This is a weird, sort of disjointed manga of short stories featuring different people in a city or town, that’s affected by a curse or an evil after an idol/totem was destroyed. PTSD Radio จะหยุดการสานต่อไปแบบไม่เป็นทางการ แต่อาจารย์นากายามะ ก็ยังปล่อยผลงานอื่น ๆ อย่าง Fuan no Tane หรือ "เมล็ดพันธุ์แห่งความวิตก" ออกมาให้อ่านกันอยู่ ซึ่งนั่นสามารถอธิบายได้ว่าสุขภาพของอาจารย์ยังคงแข็งแรงพอที่จะสร้างผลงานมังงะต่อไปได้ แต่ก็ยังไม่มีอะไรอธิบายได้ว่าเรื่องหลอน ๆ ในสตูดิโอเก่าและอาการป่วยนั้น เป็นแค่เรื่องบังเอิญหรือเพราะมังงะเรื่องนี้กันแน่ Ogushi appears represented in shadowy arms grabbing people, rooting them to the spot before taking them...elsewhere. The manga relies on some jumpscares, nightmare faces, and fear of what comes next to keep readers hooked. air among horror stories, not only when we are talking about mangas. It mixes elements such as traditional Japanese folklore, mystery, rituals of the past, curses, unexpected encounters of supernatural entities. It might not sound special at all, but "PTSD Radio" perfectly combines all these various elements into one, making readers mesmerized by the story with each new thing appearing in it. Sometimes using well-known elements in a fine way might lead to creating an original work of art, and in my opinion this is the case of "PTSD Radio". This one was a fun one to read at night! It was creepy and the artwork made up for it. I love how unique the story is and the concept behind this book (each radio frequencies refering to each events taking place at different locations).

Ghostly Goals: A girl keeps waking up in the middle of the night, seeing a vague, inhuman mouth panting at her side, exhaling a foul-smelling breath. Despite this, the presence also pulls her from crossing a dangerous road, leaving her confused as to what it is and what it wants. Later, it drags her to the family kitchen just in time to see a fire start and for her father to douse the flames. Then she realizes the mysterious ghost is a dog - the late pet of the former owner. She makes sure his grave will be left untouched and thanks him for the help, now sure it's nothing but helpful. NAKAYAMA: No, not to speak of. My feeling is that if someone encountering one of those apparitions was able to give it a name, it would suggest they had the mental or psychological bandwidth left to do so – but I don't think they do, or would. I simply speak on behalf of the characters, so I don't know anything they don't know.An unseen hand tugs at your braid. You find an old box with only a tangled mess of dark hair inside. You open a door in your home only to witness a river of curls slinking away, an ominous lump at its heart. Laser-Guided Karma: A member of a group of school bullies ends up mysteriously comatose after threatening to cut the hair of a weird new kid. Turns out he's not the first one. The impact, then, is double-edged. The brief propulsions of narrative, moving around and coming as they go without any resolution, carry a haunting effect in their saying, this is how the world is, everywhere, all the time; it can happen to anyone, and it does happen to everyone, and the world around you will not notice or care. On the other hand, its selection and prompt discarding of protagonists does not allow the author, or at least does not compel him, to develop his characters outside of their relationship to the overall plot, prompting the reader to ask if they should, in any sense beyond the aesthetic, care or be engaged in any active way. Surreal Horror: Horrible things happen to people for no discernible reason they can understand... the problem is, those horrors often turn out to have their own logic, which doesn't mesh with human understanding.

the stories we've shared are connected in some way?" directly within its dialogue. But it still mostly These stories may seem random, but they all begin making sense once the hair totem and Ogushi myth begin to take shape. Long story short, a town in Japan had a shrine to Ogushi that was paid tribute to with human hair. A curse seemed to befall the town after World War II, wherein a Japanese soldier failed to bring one of his deceased comrades' hair to the shrine.

NAKAYAMA: When I was a kid, my uncle on my father's side got me and a bunch of my cousins together at my grandma's house to tell scary stories, and that's where my interest started. As a matter of fact, though, I'm quite the scaredy-cat! I can't bring myself to watch horror movies or TV horror series. I won't go into haunted houses, and I'm too scared by other horror manga to read anything but my own work! Maybe it's because I'm so readily scared that I'm so full of frightening ideas—it might be exactly what enables me to create these stories.