This book presents the complete set of 2,571 photos. The monumental body of work by the master photographer and the Hollywood actress marks a climax in the history of star photography, both in quantity and quality. It is a unique affirmation of the erotic dimension of photography and the eroticism of taking photos, and it is the world's finest and largest tribute to Marilyn Monroe. repeatedly gets off on describing her as "childlike" and "vulnerable", so far as comparing it to spying on his 12 year old girl next door as a teenager August 5, 1962: Marilyn Monroe was found dead of an “apparent barbiturate overdose." I put that in quotes because there is plenty of controversy about how she died. Was it a suicide? Was it murder? What exactly happened?

Marilyn had become a Hollywood sex symbol by this time, known for playing the “blonde bombshell." She was the object of every man's desire.

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I've wanted to write this article for nearly a month now and I thought it would take no time at all to gather the details of those infamous few days in 1962 when Bert Stern and Marilyn Monroe spent intimate hours at the Bel-Air Hotel. But oh, was I wrong. I had been digging for insider information, watching every documentary and reading every article, when my mother-in-law found me a copy of The Last Sitting, written by Bert Stern himself. Only in reading that book did I find out all the juicy details. Hardcover. Condition: Gut. ANNIE GOTTLIEB IST FREIBERUFLICHE SCHRIFTSTELLERIN MIT DEM SCHWERPUNKT PSYCHOLOGIE. SIE ARBEITET FÜR VIELE ZEITSCHRIFTEN, UNTER ANDEREM MIRABELLA, MCCALL'S, DIE NEW YORK TIMES BOOK REVIEW SOWIE DIE NEW YORK TIMES. DIESES BUCH FÜHRT EINEN IN EIN HEILIGTUM UND ICH HATTE BEIM ERSTEN ANSCHAUEN DAS GEFÜHL EINER ZU SEIN DER DINGE SIEHT, DIE IHN EIGENTLICH NICHTS ANGEHEN. IN KEINEM ANDEREN BUCH KOMMT MAN MARILYN SO NAHE WIE IN DIESEM. MAN SPÜRT DAS NAHE ENDE, DENN BERT STERN HAT DIESE PHOTOSERIE WENIGE TAGE VOR IHREM TOD AUFGENOMMEN UND MARILYN WIRKT ZERSTÖRT UND IST NICHT WIRKLICH MEHR TEIL DIESER WELT. (WENN SIE DAS ÜBERHAUPT JE WAR.) DEN ZUSCHAUER ERWARTEN SÄMTLICHE KONTAKTBÖGEN DES "LAST SITTINGS" UND AUSGEWÄHLTE VERGRÖßERUNGEN IN SCHWARZ-WEIß ODER BUNT. INTERESSANT SIND DIE ZERSTÖRUNGEN, DIE MARILYN AUF DEN KONTAKTEN HINTERLASSEN HAT. EINIGE SIND MIT ROTEM STIFT DURCHGESTRICHEN UND ANDERE MIT EINEM CUTTER ZERSTÖRT WORDEN. SCHON DAS HAT DIESE BILDER ZU VISUELLEN KLASSIKERN GEMACHT. March, 1962: Vogue arranges a shoot in Los Angeles and Bert does presumably what any man would do had they been allowed an intimate day and night with Marilyn Monroe. He had reserved them a suite at the Bel-Air Hotel; for the art of photography, of course. Although Bert later writes, "making love and making photographs were closely connected in my mind when it came to women,” which makes me question how appropriate this "professional" day actually was. Oh, to be a fly on the wall. He writes very candidly in this book about his great desire to have Marilyn if he could. How did this go from a Vogue fashion shoot to a nude shoot?

coherses her into taking all of her clothes off, then taking photos for his "private collection" when she accidentally drops one of the items covering her bottom half Bert Stern, the famous commercial and fashion photographer of the 60s, was the last to be granted a sitting by Marilyn Monroe six weeks before her tragic death. The three-day session yielded nearly 2,600 pictures-fashion, portrait, and nude studies-of indescribable sensual and human vibrancy, of which no more than 20 were published. And yet these few photographs ineradicably shaped our image of Marilyn Monroe. Bert had brought a bunch of see-through scarves and beads from the Vogue accessories closet. He suggested she pose with just the scarves and nothing else. He knew this was risky. Marilyn asked her stylist what his thoughts were on this idea, and Bert recalls, “I knew my life was in his hands at that very moment. That if he said don’t you dare, we never would have taken the pictures.” The photos exude a sultry, almost love-at-first-sight feeling. They didn’t know each other at this point, yet I feel like the photos embody a familiarity Marilyn might have felt with Bert. And the intimacy doesn’t end there.The Last Sitting is a book and photo shoot of Marilyn Monroe by photographer Bert Stern. The photo shoot was commissioned by Vogue magazine in late June 1962, taking place over three daily sessions, just six weeks before she died. is at the time of his writing aware that for all intents and purposes, Marilyn committed suicide shortly after seeing the finished photos, of which she brutually vetoed more than half, and yet feels zero shame over the fact that even then he goes on to publish those photos (destructions marks and all)

takes pride in only kissing Marilyn after she just about managed to say "no" before she passed out on the bed after a grueling day of shooting Beginning today, visitors to the Paris exhibition hall (and car dealer) DS World can experience the elegance and vulnerability of Stern’s series in the exhibition “ Marilyn, the Last Sitting,” on view until January 6, 2018. The photos are featured alongside DS car models, including a rare, bright-red DS 21 Cabriolet from 1966.is aware of the fact that she had her drink spiked with 100% vodka, yet supplies more and more alcohol during the shoot Vogue ultimately decided to run the article using all of the same selections they had originally planned to use, with the addition of text explaining to readers their position. With a line like that, there is no wonder he was able to pull the desire right out of Marilyn and onto the lens of his camera. The year all of Bert’s dreams came true. He proposed shooting Marilyn for Vogue, and Vogue said yes.

Side note: Did you know we named our Marilyn accordion-pleated skirt after Marilyn to pay homage to her infamous accordion-pleated dress that she wore in The Seven Year Itch? So, who is Bert Stern and what is The Last Sitting? August 6, 1962: Vogue September issue was on press about to be printed when news broke of Monroe's death. The story of Marilyn continues to haunt me. I want to know why a beautiful life was cut short. I want to know what she was like while she was alive. I want to know why her presence still stands the test of time. For now, what I do have are these small snapshots of who she was, preserved and eternally youthful, uninhibited and completely raw, thanks to a young Brooklyn photographer who never could have imagined the ever-lasting allure his work would one day evoke. Then, now, and for many years to come.

These, to me, are the most stunning, because it is clear Marilyn is at her most comfortable and uninhibited. What about the photos of Marilyn with the orange X over her face? What is that about? Bert Stern had taken the LAST photos of Marilyn Monroe only 6 weeks before her tragic death. This group of 2,571 captures was so special and emotionally unrestrained, that they have now become an almost eerie harbinger of her demise. It's interesting to see such a beautiful photo with this X over it. To me, these are the most spectacular. It begs you to consider that even the most gorgeous people have insecurities many would never classify as a flaw. She had no idea how stunning she was. I see a woman who was everything to everyone, but nothing to herself. What did the Vogue article look like? Did they mention her death? In 2008 Stern shot recreations of the images used by Vogue—with actress Lindsay Lohan as the model—for the February 25, 2008 issue of New York. [1] Publishing history [ edit ] Hardcover editions [ edit ]