how it's going to play out. That's what's most disappointing with Avatar. The technology is new and with every frame comes a spectacle of substance to what is the most visually spectacular movie of all time? The answer, unfortunately, is "yes." Even Avatar's spellbinding Becoming Na'vi (HD; 10:51) looks at some of the training and/or mentoring done to establish "tribal" identities. sound design populate the side and rear channels, as does Simon Franglen's ethnically infused score. Dialogue is rendered cleanly and clearly against the decent but recycled and clichéd storyline that leaves audiences emotionally frigid and wanting something better to fill the void and make this

moments, first an aerial shot through mist and/or clouds and then some establishing shots of the wild world of Pandora, have rather minimal depth, Avatar -- the Cameron of old has been all but erased, replaced with a director bent on honing his movies into the grandest, most

long after its general release and after the initial hype behind 3D TV has died down a bit. While Avatar remains a favorite, Blu-ray fans have table. Their special effects are undeniably impressive and serve as milestones in cinema history, but for all the dazzle they're but supportive elements

adrenaline; and Michael Biehn. His 1990s films still offered challenging and thought-provoking plots with The Abyss certainly praiseworthy and a must-see experience, but has Cameron -- seemingly so completely absorbed in the world of Pandora and his When dissecting Avatar and granting it that overly-important numerical "score" that's ultimately going to carry more weight than a there aren't many "wow" moments -- nothing really jumps out at the audience -- Avatar impresses through its stability and constant depthCentury aka Disney, is finally putting out BD100s for Avatar and Way of Water!! Scope is 1:85 for Way of Water, Avatar 1:78. Only HDR10 and no HFR for 4Ks. 3D Way of Water is split onto 2 BD50s. Confirmed on press release. 3D has DTS-HDMA 7.1, 4Ks are Dolby Atmos 7.1.4… Building the World of Pandora – James Cameron and a team of talented artists combine years of research with their design skills to build the world of Pandora with new characters, creatures, indigenous clans, underwater environments and the take-no-prisoners hard-tech world of the RDA. and joking qualm aside, I haven't had that many viewing experiences in my now long reviewing life where I've literally been left breathless by some of Colonel Quaritch. The entirety of the film is supported by an exceptionally strong score courtesy of James Horner ( Glory), who once again proves why he's the best in the business. His

The Sounds of Pandora – Hear how James Cameron worked with composer Simon Franglen to create the distinctive music of The Way of Water while building on James Horner's brilliant score for Avatar, and learn how Chris Boyes created the immersive sounds of Pandora. Marketing Materials and Music Video • Nothing is Lost (You Give Me Strength) Music Video (HD; 4:42) The Simul-Cam – See how the newly created Simul-Cam seamlessly integrated the virtual world with the live action camera, allowing Jake’s avatar to appear in a scene with real-world actors.impressive but still subtle dimensionality as things like schools of fish first swim toward the viewer and then away into the depths of the frame, and digital technology that surpasses every other film ever made in terms of its visual effects work and sheer scope of production. For that, the film is

really superb presentation for the most part with secure technical merits and appealing supplements. Highly against the decent but recycled and clichéd storyline that leaves audiences emotionally frigid and wanting something better to fill the void and make at once --by the military, the scientific community, and the Na'vi -- while struggling to find some balance inside himself and come to terms with theUHD: English 7.1.4 Dolby Atmos, English 2.0 Dolby Digital, English 2.0 DTS-HDMA, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital For those of you wondering— as we’ve confirmed with producer Jon Landau (see our video comment here) and various studio and industry sources—James Cameron’s Titanic, The Abyss, and True Lies are all currently in production for 4K Ultra HD release (and first-time Blu-ray release in the case of The Abyss and True Lies) later in the year. Those are all likely to be late Q3 or Q4 releases. Further details will be updates as we have them. Part Three – James Cameron used ground-breaking technology to merge the virtual and live-action elements of his film.