A 20 year old girl dies when she plunges to the bottom of an elevator shaft while playing around in a hotel dumbwaiter. That doesn't sound like a premise for an exceptional novel, but in Ali Smith's hands that's exactly what it becomes. There are five viewpoints here, including that of Sara herself, as she recalls her death and the days immediately before and after. Her younger sister gets a say, as does the desk receptionist at the hotel, and a homeless woman and a young female reporter. The latter two women never knew her at all. The several characters are people employed by or having some other connection to a corporate chain hotel in an English city: A young female employee who has a tragic accident; a night reception clerk who extends a kindness to a young homeless woman; a guest who’s a PR writer on assignment; the deceased employee’s little sister.

Hotel World Summary | SuperSummary Hotel World Summary | SuperSummary

This is the fourth book by Ali Smith I’ve read - which is interesting because if there’s a number Smith likes, it’s the number four - her books are sometimes divided into four sections and a couple have titles containing four words - How to Be Both, There But for the. Read, read, read. Read everything—trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the most. Read! You’ll absorb it. Then write. If it is good, you’ll find out. If it’s not, throw it out the window. Hotel World is compelling, however, precisely because it suggests shifting yet coherent perspectives rather than simplifying lives into rigid, inert realities. Most impressively, Smith has mastered sophisticated literary techniques, which never intrude or bog down a delectable narrative of human perception and rumination. (...) (A) damn good read." - Alexandra Yurkovsky, San Francisco Chronicle Ali Smith includes several quotes and short poems at the start of the book which are reflective of the themes of the novel. Lise is the next one we meet and she is no longer at the hotel but very ill. The doctors can find nothing wrong with her but, nevertheless, she feels particularly unwell. It is her mother, Deirdre, who comes round to take care of her. Deirdre was a popular poet (older British people may recall Pam Ayres) and Lise remembers the many LP covers with her mother’s face on them. Deirdre even wrote a poem called Hotel World:La novela esta estructurada en partes/ relatos, que corresponden a los personajes, en este caso, cinco personajes femeninos, cada una de ella contara una parte de su historia, que estará conectada de forma directa o indirectamente con el hotel. Sara Wilby – a teenage hotel chambermaid who has fallen to her death in a hotel dumbwaiter. She is the daughter to her parents Mr. and Mrs. Wilby, and also older sister to Clare. in Smith's hands, this slender plot serves as an excuse for a delightfully inventive, exuberant, fierce novel of which the real star is not the dead Sara, or any of the living characters, but the author's vivid, fluent, highly readable prose. HOTEL WORLD was a well-deserved finalist last year for two prestigious British prizes: the Orange Prize and the Booker Prize. . . . I can't begin to paraphrase all that this dazzling book conveys about humanity and mortality . . ." Courageous and startling. I doubt that I shall read a tougher or more affecting novel this year. Jim Crace" The heart of Scottish writer Ali Smith may belong to good old-fashioned metaphysics — to truth and beauty and love beyond the grave — but her stylistic sensibility owes its punch to the Modernists. She’s street-savy and poignant at once, with a brutal sense of irony and a wonderful feel for literary economy. There’s a kind of stainless-steel clarity at the center of her fiction. . .”— The Boston Globe

Ali Smith: Hotel World | The Modern Novel Ali Smith: Hotel World | The Modern Novel

