Hopes And Fears [VINYL]

£13.62
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Hopes And Fears [VINYL]

Hopes And Fears [VINYL]

RRP: £27.24
Price: £13.62
£13.62 FREE Shipping

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Keane 2017 hopes and fears vinyl reissue. Uhm why? Just why? . If you're expecting hopes and fears sounds better on vinyl then i feel sorry for you.Yes if you wanna buy it for the collection then go buy it but if you wanna buy it because you're expecting it will sound superior then the cd one is the superior Discussing the legacy of the album, which has sold millions of copies worldwide and is the ninth best-selling album of the 21st century in the UK, Chaplin said: “I still feel very connected to the songs. When I sing them live, they still surprise me, and something will hit me that hadn’t hit me before, like a new way of hearing the song.” Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. japanese edition on an shm disc...It's not a remastered ...it has the same japanese enhanced edition master on a shm disc. As for the future of the band beyond the anniversary celebrations, Chaplin was looking ahead to what comes after their 2019 album ‘ Cause & Effect’.

Keane are another of these bands. They won't ever be playing to an animated crowd who are jostling with each other to stand upright as the giddy rhythms take over control of their feet; they won't ever have an audience whose mouths are agape with wonder, so much so that the oxygen in the immediate vicinity is in such short supply. They will never know the intense pleasure of creating a mosh pit. But they will have lots of girls staring at them from atop their boyfriend's shoulders, singing along with every word of their Radio One approved songs. In a press release, lead singer Tom Chaplin reflected on the making of Hopes and Fears; “I remember standing by that amazing old mixing desk at Heliocentric Studios where we made Hopes and Fears, listening to an early mix of Somewhere Only We Know. I had this feeling that we’d come up with something that had an extra bit of magic. Making music is so often a process full of doubt…but on this occasion there was something undeniable about what we’d created. Clearly a lot of people felt the same when the album came out!” Hopes And Fears’ ends with ‘Bedshaped’ too, which feels like quite a final note to end on, and we often end our [regular] gigs with that. We’ll be figuring it out in the coming months.” Chaplin continued: “Until we actually get in a room and start playing it, we won’t really know how it will work out, but we’ve got some ideas about how to make it work. My experience of going to see these anniversary shows and seeing people play the record, it’s nice to hear it from start to finish, because that’s how you know the album to be.It's strange, then, that Chaplin puts his own life squarely at the center of these songs-- both vocally and lyrically-- rarely affording consideration to anyone else, even his bandmates. There are other people in these songs, but like Hughes and Oxley-Rice, they're only present as a framework for his projectile vocals, and to reflect his morally superior intentions or ideas about friendship, music and love. In addition to nebulous notions of life and love and hazy references to "change" and "the light," Chaplin peppers his songs with vague pronouns-- she, you, and it-- but I predominates. And when he's not condescending ("I don't know you and I don't want you till the moment your eyes open"), he's engaging in a kind of self-centered therapy ("Everybody's changing and I don't feel the same") that wears increasingly thin from the moment Hopes and Fears begins. Up next is the SACD one. Well the 5.1 surround sound is a bonus mostly if you have a home theater speaker with 5 speakers. The Sacd is near perfect for me. If you have a home theater 5 channel speaker with a blu ray player or dvd player that supports an sacd or a dsd file then enjoy. One particularly revolutionary session came in a dilapidated French mansion with producer James Sanger. “I remember thinking that it was the start of an interesting relationship between us and James,” the frontman said. “We were his guinea pigs for this plan he had to turn the mansion into a big studio complex, and he obviously saw something in the songs.”

Across the half a decade between forming and releasing the debut, Keane had to contend with the departure of founding guitarist Dominic Scott, and spent years crafting the songs that would end up on the debut album. The frontman ended: “It feels more hopeful and positive and full of ideas than it has done for a very long time.”The frontman added: “What Tim’s always been very good at is articulating heartbreak. He was able to draw on his many heartbreaks and translate a lot of it into the songwriting, but not in an overly confessional way. His great skill at that point was to write songs that had a universality to them. During those years, my voice also began to grow, and I wasn’t trying to copy other people any more – I began to sing in my own voice.

I’ve had enough sadness, loneliness, fear, anxiety and heartbreak in my own life for that to feel like a really good combination, my singing and his writing. It’s hard to pinpoint an exact moment when that happened, but it certainly went from being this very disjointed thing to having this chemistry that seemed to really work.”

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They're not a bad band, they are just not the kind of band I would buy into. The reason I have the CD is that a friend of mine forced a copy of it on me, and I never turn down free music unless it's Ashlee Simpson. I must admit, it's fairly pleasant to have on whilst working, it doesn't shake my soul to its very foundations, but it's nice for a bit of a singalong.



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