On the contrary studio speakers at home can help a lot to tweak your presets (still with mono sounds, and loud stereo backing tracks). I know Andy Gillion used a Mooer GE-200 on tour and I can totally see these small modelers being great for fitting your entire live rig in a gigbag with your guitar. This condensed technology puts an infinite number of possible sounds and combinations at your fingertips, with studio quality. Otherwise, an aux input for playback devices and a headphone jack are available to allow bedroom shredders to practice and perfect riffs and song ideas silently. I've still to try this on stage but it seems a credible substitute to amp miking - Now, I couldn't do the same without my flattening EQ, since it would send a brigthened guitar signal to the real amp and would sound artificial (been there, done that.

Or use a para eq at the front of the chain, and lose a slot, but more importantly, lose the effect altogether, which is a bummer. I've played with a head rush and yes it's better but, you can't beat the bang you get for your bucks with this.I never had one malfunction, but for example, sometimes their digital pedals will make noise with certain power supplies, stuff like that.

Quote from: SK on June 15, 2022, 05:14:17 AMIMO the studio direct mode is fine as-is, for recording I actually want less bass and more impact in the highs. Knowing this, NUX focused on 30 classic essentials, and made each and every one live up to the standards of the most demanding players. From clear and tight US classics of the Fifties and Sixties to juicy Brit sounds and high-gain metal, there is a wide selection of different basic sounds for electric guitar, Bass and even acoustic guitars with 25 different amps, which can be combined with 8 pre-installed cabinets for guitar and bass and 8 microphones with three different positions each. It disables the volume pedal BUT can send the signal to a regular amp while the same signal keeps feeding the amp simulation inside the MG.The patch shared below was designed to give unity gain when the (physical) volume knob of the unit is full up. One has to put the EQ FX as the first block, and set it to be a para EQ set to: 32Hz+3dB // 1kHz+2dB // 5kHz-14dB? After 1 week using it I am so excited bout this unit already and still I feel like I only scratched the surface of what this thing can do. And beware the "volume" matter (just increasing 1 or 2 dB the volume or the treble frequencies will mislead your judgement because you will like more that louder preset).

For me the ideal use is playing through phones on my sofa and some occasional recording, for that it's perfect. Very sweet and realistic sounding amps and boxes (+24 custom IR slots), extremely intuitive and easy to use - no need to read manuals really. And the flattest output option is still not flat when all FX's are disabled: I still need my correcting para EQ to flatten the response in a realistic way (albeit it adds a wee bit more mids since the V3. V battery in a plastic ammo case with a small circuitboard housing two 7809 voltage regulators and connectors on the outside. The biggest bummer - you can do reamping with the device directly, requires no additional USB interface.For practical purposes it's not a big deal, but if you have an issue with that type of behaviour, it might be something to keep in mind. that one has enough market penetration that you see lots of patches and tutorials on its use on YouTube and other sites. They put out about 5 V apiece with a lot of current behind them, which I guess it sort of gets halved in the series connection, but nothings perfect. you can sit in a living room with a vintage amp, dial in your ideal tone, then take it to a rehearsal or gig and the amp will sound entirely different in a mix. PIC 5 shows what the crude resonant peak of a guitar pickup becomes through the MG-30, all FX's disabled, when other output modes are selected: COMBO FRONT, STACK FRONT, COMBO REAR, STACK REAR.