Everyone from Sting to Bettle Midler to the Heptones has covered "I Shall Be Released," but Chrissie Hynde, the gifted Pretenders auteur, managed Heylin, Clinton (1995). Bob Dylan: The Recording Sessions 1960–1994. St. Martin's Griffin. pp.28–32. ISBN 0-312-15067-9. Zero, No Limit" - was a truely revelatory rendition of "Don't Think Twice, It's All Right," from The Freewheelin' Bob Dylan, that Clapton and Booker T.

The history of The Band is, of course, inextricably tied to that of Bob Dylan. It was only fitting, then, that the current incarnation of The Band -- featuring original members Levon Helm, Rich Danko and Garth Hudson -- came together for a fine, loose-grooving version of "When I Paint My Masterpiece." The song was originally recorded with Leon Russell on piano in 1971 for "Bob Dylan's Greatest Hits, Vol. II," the same year that it became a highlight of The Band's album "Cahoots." television special taped at the Grand Ole Opry in 1969. Cas and Dylan's duet on "Girl Of The North Country" was featured on Dylan's groundbreaking Rocheleau, J. (2006). " "Far Between Sundown's Finish and Midnight's Broken Toll": Enlightenment and Postmodernism in Dylan's Social Criticism". In Vernezze, P.; Porter, C. (eds.). Bob Dylan and Philosophy. Open Court. pp.69–70. ISBN 0-8126-9592-5.The traditionally show-stopping Eric Clapton, who performed a duet with Dylan on "Sign Language" from his No Reason To Cry album in

Or the 2-CD of music from the concert. 2-CD Set listing of Bob Dylan 30th Anniversary Concert Disc: 1 Younger Than Yesterday". ByrdWatcher: A Field Guide to the Byrds of Los Angeles. Archived from the original on April 28, 2009 . Retrieved August 9, 2009.

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great Jim Keltner, who's worked with The Traveling Wilburys and just about everybody else over the years.

Authenticity could have been a buzzword of the evening, particularly for the folk artists such as Richie Havens or Dylan’s own heroes The Clancy Brothers and Tommy Makem. Lou Reed, too, is almost disarmingly real with his epic reading of the densely-written yet utterly enigmatic blues/cautionary tale “Foot of Pride.” The Infidels outtake mashes up religious allusions and all-too-real evocations of the worst humanity has to offer, and Reed brought his trademark no-nonsense, street-level grit to its evocative lyrics.

Bob Dylan’s 2012 Tempest showed that the fire in his belly has yet to be extinguished, and the only predictable quality about the artist is his steadfast unpredictability. But if it’s impossible to say what the future will bring for Dylan, the reissue of The 30th Anniversary Concert Celebration is a worthwhile occasion to raise a glass to absent friends and savor a most remarkable body of work. Dylan once wrote, “It’s not dark yet...but it’s getting there.” But this triumphant, all-star 1992 evening could well turn out to be just the halfway point in the career of Bob Dylan. came through with a startling and moving performance at the celebration. The highlights of his set - which also included a luminous "Live Minus a b c Whitburn, Joel (2008). Top Pop Singles 1955–2006. Record Research Inc. p.130. ISBN 978-0-89820-172-7. transformed The M.G.'s and drumming ace Jim Keltner into a fantastically loose, Crazy Horse-styled outfit for a strong reading of "Just Like Tom Thumb's As for the man of honor himself, Dylan began his own set with "Song To Woody," a moving composition from his debut album that remains a