A maiden wanders into the woods and is seduced by the sinister Erl-King, a seeming personification of the forest itself. However, she eventually realises that he plans to imprison her by turning her into a bird, which he has done with other girls. Realising the Erl-King's plan, she kills him by strangling him with his own hair, thus keeping her freedom. Based on an obscure variant of "Little Red Riding Hood" [3] :xviii and with reference to Through the Looking-Glass, and What Alice Found There, this tale explores the journey towards subjectivity and self-awareness from the perspective of a feral child.) I normally love short stories, and fairy tales, but I struggled a little with this one. The book is a collection of stories from all over the world, all of which based around a female character. The stories are grouped into the following:

Bad-good girls, beasts, rogues and other creatures: Angela

Ce recueil de contes n’est malheureusement pas traduit en français et le niveau d’anglais est élevé.Staff, Wales, UK: Trinity CM, archived from the original on 28 September 2007 , retrieved 29 June 2007 . The stories within The Bloody Chamber are a popular subject for theatrical adaptation. The story "The Bloody Chamber" has been adapted for the theatre more than once, including a performance by the "Zoo District" which was accompanied by an amateur film adaptation of "Wolf-Alice". [24] "The Company of Wolves" is also a popular subject for adaptation by amateur/student theatre groups (e.g. by a Welsh drama college [25]). Y quiero mencionar que hay un cuento muy feminista que me ha encantado, en el que un grupo de chicas deciden huir y establecerse todas juntas a raíz del acoso que sufre una de ellas. La base me encanta, pero no me llegó a gustar del todo el final, las cosas como son. Aun así, disfruté bastante de gran parte de este relato, así que quería mencionarlo. The stories deal with themes of women's roles in relationships and marriage, their sexuality, coming of age and corruption. Stories such as "The Bloody Chamber" and "The Company of Wolves" explicitly deal with the horrific or corrupting aspects of marriage and/or sex and the balance of power within such relationships. Themes of female identity are explored in the "Beauty and the Beast" stories such as "The Tiger's Bride". In one instance, Beauty, the story's heroine, is described as removing the petals from a white rose as her father gambles her away; this is a seeming representation of the stripping away of the false layers of her personality to find her true identity, an image that finds a mirror in the story's fantastical conclusion.

Goodreads Loading interface - Goodreads

Angela se apodera de la voz masculina de los cuentos y los arranca de la misoginia misma para retrotraerlos a sus orígenes, a aquellas épocas en las que los contaban «Mamá ganso» o la abuela de nuestra bisabuela mientras hilaba por la noche al lado del fuego. Historias útiles para nosotras en las que somos las protagonistas, a veces virtuosas, a veces malvadas, a veces picaronas, a veces brujas, a veces mujeres-leona, a veces mujeres-mortero. Todo un imaginario que Angela rescata desde los inuit hasta Japón pasando por Inglaterra, Birmania o Sudán.The Snow Child" was originally broadcast on the BBC Radio 4 programme Not Now, I'm Listening. [5] It was revised for this collection. [6] a b Nate Jones. "Disappointed With the Sexless Into the Woods? Watch The Company of Wolves Instead". Vulture . Retrieved 30 May 2020. Punk band Daisy Chainsaw adapted the story of "The Lady of the House of Love" for their 1992 music video for "Hope Your Dreams Come True" (from the EP of the same name and also later the album Eleventeen). [23] Theatre [ edit ]

