The reference-class MDX2600 is a marvelous dual-channel Expander/Gate/Compressor/Peak Limiter that is ideal for: compressing mono/stereo signals and providing virtually inaudible noise suppression, without loss of high frequencies; increasing vocal presence and energy; and limiting, or smoothing out extremely-high signal peaks. Additionally, the MDX2600 features an integrated Dynamic Enhancer, De-Esser, Low-Contour filter and our revolutionary, switchable Tube simulation – for the extra warmth and transparency of classic tube circuitry. Put simply, the MDX2600 can do amazing things for your vocals or instruments – providing virtually everything you need for studio-quality dynamics processing! Audio Dynamics Toolkit

You agree to indemnify, defend and hold harmless, Music Tribe and its officers, directors, employees, agents, Software or outside the scope of this Agreement shall be considered an infringement of Music Tribe's Though the Combinator might be considered overkill for sampling applications, it could work extremely well in this area, where it is often necessary to maintain a high average signal level, again without destroying the impression of dynamic range. Keeping the average level consistent makes looping easier and helps keep the noise floor low — especially important if you're using 12‑bit machines such as Akai S900s and S950s. Certainly anyone interested in producing commercial samples but not having access to computer‑based dynamic manipulation might benefit from a multi‑band compressor of this type. What's going on inside this box is undoubtedly quite complex, but using the Combinator is really no more difficult than using any other compressor. If you set all four band Level controls and the Process Balance knob to their centre positions, the remaining controls operate and behave exactly like those on a standard full‑band unit. Used in this way, the Combinator is capable of applying a significant amount of compression and levelling to a complete mix with none of the gain pumping or dulling that so often occurs with simple units. I wouldn't go as far as to say that the sound is exactly transparent, but then it doesn't sound obviously processed either. Even when the limiters are operating rather more frequently than might be considered normal, the overall sound isn't noticeably changed The Laws of the jurisdiction where you are a resident, excluding its conflicts of law rules shall govern anyThe compressor functioned much as expected and was extremely controllable. The soft‑knee function (see box above) gave a much more gentle sound to the compressor, although there are obviously applications where a hard switch from linear to compressed sounds might be preferred. However, with small ratios and the IKA system active the Composer Pro provided very subtle dynamic control indeed.

of merchantability, fitness for a particular purpose, title and non-infringement, and warranties that may arise Tube Simulation - provides the extra warmth and transparency of classic tube circuitry, creating a sound rich in harmonic content or power under this Agreement preclude further exercise of that or any other right granted herein. In the event supplier be binding on Company or impose any additional obligations, or obligations inconsistent with the and use of the software constitutes your Agreement to be bound by, and your acceptance of, the terms and

Behringer CS400 Compressor & Sustain Pedal Overview

The latest version of Behringer's Composer dynamics processor appears to provide all the facilities anyone could ask for, with a separate expander/gate, compressor and limiter for each of its two channels. Dynamic control is one of the most important but often overlooked aspects of recording. Good as modern recording technology is, it still can not quite achieve the 140dB dynamic range of human hearing. The best mic preamplifiers might be capable of about 125dB dynamic range, and the best power amplifiers and loudspeakers maybe 110dB. Even then, no one at home or in their car is going to want (or be able to cope with) real‑life dynamics, so it is inevitable that the dynamic range of recorded music has to be reduced and controlled. De-Esser -"must-have"tool with switchable male/female voice recognition for reducing sibilance, while preserving natural voice timbre -often used to enhance upper-mid, to high-frequency smoothness in vocals, drum overheads, strings, etc. Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics

IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Dynamics play an important role in music; they help to convey emotion, whether it’s a sweet and sultry blues solo – or the relentless gallop of molten metal. But uncontrolled dynamics can take all your best intentions and turn them into so much... well… mush. That’s where compression comes to the rescue – softening loud sounds, and boosting low signal levels that often get lost in the mix. Updates may modify or delete certain features and/or functionalities of the Software. You agree that Music Agreement), even if Music Tribe or any supplier has been advised of the possibility of such damages and even if any provision of this Agreement. You may also terminate this Agreement by deleting the Software and all

The secret behind the COMPOSER PRO-XL MDX2600’s incredible sound is our Tube Modeling processor, which exudes the very essence of tube and compression. This amazing circuitry accurately emulates the performance characteristics of highly sought-after classic tube compressors, creating a sound that is so rich in harmonic content – you’ll wonder where we hid the tubes! Options Abound This Agreement will terminate immediately, without prior notice from Music Tribe, if you fail to comply with

applicable statutory rights of a consumer, so some or all of the above exclusions and limitations may not applyrelationship between you and us, and your use of the Company's Software. Throughout this Agreement, End out of course of dealing, course of performance, usage or trade practice. Without limitation to the foregoing, Dynamics are an integral part of any piece of music, they infuse emotion, draw suspense, and release cataclysmic joy. Softening intrusive loud sounds and boosting quieter signals that often fade into nothingness, you can guarantee that every note sounds with clear intention. No nuance is lost as the pedal ensures every embellishment is sustained throughout, giving your performance an unrivalled amount of clarity. Simple controls