Mme. Alix Grès launched her design house, Grès, in Paris in 1942, and maintained control of her perfume line until the early 1980s. Parfums Grès has had a complicated ownership history since then. In 2002, it was sold by the Escada Group to Silvio Denz, and as far as I can figure out, his company still owns it. Cabochard, probably the house's best known perfume, was created by nose Bernard Chant, and launched in 1959. The notes are bergamot, mandarin, aldehydes, galbanum, ylang ylang, jasmine, rose, clove buds, oakmoss, tobacco, musk, iris, sandalwood, vetiver, leather, castoreum, patchouli and labdanum. Ok, enough daydreaming, now refocus and get on with the numbers part. Oh no, no fragrance will help... Jaye: Have worn Cabochard (mostly vintage EDT or 50th Anniversary EDT) every day for years, ever since I found it oh-so-cheap in TJMaxx…. many years ago…to this day, stopped in grocery store aisles and asked what is that marvelous fragrance you’re wearing…..I am no perfumanista but I do know ” my nose”…..and what smells good “on me”, and apparently lovers, friends and total strangers agree…..OTOH….tried more than once, a sample of Chanel Cuir de Russie, so recommended to me by many because of my love of Cabochard…..OMG….it was a heavy, powdery floral on me that reminded me of being 8yo and my elderly, matronly aunts visiting and enveloping me in their heavy fur coats as they gave me a suffocating “hug”…..save me!…. Perfume Intelligence - The Encyclopaedia of Perfume: Volume G: Grès, Parfums , retrieved 2 March 2012

Pierre Guillaume Bois Blond (now d/ced) – an all the time/any time favorite. Hay, woods, amber, musk I don't really get it all apart at all. It is an interwoven fragrance reminiscent of old times. Slowly the scent settles into something suede-like and powdery-sweet at the same time. Reminds something of make up. Slowly the smell leads me deeper into the forest and closer to the ground. It becomes more woodsy, heavier, sweeter, warmly spicy and a little bit earthy, but never musty or stuffy; I always feel the scent as somehow "fresh", as if a mild wind is blowing in the forest landscape. The fact that I feel drawn to perfumes of the 50s is unrelated to having been born into that era. Some of these fragrances feel like aromatic wish fulfillment and/or projection: despite the tyranny of long-line brassières and girdles (or possibly in light of their existence) there has always been a subtext of suppressed eroticism, the controlled sensuality of discipline akin to a warrior preparing for anticipated battle. Clearly defined 1950s gender roles makes this subversive quality all the more fascinating; today Cabochard de Gres reads as perfect for anyone who loves the impossibly dry elegance of a leathery tobacco-laden no-nonsense chypre. I find the fragrance round, gentle and very well cared for. After the many descriptions of the older editions I would have imagined him to be more "adventurous" or "unruly" - but I don't experience that at all: For me he is something for every occasion. Special and rather harsh than sweet, but not pushy; friendly and affectionate.

Date

Even as the flowers join the party Cabochard remains a bitter brew. Already, through the heart the leather, birch, oakmoss and vetiver speak of a dangerous, exciting course. Flowers are trodden into the darkness. This modern EdT is bloody excellent, I’m enjoying it immensely. He starts green and herbaceous and yes the aldehydes are noticeable there but at least not as strong and unpleasant as first assumed. Grès ballgown. Silk taffeta. Shenkar Archive. Draped jersey evening gown by Madame Grès, c.1981. ( PMA) [1] The first spray is Ginger Wine or Sherry, very loud and very swiftly over. Then you get the talcum powder again, but when I waited for ten minutes I was rewarded with a fabulous Incense/Patchouli Leather fragrance that was worth about five times what I paid. Naturally it’s been reformulated into submission, but I don’t have the vintages to compare it to. When this has jumped out of the bottle it’s not so good, but when it’s gone to sleep on your skin, it’s divine. It reminds me of Leather that has been worn to Church, with a hint of papery dry Tobacco. The Tobacco note is not one of toxic exhaled smoke, but more one of the smell inside a Tobacconists, where the pipe smoke and cigars rub shoulders, giving off an aroma of dark, dried leaves.

Cabochard was a fragrance created for Madame Grès, a renowned couturier, who after opening her fashion house in 1942 in Paris became famous for her fluid designs that draped the body like folds on the Greek statues. Bernard Chant was the perfumer responsible for Cabochard, and even though Madame Grès did not personally like it, she felt that Chant created a gem with Cabochard. Cabochard is often described as a softer take on the animalic darkness of Bandit. Indeed, if Bandit were to be polished to remove its rough edges, to soften its aggressive nature, and to mute its smoky leather, the result would be Cabochard, a leather chypre that is as assertive as it is graceful. A mélange of rich green notes, which is reminiscent of sliced green peppers and succulent leaves, creates an elegant transparent layer, under which an accord dominated by smoky leather is evident from the start. The leather reminiscent of a similar note in Chanel Cuir de Russie is subtle at first, hinting gently as to what might be present underneath the verdant radiance. Its strength grows over time, and as the hesperidic effervescence fades, calm darkness overtakes the composition. To me, it smells very classic. Actually, I have no idea about classics, most of them I don't like, as I associate them with old ladies tippling (well strutting) across the Ku-Damm with your fiffi on your arm. It will probably never become my genre but this one is still quite pleasant. The longevity is good, the sillage perceptible, pleasant and not too intrusive. Towards the end, it falls apart a bit.OK, my comparison values are AE and Scherrer - both rather durability monsters as well as Sillage monsters ...).