citation needed] The versions of songs on The Mix subsequently became staples of the band's live set.

The best remakes included in The Mix are, rather, novel takes on Kraftwerk’s music, bringing a cold, digital sound and peppy, danceable rhythms.After the level change in one channel, the bass is not in the stereo centre anymore and this can kick the needle "over the edge" because it gets more pressure from one side than the other. Computer Love: Much like The Robots, the most noticeable addition here is a new synth riff in the accompaniment that adds to the danceability of the track. However, he singled out elements of "Autobahn" as what the album "could have been if Kraftwerk had elected to really work these tracks over in a radical way, rather than essentially updating them to dance music's early- Nineties industry standard".

Of course, "Home Computer" is way too long and boring, and nowadays the entire affair is entirely ("Computer Love" aside) superseded by their brilliant live album, "Minimum-Maximum". The decision to start the percussion when the initial vocoder starts was good, and the new melody for the "radio" section is very enjoyable to hear. Please consider supporting us by giving monthly PayPal donations and help keep PA fast-loading and ad-free forever.Synth Pop was popular in the 80's and while Kraftwerk followed that trend then (that they originally helped inspire), in 1991, Dance music was more popular and here they follow that trend instead.

Giving the tone arm a very slight push forwards made it continue playing and the rest of the track played fine. While I wouldn’t agree with those who say that this album is dated, terrible, or an insult to the band’s legacy, I don’t consider any of these tracks to be replacements for their original versions. Strangely enough, however, this album was the last project for Kraftwerk before they fully turned into a legacy act for the next twelve years, with almost no new original music released, but a lot of tours and live-appearances.No problems here because these songs have far weaker bass than "Die Roboter" which has (I think) the strongest bass of all songs on the album.