A daughter asks her mother to shut up, only to shut her up for good; an exhausted wife walks away from the husband who doesn't understand her; on holiday, lovers no longer make sense to each other away from home. However, I do recognise that these stories may be written semi autobiographical hence are authentic to the author and her experiences and feelings, so these stories will be relatable to some people, I just didn't enjoy them. Things We Do Not Tell The People We Love is a collection full of secrets and yearnings, the gaps and silences found so often in misunderstandings and miscommunications. These stories work to fill those gaps, creating found families and belonging, and showing the sides of ourselves others rarely see . . . Qureshi's writing conveys the emotions her characters cannot . . . Each story is tightly written and closely edited, ending at the perfect moment . . . Exploring different relationships - mother and daughter, friendships, young love, spouses - Qureshi pulls apart the emotions surrounding each one, making even the darker narratives relatable and evocative. - Mslexia Qureshi’s stories feature a cast of – mostly – youngish women of Pakistani heritage, often struggling with overbearing, judgmental and oppressive mothers, blindly insensitive male partners, or both. These tales vividly capture the experience of feeling constrained by family expectations, but also of not quite fitting the norms of British culture either. The terrain can get repetitive; this dilemma is usually felt by women who’ve left behind immigrant communities for a white, middle-class London milieu; there are many writers and journalists. Pressure points recur, too: in several stressful holidays, tolerable relationships become intolerable. And occasionally, the responses to monstrous mothers tip into melodrama; although it won the Harper’s Bazaar 2020 short story prize, I didn’t quite buy the murderous intent in The Jam Maker. Premonition beautifully recalls the intensity of a first crush, before a bewildering first kiss leads to disaster

Waterlogged explores the predicament of every woman who, upon entering the union of marriage and motherhood, feels lost and struggles to regain her identity while feeling pinched by her husband's emotional indifference. These stories are short and bittersweet, they tug at your heart strings. Lots of them centre on the divisions, the rifts, the distance that forms in familial and romantic relationships and friendship. How literally the things we do not say create divides so they're not necessarily always comfortable reads as they made my stomach clench in mild anxiety at the underlying tensions. Qureshi writes with courage and in these extraordinary stories capture the shame and loneliness of non-belonging and the challenge of self-acceptance.Set across the blossoming English countryside, the stifling Mediterranean and the bustling cities of London and Lahore, Things We Do Not Tell The People We Love illuminates the parts of ourselves we rarely reveal. Whether it be the tension between mother-daughter relationships, the secrets kept hidden between partners, the betrayals and misunderstandings between friends, and even the conflicts one faces within oneself on a day-to-day basis— this book so accurately, and painfully, portrays it all. I started my career on The Observer and The Guardian and worked as a reporter and features writer across consumer news, news and the life and style sections before going freelance to write my first book, In Spite of Oceans, published in 2014 by The History Press. In Spite of Oceans received the John C. Laurence Award from The Authors’ Foundation. In 2021, I saw two books published: How We Met: A Memoir of Love and Other Misadventures (January, 2021), with Elliott & Thompson, and my debut short story collection, Things We Do Not Tell The People We Love (November 2021), with Sceptre. Sceptre will also be publishing my debut novel, which I am currently writing. My essay, By Instinct, appears in The Best Most Awful Job: Twenty Writers Talk Honestly About Motherhood (2019).

Huma Qureshi writes like a psychotherapist, considering, analysing, explaining, seeking outconflicts, evasions, and discomforts . . . The form suits her: she succeeds in a short space in describing her settings and defining her characters . . . there are notes of optimism that sound from true love; and, as always, amor vincit omnia. - SpectatorA breathtaking collection of stories about our most intimate relationships: the misunderstandings between families, the silences between friends and the dissonance between lovers. Fierce, funny and raw, this unflinchingly honest exploration of heartbreak is so much more than a book about one single break-up But usually, Qureshi takes the reader plausibly inside the inner recesses of characters’ hearts and minds. Premonition beautifully recalls the intensity of a first crush, developed via “a private symphony of glances”, before a bewildering first kiss leads to disaster. And she captures how such incidents can, in adulthood, seem insignificant and still life-defining. A daughter asks her mother to shut up, only to shut her up for good; an exhausted wife walks away from the husband who doesn't understand her; on holiday, lovers no longer understand each other away from home. First, I must say that I would never have heard of the brilliant writer, Huma Qureshi, without reading a wonderful review of this collection of short stories by my goodreads’ friend, Paromjit. Her review inspired me to read this book, so thank you, Paromjit. Because I am not tech savvy, I have no idea how to properly thank her, so I will encourage my fellow readers to read this book.