Built in grab handles for positioning the monitor independently from thecamera. Position Adjustment Options Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and specialnotes. Controls

Blackmagic Pocket Cinema Camera Blackmagic Pocket Cinema Camera

While the in-software stabilization of footage from the BMPCC is excellent, as with many of the top-end software-stabilized options out there, it’s impossible to know what the crop will look like until stabilization is complete. Next generation digital film camera with 6K full frame sensor, OLPF, versatile L‑Mount and CFexpressrecording! Most advanced digital film camera features 6K sensor with EFlens mount, built in motorized NDfilters at 0, 2, 4 and 6stops, tilt adjustable 1500 nit LCD and alarger battery. Supports optionalEVF. Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in videomode. Screen Dimensions High resolution viewfinder for URSA range of cameras includes full HD OLED display and true glass optics for perfectfocus.

The 58mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera isnot inuse.

Blackmagic Pocket Cinema Camera 6K G2 Review - PetaPixel

HD video standards: 1080p/23.98 / 1080p/24 / 1080p/25 / 1080p/29.97 / 1080p/30 / 1080p/50 / 1080p/59.94 / 1080p/60 Two of the biggest differences still in place between the 6K G2 and the 6K Pro are that the BMPCC 6K Pro has built-in ND filters and a brighter display – both of which can be quite meaningful to those who do a lot of shooting outdoors. Of course, you can always add ND filters to your lenses or get a brighter external monitor if these are issues for you – but they’ll add additional cost and bulk to your kit. broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lensmount. Dynamic Range The Panasonic mentioned above S5 II also has a much less rolling shutter, which I found to be a major issue on the BMPCC 6K G2. Many hybrid cameras with full-frame sensors have less rolling shutter than this camera does.High quality viewfinder with built in proximity sensor, 4element glass diopter, built in status information, and adigital focus chart.

Blackmagic Design Blackmagic Design

x interchangeable silicone eye cups including small, medium, left eye and right eye. Mounting Options Shooting Resolutions: 6144 x 3456 (6K) up to 50 fps, 6144 x 2560 (6K 2.4:1) up to 60 fps, 5744 x 3024 (5.7K 17:9) up to 60 fps, 4096 x 2160 (4K DCI) up to 60 fps, 3840 x 2160 (Ultra HD) up to 60 fps, 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps, 2868 x 1512 (2.8K 17:9) up to 120 fps, 1920 x 1080 (HD) up to 120 fps x XLR analog switchable between mic, line and AES audio. Phantom powersupport. Analog Audio Outputs Featuring a revolutionary 12K Super35mm 80megapixel sensor with generation 5color science and 14 stops of dynamic range, URSA Mini Pro 12K is designed for high end feature filmproduction.

Blackmagic URSA Viewfinder

Turn URSA Mini into aprofessional studio camera with large and bright 7inch screen, removable sunshade, adjustable mount and knobs for control of brightness, contrast and focuspeaking. And if you’re coming to the camera from a mirrorless or DSLR model, you’re going to have to sacrifice a few home comforts. There’s no continuous AF, so although the 6K G2 can focus for you ahead of recording, you’ll have to do your own manual pull-focusing after that – maybe set up a rig with a follow focus unit. There is no hot or cold shoe built into the camera, which is a bit unfortunate as that’s a common rigging point for mics and external monitors (although the rear LCD is wonderfully large and mitigates the need for an external monitor in many cases).