most famous role, as Arthur Daley in the long running TV series Minder, and so probably thought that he didn't need to do this kind of thing anymore. In his autobiography, Cole says that he was offered the part, but couldn't accept due to other commitments. How very convenient. He must have read the script.

The plot of Wildcats is lame and nonsensical and the film itself seems to be very aware of this. As one of the St. Trinian's girls says, why do they need to go on strike when they don't do any work anyway? The dismal plot might be excusable if the film was funny, but there's barely a joke to be seen, and those that did somehow manage to escape into Frank Launder's script are pretty ancient. A couple of actors return to the fold, perhaps out of loyalty to Frank Launder. Thorley Walters appears in his third St. Trinian's film, playing his third different character in the series.Walters played an army officer in the second film and a civil servant in the third. He gets promoted to a more senior role this time, although this is in the Department of Women's Education rather than the Ministry of Education of the earlier films. He is also given a different character name, Culpepper Brown, a character played by Eric Barker in the previous three films. Well, well, well... St Trinians as political comment. Other reviewers have mentioned this, but it is little wonder that this film flopped in 1980 when it was released upon a trade-union obsessed UK public. The film sends up the trade union movement and strongly critiques any attempt to compromise with the "workers" and meet their demands... a lesson that the 1980's UK government took to heart after the appeasement tactics of the 1970's. Unlike most other reviewers I liked this film: it is a clear and obvious continuation of the original franchise with many character touches lifted directly from the first four films, much more-so than the remakes (updated versions) in 2007 and 2009. The film pokes fun at the British trade union movement which had been responsible for the recent wave of strikes that culminated in the Winter of Discontent.

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My Bodyguard (1980) L.C. Peache (Martin Mull) is a hotel manager who moves to Chicago to take on a prestigious new job at… During his BBC interview [8] Searle agreed that the cruelty depicted at St Trinian's derived partly from his captivity during World War II but stressed that he included it only because the ignoble aspect to warfare in general had become more widely known. My St Trinians film was going to be a project for a video production course I did at college in 2001 and I mentioned it on this forum at the time. The girls of St. Trinian's hatch yet another fiendish plot—a trade union for British schoolgirls. Their friend and mentor, Flash Harry, suggests a plan which involves kidnapping girls from other rather more respectable colleges and substituting their own "agents". Thus begins a hilarious, often bloody, battle of wits as the girls meet resistance not only from Olga Vandermeer, their Headmistress, but from the Minister of Education, a private detective, and an oil sheikh. Despite all his desperate efforts to foil the conspiracy, the Minister has to face a growing realisation that the girls' demands will have to be met—for him this will mean a very great and very personal sacrifice.