I think anger’s alright, actually. Lots of you have been treated badly, and most of you never asked for any of this. But… hate’s different. It eats you up and makes everything worse. You’ve all suffered enough already, haven’t you?” With solid Discworld vibes, a complex, emotional friendship that doesn't become a romance and a series of chaotic events, I think this may be the best work Frances has ever produced. While most of her previous books felt more in the Middle Grade category, I think this story could easily appeal to adult fantasy readers. Discovering the flaws in one’s society (large or small, country or village) is a huge and important part of growing up, and one that Hardinge explores and pokes at with questions and ideas. If anyone can do something wrong, or feel something wrong, and wind up an outcast, then what? What grace can the world learn to offer to the rejected and outcast and othered? What can be learned from anger, and what are its limitations? How do you know when anger is righteous and useful, and when it’s merely cruel? Can power that comes from anger and pain be used for good? It’s “middle grade” literature, which is ridiculous. Hardinge writes more than suitably for adults, but these are also stories that you can hand to a young reader without cringy embarrassment for your book tastes. Young age of her characters does not detract from the high level of clever complexity, but does - thank all the literary deities - end up romance-proof, which at least to me is a welcome reprieve of the easy storytelling trends that lets us because they sell. This book is carried on the strength of its story, not on the whiff of hormones, and it’s wonderful.

Unraveller ’s first third or so is taken up with a quest that Kellen and Nettle have almost no choice but to accept. Someone is freeing cursers, and a man named Gale and his terrifying marsh horse enlist Kellen for his skills. Where he goes, Nettle goes. But this is only half the story. Who is freeing cursers is not the right question. Why is much more important. The action is only a symptom, an indication that something is not right in Raddith.

Our main protagonist, Kellen, has a talent for unravelling curses. One day he meets Nettle and unravels her curse and they become close friends. But then Kellen discovers he’s become cursed. As Kellen and Nettle investigate his curse, they go on a journey where they discover secrets and lies and the truth about their friendship. It’s wonderful that in a story about unravelling - curses, yes, but also the tangled webs of resentment and hate and pain - Frances Hardinge instead weaves a very complex and deeply nuanced tale with a whole onion-worth of layers. When I wrote about Hardinge’s A Face Like Glass , I noted that her villains are rarely people, but broken societies that have stopped asking whether they can be fixed. Raddith is a society that largely doesn’t realize how broken it is. Her young protagonists are outcasts of a sort, but not the same kind of outcast as a curser. It is easy to assume, when you are young and naive or sheltered or have spent some time as a bird, that people who have been rejected by society have been treated this way for valid reasons.

Hardinge's writing is always good; it seems a bit less adorned in Unraveller but remains full of evocative similes ("her mind clenched like a fist, and her personality hissed out of its grip like grains of sand between tight fingers") and atmosphere: Everything echoes down the webs. Even magical creatures have a thing or two to learn about human emotions. And even a carefully organized society can learn that it needs to change. L'ho trovata una storia avvincente e suggestiva, ispirata da varie fiabe gotiche (tra tutte, la fiaba dei Cigni Selvatici di Andersen), ma sempre tesa a sviscerare il problema del senso di colpa di chi maledice e la sofferenza di chi subisce e viene guarito. Spesso, le maledizioni traggono origini da motivi futili, da incomprensioni familiari, ed è vero il concetto che il male invocato può ritorcersi contro chi ne ha fatto un uso dissennato. The book features a depth of themes including but not limited to: victims, survivors, anger and hatred, trauma, therapy, cults, betrayal, domestic abuse, all under the guise of a stunning fantasy world with curses and the riveting and mysterious Wilds.

There's an overarching plot having to do with large, shadowy conspiracies (of course; this is Hardinge, after all), but the start of the story feels almost picaresque as Nettle and Kellen travel around unravelling curses. This is a job the impetuous Kellen is quite unsuited for, as a curse cannot be unravelled without identifying the curser and their motivation. That's where the cooler-headed and reserved Nettle comes in. Some of these episodes are fascinating and have the texture of folklore (Pale Mallow the bog-witch!), and many of the cursers are sympathetic - victims themselves who were given, unasked, the power to take revenge.

You have of course heard that some people in Raddith are able to curse their enemies. It sounded so picturesque when you were reading about it at home, like a fairytale. Perhaps you will decide that all the stories of the Wilds and the Raddith cursers were invented to entertain tourists. And at night, when you see a many-legged shape scuttle across the ceiling of your bedchamber, you will tell yourself that it is a spider, and only a spider . . . Moreover, every person we meet was so unique. Some were infuriatingly self-righteous, some were true villains, others were victims of circumstances, there were unteachable idiots and cunning conspirators. In the middle of this varied group of people, we had two marvelously wonderful kids that had to grow up way to fast and are now trying to navigate heartbreak and danger without losing themselves in the middle of it all.Once again Frances Hardinge has delivered a story that's a little bit different and creepily atmospheric. Set in a world full of disagreeable magic and malicious curses, the plot is complex, multilayered and full of rich imaginings. It introduces us to a whole host of questionable characters. Those who curse, those who are cursed and anything and everything in between - think inventive supernatural creatures.