For the first time this talent, glimpsed and admired in earlier work, has been structured into a world-view; fragmented, tenuous, allusive, sparse -- a provocative view of the world in which we must live and die." - Ruth Scurr, Times Literary Supplement I really loved the first chapter in which the ghost of a woman called Sara irritably interrogates Sara's earthly remains - an unintentional lovely-bonesey echo); I loved the dizzying leaps of perspective, and I thought the very quirky Notes-to-the-Previous-Chapter beginning on p 103 was very nice, but didn't go far enough. But otherwise, Penny the Copywriter was straight out of all the worst Radio 4 Afternoon Plays (this is a torture reserved for British people) and if the last chapter is a searing exploration of grief, my heart must be made of stone, I couldn't wait for that one to shut up already. the other, younger woman begging flees from Lise’s approach, Else eagerly steals all the money she has left behind.Dando a cada capítulo uma forma particular que abarca diferentes visões de mundo, a autora mergulha no fluxo de consciência de suas protagonistas, revelando fatos que parecem surgir do próprio ato de narrar. O limite poroso entre o isolamento e a convivência é um tema onipresente que se desdobra em episódios marcantes, como aquele em que o fantasma da camareira desce ao próprio túmulo para ouvir do cadáver suas lembranças de uma vida outrora compartilhada, memórias de um tempo em que eram uma só pessoa. However, we also see her doing her job, which, at least in part, seems to involve going against the wishes of management (e.g. keeping clients on hold for a long time). Q: Hotel World‘s main character is a young ghost named Sara, whose bodily death is vividly reimagined at the start of the novel. How did you get the idea to write this novel from the perspective of a ghost? Have you written about or been interested in ghosts before Hotel World? Other figures dominate the following sections, including a homeless woman, given a room in the hotel, a journalist, and Sara's sister. The book Girl meets Boy (2007) is one of a series entitled The Myths where important world writers have been commissioned by the publishers Canongate to retell a classical myth in a modern manner. Smith chooses to base her contribution on the myth taken from Ovid of Iphis and Ianthe. Iphis is born a girl but brought up by her mother as a boy. She grows up with Ianthe who becomes her best friend and society dictates that they will marry, but what will happen when Ianthe discovers her “husband” is in fact of the same sex as her? Iphis’s mother pleads with the Gods who turn Iphis into a boy and the couple marry and live happily ever after. The intricacies of family relationships – the main characters of the book are two sisters - the blurring of the lines between the sexes – one sister falls in love with a man so sensitive and kind he could be a woman and the other delights in a lesbian relationship - are constant themes in Smith’s work. The book contains some bold observations on homosexuality as one of the sisters realises her sister is gay and is forced to listen to the sexist, homophobic leering of her male friends. Many writers would rail or demonstrate outrage at the malice of the men, but for Smith it is enough for the men’s utterances to be self-condemningly ridiculous.

Hotel World by Ali Smith | Goodreads

El primer relato, el primer personaje es el que mas me ha gustado, una mujer muere y su espíritu va a visitar su cuerpo enterrado para que le recuerde como murió y que paso,... parece raro ¿no? pues así es la novela entera, diferente, rara... A: I was about to say no–but actually, I have. There’s a gruesome character in a short story from my second collection, Other Stories and Other Stories; the story is called "The Hanging Girl." It’s about a woman living now, who finds she is being befriended by the ghost of a girl executed by hanging, probably in the second world war (it’s never made clear). It’s a guilt parable, funnier and lighter than it sounds, honest. So is Hotel World. I was surprised myself when I was writing it that such a dark-perceiving book would veer so readily into the hilarious and wild. Thank goodness. I visualised the homeless woman, Else, as favourite author A.L. Kennedy as seen in this photo where she peers at the camera in a very cryptic way, Three books in and it’s official: I’m in love with Ali Smith. If you’d told me two years ago that I would love books written in a stream of consciousness style I’d have laughed in your face. I didn’t think it would work for me, and I can totally see why it doesn’t work for some others, but oh my, work it does!!Because it was October, I had campaigned for my book club to read something scary, but I was overruled and we ended up with Hotel World as the selection. I didn’t get my first choice, which would have been Frankenstein, although I did get a ghost story, but a sad one, not a scary one. Told, as Ali Smith’s stories often are, by different characters in alternating sections, the language and narrative structure of the book are creative, sometimes experimental, which is also in keeping with what I’ve come to expect from her. This one, however, was not as skillful or readable as the other Smith novels I’ve read.