I would say that most people in our company didn't consider the Vietnamese human." – Dennis Bunning

I'm just saying that it's easy to be pro-Native sitting on the comfort of your sofa, but not so much when you and your loved ones are threatened with torture & slaughter.Released in August 1970, the film drew attention for its frank depictions of violence, specifically its graphic final sequence. Some film scholars have cited Soldier Blue as a critique of America's "archetypal art form [the Western]," with other interpretations ranging from it being an anti-war picture to an exploitation film. [5] Plot [ edit ] Recalling the film, star Candice Bergen commented that it was "a movie whose heart, if nothing else, was in the right place." [7] In culture [ edit ] In the BBC's defence, though, it was a good clean print, and was almost in the right ratio, as far as I could tell. (The film appears to start in a hard-masked 2.35:1 ratio, before pulling out to its proper ratio of 1.85:1, which is what the BBC version did as well.) Cashing in on this trend was "Soldier Blue", notorious for its "massacre sequence" in which boys are shot, children are trampled by horses, squaws are beheaded, men are impaled, women are stripped, breasts are cut, civilians are mutilated and all manners of sadistic evil and re-enacted, all in the name of "keeping the country clean". It's nauseating. Donahue, Suzanne Mary (1987). American film distribution: the changing marketplace. UMI Research Press. p.297. ISBN 9780835717762. Please note figures are for rentals in US and Canada

I recall sometime in the late 1970s a film called SOLDIER BLUE being broadcast on ITV . It was on past my bedtime so unfortunately I never saw it but I distinctly remember my parents discussing it the next day and how shaken they were by the amount of violence the movie used in showing a massacre against the Indians at the end . As years passed I have heard how this movie has become a cult classic and how it was an allegory on American involvement in South East Asia and being something of a fan of this type of movie I looked forward to seeing it . Unfortunately it's not a film that appears on the TV schedules and when the BBC broadcast it tonight I think this was the first time it'd been broadcast since my parents saw it nearly 30 years ago Multiple film critics said Soldier Blue evoked the My Lai massacre, which had been disclosed to the American public the previous year. [10] In September 1970, Dotson Rader writing in The New York Times, remarked that Soldier Blue "must be numbered among the most significant, the most brutal and liberating, the most honest American films ever made." [6] The other cut is of a rape scene during the Sand Creek massacre. Naturally, it's harrowing, but it's neither glorifying rape, nor being gratuitous. It's integral to the plot; it's contextualised; it's neither made light of, nor made horrifically graphic. Without it, subsequent scenes showing a topless dead body could be perceived as pornographic. Without exception, the characters are one-dimensional. We have a strong woman, who has seen horrors done in the name of America. Her travelling companion is a simple soldier, who thinks his country is great. Her fiance (Dana Elcar) is a captain in the army. An old colonel (John Anderson) plans a raid on a Cheyenne village and a Cheyenne warrior (Jorge Rivero) believes he can make peace with the Americans, but will be betrayed. The least said about Donald Pleasence and his comedy teeth the better. He plays a calico salesman by the name of Isaac Q. Cumber (cucumber, geddit?).The other is the military aspects, which seem to be a reflection on the U.S. military of the time, 1970—which means Vietnam. The senselessness of the killing and the blind military attitudes seem, at least on the surface, to parallel popular attitudes against American involvement in the Vietnam War. It was common at the time (as now) to use movies to speak to contemporary themes this way. Near the end, the flag is thrown to the ground in disgust and there is a long, truly brutal, and frankly disturbing battle scene. Waymark, Peter (December 30, 1971). "Richard Burton top draw in British cinemas". The Times. London. Ulzana's Raid, a 1972 American revisionist western film directed by Robert Aldrich, starring Burt Lancaster.

Almost every two minutes Cresta scornfully calls Honus "Soldier Blue." It doesn't take a genius to work out that she'll be talking in a different tone quite soon, such as, "Oh Soldier Blue, you're so dreamy", or "Well, what do you think of your country now, Soldier Blue?" When it was released in 1970, the film's title and the original 'nude squaw' poster made this look like it was going to be softcore porno. In addition, the fuss in the press at the time made it sound like a violent atrocity of bad taste.From accounts I'd read about the stuntwork and particularly the gruesome prosthetic make-up effects (like in John Brosnan's book Movie Magic), it sounded like the British censors had made many extensive cuts.

The film "Soldier Blue" aired on BBC2, late at night on Friday 16th August, between 00:20 and 02:15 hours. The timeslot was kind of understandable, bearing in mind the ending, and the nature of the film itself. Soldier Blue's intentions are laudable, but the end result is laughable. I'm all for it redressing the "Injuns are savages" message from so many other Westerns and I'm all for its allegorical questioning of the Vietnam War, but I wish it wouldn't do it in such a jejune manner that undermines what it's attempting to espouse. In 1877 Colorado Territory, a young woman, Cresta Lee, and young Colorado Private Honus Gant are joined together by fate when they are the only two survivors after their group is massacred by the Cheyenne. Gant is devoted to his country and duty; Lee, who has lived with the Cheyenne for two years, is scornful of Gant (she refers to him as "Soldier Blue" derisively) and declares that in this conflict she sympathizes with them. The two must now try to make it to Fort Reunion, the army camp, where Cresta's fiancé, an army officer, waits for her. As they travel through the desert with very low supplies, hiding from the Indians, they are spotted by a group of Kiowa horsemen. Under pressure from Cresta, Honus fights and seriously wounds the group's chief when the chief challenges him. Honus finds himself unable to kill the disgraced Kiowa leader, whose own men stab him leaving Honus and Cresta alone. The ideological gulf between them is also revealed in their attitudes towards societal mores, with the almost-puritanical Honus disturbed by things Cresta barely notices. As a Western, the characters are far too anachronistic. It would be little surprise to hear Cresta say to Honus, "Get with the programme, Soldier Blue. The Man has been lying to you." As an allegory, it's simplistic, patronising and wasteful. Because Soldier Blue underperformed at the U.S. boxoffice, several different ad campaigns were utilized. This German DVD sleeve uses provocative art from one of the U.S. campaigns that implied the sexual abuse of Native American women.