Metronome Techniques – Uses of the Metronome". www.franzmfg.com. Archived from the original on 2011-07-11. The Wittner 836 Taktell Piccolo Metronome is a great choice for someone who is looking for a very compact and easily portable metronome with exceptional built quality. The only downside is that it doesn’t have a bell which means you’ll have to count the bars by yourself.

Some digital metronomes allow adjustment to more precise tempos (e.g. increasing 120 to 121), but such a difference is hardly perceptible. [18] Here is another option if you want a three in one solution. A metronome, tuner and tone generator in a single small device. You get a little pouch with it that it can travel comfortably in. It has a range between 30-250 BPM and has several beats and rhythm patterns. It tunes whichever instrument you play and has a very sensitive microphone. Another difference is that it uses a microphone instead of sensing vibration, meaning that it is probably best to use it when it's quiet around you so that it doesn't catch other sounds as well as your instrument. The Tempi Metronome for Musicians is a very accurate and stylish tool that offers you great looks, is very lightweight, and has exceptionally good built quality even though its body is made entirely of plastic. It is reasonably priced and is known for its remarkable durability. Best features and specsUsers agree that the Wittner Metronome 801M is stylish indeed, does its job remarkably well, and is a good value for money. Some users advise gluing a few rubber circles on the bottom of the metronome so that it wouldn’t slide. And to grab the metronome by the top, you should glue some cloth because it may slide from your hand. What we think Soon new standards were established. Besides the Maelzel Metronomes, WITTNER® started producing the "TAKTELL®".

Franz Petersilea "On rudimental instruction on the piano"; translated from Neue Zeitschrift für Musik, Vol. 50, No. 3, 11, 16 by G. A. SchmittMetronome Usable On Computer - Online Metronome". Online Metronome. Archived from the original on 2023-06-05. Analyzing the earliest (pre-1930) samba recordings (e.g. Pelo Telefone from 1917), reveals strong differences with many of today's "samba" performances, many of which have a very different – sterile, modernist, metronomic ("corrupted") rhythm.