Drabble, Margaret, ed. (1985). The Oxford Companion to English Literature. Oxford: Oxford University Press. ISBN 0-19-866130-4.

I loved Cold Comfort Farm, Gibbons' debut novel (the film is also wonderful, if you haven't seen it), so I was excited to hear about this book - I never thought to look into it but Gibbons wrote quite a few novels in her day; this is her ninth. And, written and set prior to the outbreak of WWII, it was perfect for the currently-running 1930s Mini-Challenge (hosted by things mean a lot). The ensemble cast - and there are plenty more who make an appearance and an impact on the story - make for an entertaining read. The plot is simple enough, following mostly Viola and Tina, but isn't really about plot. It's more a very shrewd, slightly caustic (in its honesty), deeply ironic look at early 20th century British society, still deeply classist, still obsessed with money and who has it, with vanities fair and foul. I half expected Victor's cousin Hetty, who scorns their flashy lifestyle and grand house with a snobbery equal to theirs, and reads a lot of poetry and other "deep" works, to be a sensible, even wise character: but no, she's held up as being just as foolish as anyone else. In a way, it makes for an evenly-told story.El catálogo es perfectamente reconocible, su base, literatura británica preferiblemente (Bennet, Spark, Gibbons, Woolf, Nobbs… etc…) aunque podemos ver publicados otros títulos de diferentes nacionalidades como polacos (Lem), rumanos (Catarescu), japoneses (Soseki) y un largo etcétera, el único requisito es la calidad de las obras. De hecho también abogan por novelas contemporáneas de autores españoles como Fernando San Basilio o Pilar Adón. El resultado es variado y, desde luego, de un alto nivel cualitativo.

For Gibbons, the suburb offered an ideal vantage point for exploring both urban modernity and countryside traditionalism, and for observing both literary modernism and the vestigial Romanticism of popular rural fiction." There is another entrance approx 300m further along South Street towards the A22 where a wide kissing gate leads directly into the wood. During her Evening Standard years, Gibbons persevered with poetry, and in September 1927 her poem "The Giraffes" appeared in The Criterion, a literary magazine edited by T. S. Eliot. This work was read and admired by Virginia Woolf, who enquired if Gibbons would write poems for the Woolf publishing house, the Hogarth Press. In January 1928 J. C. Squire, a leading voice in the "Georgian" poetry movement, began to publish Gibbons's poems in his magazine, The London Mercury. Squire also persuaded Longmans to publish the first collection of Gibbons's verses, entitled The Mountain Beast, which appeared in 1930 to critical approval. [18] By this time her by-line was appearing with increasing frequency in the Standard. As part of a series on "Unusual Women" she interviewed, among others, the former royal mistress Lillie Langtry. [15] The paper also published several of Gibbons's short stories. [19]Not far away from The Eagles, and another rung or two up the social ladder are the Springs, Mrs Spring, her bookish niece Hetty and her son Victor, handsome and full of confidence, he is the undisputed Prince Charming of the neighbourhood. Victor is unofficially engaged to Phyllis a rather hilariously awful character that Gibbons is so good at creating. Victor Spring may be the Prince Charming of the piece, but he certainly appears to not be in any way a hero. At a ball which serves to bring some much needed distraction to the inhabitants of The Eagles, Victor first really notices Viola, despite having already given a lift to her and Tina when caught in a rain storm – his intentions however are anything but honourable. The history of it makes me want to visit a house similar to the Hope House. The language is captivating and bewitching; I would love if there were a sequel. Lucy Strange has been successful in writing a piece of heart-felt literature. In fact, Jim, Roger, Anne and Chrissie would have been exactly like Tom, Archie, Irene and Connie, but as they lived in different bodies, there was at least the promise of Romance.