The Bloody Chamber - Wikipedia

The Enchanter and Enchantress" - a story that makes an interesting comment about marriage. Really a rather nice tale. The Bloody Chamber was first published in 1979, though many of the stories within the collection are reprints from other sources, such as magazines, radio and other collections. Only two are completely original to this collection, though many were revised or changed slightly from their previously published versions for this collection. Pour ceux qui se sentent capable de lire ce livre, je ne peux que vous le recommander. Ces contes de fées recueillis tout autour du monde n’ont de rapport avec les fées que le nom. Oubliez les gentilles versions de Disney, ici les fées sont plutôt des démons, les morales sont parfois (souvent) douteuses, les contes très intriguant voire, même parfois incompréhensibles et, les personnages tous plus bizarres les uns que les autres. My intention was not to do 'versions' or, as the American edition of the book said, horribly, 'adult' fairy tales, but to extract the latent content from the traditional stories. [2] Lo que me ha resultado curioso es que hay muchos cuentos que se parecen. Por ejemplo, varios de ellos recuerdan tanto a Piel de asno como a La Cenicienta, hay una especie de versión del cuento de los cisnes que eran príncipes hechizados a los que su hermana tenía que desencantar, y hay uno sobre una leona del que aparecen tres o cuatro versiones diferentes en este libro. Si bien los detalles varían, la trama es la misma: una mujer que se transforma en leona pero que acude a ver a su hija, que sigue siendo humana.Some of these tales were unfamiliar but vaguely familiar at the same time. Quite a few young ladies forget their shoes nearby a handsome prince, many girls find themselves forced to spin straw into gold (and therefore require some help from a little imp or an old hag), and evil stepmothers are to find everywhere. I found it fascinating to trace the origin and different versions of well-known tales, such as Cinderella. Angela reivindica, Angela exige con la misma fuerza y determinación con la que trabajó en esta recopilación hasta los últimos días de su vida, ingresada en el hospital. En estos cuentos aparecen pocas hadas pero sí hay mujeres fuertes, inteligentes, pícaras, habilidosas que nos permiten respirar tranquilas mientras los leemos pues sabemos que lograrán salir adelante. Mujeres que se tienen a sí mismas y que no necesitan príncipes azules que las rescaten aunque a veces sí aparezcan «comadres» o animales mágicos que les echan una mano. Mujeres que se ayudan unas a otras, aunque a veces también se enfrentan entre ellas (madrastras sí hay, y muchas, como en esas versiones de distintos países de Blancanieves, Cenicienta, Bella Durmiente). Cuentos que nos invitan a viajar, a soñar, a reír y también a extraer nuestras moralejas. Bien, ocurre como siempre en los libros de relatos: unos gustan mucho, otros un poco menos y alguno nada de nada. Por eso no es un género que se encuentre entre mis predilectos, porque cada relato es una caja de sorpresas con una balanza en su interior. Y esa es la sensación que me queda. Son historias cortas, de entre una y quince páginas, y es verdad que algunas no me han dicho gran cosa, pero en general me ha parecido un libro entretenido e interesante para conocer los cuentos populares de otras culturas. No obstante, me gustó más otro libro que leí de la autora el año pasado, La cámara sangrienta, que sí tenía relatos originales escritos por ella, retellings siniestros. En este volumen del que os hablo hoy ella recopila, pero no modifica prácticamente nada. A feral child, whom some nuns have attempted to "civilise" by trying to teach her standard social graces, is left in the house of a monstrous, vampiric Duke when she cannot conform. She gradually comes to realise her own identity as a young woman and human being, and even develops compassion for the Duke, going far beyond the nuns' stunted views of life. The Werewolf" originally appeared in South-West Arts Review. [5] It was revised for this collection. [6]

Based on Beauty and the Beast – the concept of the Beast as a lion-like figure is a popular one, most notably in the French film version of 1946.) Que yo y otras muchas mujeres vayamos buscando heroínas de cuentos de hadas en los libros es otra versión del mismo proceso: deseo validar mi reivindicación a poseer una parte equitativa del futuro, y expreso para ello la exigencia de que me concedan la parte del pasado que me corresponde». Don’t get me wrong, I enjoyed most of the stories – they were interesting, funny and weird, so far so good. The Icelandic stories tended to involve the women making themselves appear as men with penises made out of bits of seal, and there were quite a few stories involving jealous step mothers and step fathers, and cannibalism… These are proper folk fairy stories that have been handed down from generation to generation. Information on the contents of a special edition of "Marvels & Tales: Journal of Fairy-Tale Studies" In general, as entertainment, the stories have that same issue that fairytales always have. A lot of them are a bit nursery rhyme-ish (especially true of the humorous ones, which often seem to get left out of other such collections), in so far as they tend to reach fairly neat endings that are often pretty close to "happily ever after," and their general logic is pretty . . . convenient? Not to mention that so many of them are so familiar. The most interesting ones are those that make some bold, baffling, and just weird aesthetic turn, like having Cinderella conceal her beauty under a head of mangy skins, or when a cursed wife gives birth to a hideous baby riding a goat and waving a wooden spoon. It is definitely a "that's so random" quality that I like about them, the sense that the palette of things that can happen is so much wider relative to the familiar tropes of the form than in other genres. The trade-off for that of course is that few of the stories can amount to more than that weirdness, but given their length that's probably fine.Story-wise, it is not the typical fairy tales. They are gruesome, dark, and sometimes disturbing. Children are roasted in oven and fed into their own unsuspecting fathers by, normally, their stepmothers. Mothers get jealous of their own daughters and send the girls to their doom. There are even a few incestuous stories. The stories, collected from all over the world, happen in times where monsters, ghouls, and fairies rule the world; animals talk; and every beautiful girl marries a prince. The collection has been taught and studied in University literature courses. [20] It has been used as part of the AQA English Literature, the OCR English Literature and Edexcel English Language & Literature syllabus for A-Levels in schools and colleges across the United Kingdom. Cuentos para mujeres que fuimos niñas que nos hacen volver a ser niñas y convertirnos en mujer. Muchos se los he narrado a mi hijo, adaptándolos un poco a su edad sobre todo por el lenguaje, y me pide «otro» y «otro» mientras me pregunta «y qué pasó» «y qué pasó». Una delicia. La excelente edición también ayuda 💕 Puss-in-Boots" was intended for a 1979 anthology The Straw and the Gold, edited by Emma Tennant, but the anthology was never published. [5]