Information about their relationship is embedded in memories as they are being erased, and keeping tabs on those employees as they erase them gives yet another uneasy feeling of imminent heartbreak. A cover version of The Korgis' " Everybody's Got to Learn Sometime" with instrumentation by Brion and vocals by Beck operates as the soundtrack's centerpiece, setting the film's tone in the opening credits, and closing the film. At this point, Carrey was best known for his broad comedic turns in films like Bruce Almighty (2003), How The Grinch Stole Christmas (2000), Dumb and Dumber (1994), and Ace Ventura: Pet Detective (1994), but the character of reserved Joel Barish"hit a nerve" with the actor.

Eternal Sunshine of the Spotless Mind – HarperCollins Eternal Sunshine of the Spotless Mind – HarperCollins

Meanwhile, Mary and Stan have had sex and are cavorting around Joel's apartment when Stan notices that the machines have stopped erasing Joel's memory. Vernallis describes some threads of the visual, aural, and musical motifs throughout the film, and how some motifs can work in counterpoint. A groundbreaking work of feminist history and theory analyzing the complex relations between various forms of oppression. In Joel's apartment, while Stan is outside, Mary tells Howard she is in love with him and they kiss.While the procedure runs on Joel's brain, the technician, Stan, and the secretary, Mary, take drugs, party and have sex. Two handheld cameras filmed near 360-degree footage at all times, shooting 36,000 feet of film a day to deal with this.

Eternal Sunshine of the Spotless Mind Study Guide | GradeSaver Eternal Sunshine of the Spotless Mind Study Guide | GradeSaver

Moira MacDonald in a review for The Seattle Times stated "[Jim Carrey is] not bad at all — in fact, it's the most honest, vulnerable work he's ever done", [62] while David Edelstein of Slate said "It's rarely a compliment when I refer to an actor as "straitjacketed", but the straitjacketing of Jim Carrey is fiercely poignant.

Kaufman exemplifies that moment of reckoning when Joel accepts that Clementine will be erased forever. I’ve found something I can point at and consider “Kafkaesque,” but other plot lines weave in, strengthening the themes of the work. The versions of Joel and Clementine that Joel sees in his memory are not real, but they are interpretations or projections of the real people.

Eternal Sunshine of the Spotless Mind - Google Books

But there are those cases where there are still feelings between both, and it seems that they can't find a common ground or some other situations may be getting in the way, there can be a way out, and sometimes it is the easiest one: to talk, no holds-bared, and be able to listen and process.I found that the analysis of the movie as a comedy of remarriage really added a lot to how I see the film.