Dzwonnik z Notre Dame (Disney) (booklet) [DVD] (English audio. English subtitles)

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Dzwonnik z Notre Dame (Disney) (booklet) [DVD] (English audio. English subtitles)

Dzwonnik z Notre Dame (Disney) (booklet) [DVD] (English audio. English subtitles)

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Muschamp, Herbert (March 5, 1995). "ARCHITECTURE VIEW; Playful, Even Goofy, but What Else? It's Disney". The New York Times. Archived from the original on December 8, 2014 . Retrieved November 30, 2014.

Milestones for Gary Trousdale". Turner Classic Movies. Archived from the original on December 18, 2014 . Retrieved November 30, 2014. A gdy nuncyusz nadjeżdżał, puszczono naraz na most do dwustu tuzinów rozmaitego ptactwa; bardzo to były ładne, Lienardo.

Hartl, John (June 19, 1994). "The Lion King' Gives A New Voice To Disney Storytelling". The Seattle Times. Archived from the original on December 26, 2019 . Retrieved December 6, 2014. Past Saturn Awards". Saturn Awards.org. Archived from the original on September 14, 2008 . Retrieved May 7, 2008.

Three songs written for the film were discarded for the storyboarding process. Trousdale and Wise were not certain what musical number could be placed for the third act, though Menken and Schwartz conceived two love songs, "In a Place of Miracles" and "As Long as There's a Moon," between Esmeralda and Phoebus in the film. However, Trousdale and Wise felt the song took too much focus off of Quasimodo, [40] and ultimately decided to have Clopin sing about sentencing Phoebus and Quasimodo to death for finding their Roma sanctuary. [41] Menken and Schwartz had also written " Someday" originally for the film, but the directors suggested that a religious song be sung in the cathedral, and the song was instead featured in the end credits. [42] R&B group All-4-One recorded the song for the end credits of the North American English release, [43] and by the British R&B girl group Eternal in the British English version. Luis Miguel recorded the version for the Latin American Spanish version, which became a major hit. Notre damn". The Advocate. Here. July 23, 1996. Archived from the original on July 2, 2021 . Retrieved February 16, 2015. Na okładce: Victor Hugo (1802-1885), Victor Hugo, Oeuvres illustrées de Victor Hugo. Paris: J. Hetzel, 1853, McNary, Dave (June 23, 1996). "Eraser' rubs out competition at U.S. box office". United Press International. Archived from the original on February 26, 2022 . Retrieved February 26, 2022.Stewart, Jocelyn (February 10, 2008). "Artist created many famous film posters". Los Angeles Times. Archived from the original on March 14, 2010 . Retrieved February 10, 2008. Katzenberg had also wanted Meat Loaf for the role of Quasimodo, but he passed on the role after Disney could not come to an agreement with his record company. [21] Mandy Patinkin was also approached for the title role, but his style of portraying Quasimodo collided with the producers' demands, and Patinkin stated, "'I [was] just there at the audition [and I] said, 'I can't do this. '" [25] Tom Hulce was cast as Quasimodo following his first audition for the role, and according to the actor, he noticed during the audition that the Disney executives, producers, and directors "were staring at the floor. It looked like everyone was at a memorial service" until he noticed the floor was lined with storyboard sketches. According to Wise, the filmmakers "like to audition the voices with our eyes closed, so we see the character's face." [26] Quasimodo was originally portrayed as older and with more of a speech impediment during the early rehearsals, but Hulce commented that "we experimented, endlessly. At one point I was ready to call in and say 'Things just aren't happening'." [27] Ultimately, the directors desired to portray Quasimodo with a younger voice different from the previous portrayals since "[Victor] Hugo described Quasimodo as 20." [8] Additionally, Hulce was permitted to do his own singing after performing a demo recording of " Out There." [28] Hinman, Catherine (June 21, 1996). "A Small Role For Florida Animators". Orlando Sentinel. Archived from the original on December 5, 2014 . Retrieved November 30, 2014. Krzyżu Pański! – odparł Coppenole, nie puszczając rąk żebraka – toż to jeden z moich przyjaciół, jaśnie kardynale! Czterech wyprostowanych pachołków juryzdykcyi trybunalskiej (obowiązkowi to stróże wszelkich zabaw ludowych, tak w dniach uroczystych, jak i w dniach egzekucyi) stało przy czterech rogach stołu marmurowego.

He is not the only knight in this movie, others would get one later. Sir Nigel Hawthorne has a small role. The main parts are reserved for Sir Derek Jacobi as the priest Frollo who is bewitched by gypsy woman Esmeralda (Lesley-Anne Down.) Animation Guild, TAGInterview GaryTrousdale 2, archived from the original on July 2, 2021 , retrieved December 7, 2018 Laster, Arnaud (January 1997). "Waiting for Hugo". Animation World Magazine. Vol.1, no.10. Archived from the original on October 11, 2012 . Retrieved August 19, 2007. The film steps up the moment Frollo glimpses Esmeralda and is enchanted by her. It drives him to madness and cruelty.Gary Trousdale (October 23, 2012). TAGInterview GaryTrousdale 1 . Retrieved February 16, 2015– via YouTube. Since Who Framed Roger Rabbit (1988), other animators hired by Disney Feature Animation were from Germany, France, Ireland, and additional ones from Canada were involved in providing animation duties at the recently opened satellite studio, Walt Disney Animation Paris, [18] of which about 20 percent of the film was done. [35] Meanwhile, at the Feature Animation Florida studio, which had been working on Mulan (1998), their first in-house production, at least seven animators penned about four minutes of screen time, which mostly involved Frollo and Quasimodo. The studio had also provided additional layout, cleanup, and special-effects animation. [36]

Archerd, Army (June 17, 1996). "Thesp requires Heimlich at museum bow". Variety. Archived from the original on December 26, 2014 . Retrieved November 30, 2014. No Singing For Demi Moore". Tribune Media Services. Sun-Sentinel. April 19, 1996. Archived from the original on December 5, 2014 . Retrieved December 1, 2014. A nieco dalej od Ponecan – z kolei mówiła Lienarda – u Trejcy, była passya z osób samych, bez dyskursu. Owa! czy was djabli, mistrzowie kunsztu!... i te wszystkie wasze pyszne kapy czarne! i czerwone wszystkie kapy! Bates, James; Eller, Claudia (June 12, 1998). "Bridled Optimism". Los Angeles Times. Archived from the original on July 12, 2015 . Retrieved December 22, 2014.

Disney Signs Up More Toon Talent". Variety. November 5, 1995. Archived from the original on December 26, 2014 . Retrieved November 30, 2014.



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