Funded by Legacy Trust UK and BP, with additional support and resources from the BBC, the film has been brought together by Tate and the creative magic of Aardman Animations. The Itch of the Golden Nit follows 11 year old hero Beanie on his mission to save his parents from Evil Stella and to return the Golden Nit to its rightful place at the heart of the sun, thereby saving the universe. It’s a surreal and spectacular adventure that only the wild imaginations of kids could dream up! Burton admiited that with so many children involved it could have been a recipe for disaster. "I was quite nervous at the outset that we might end up with a soup of disparate parts – but that, I think, is where the genius of Aardman comes in." We asked them all questions about how they were involved in the film, what it was like and why they thought it was an important project.

The cream of British comedy has provided additional voices for the film including Sanjeev Bhaskar, Ralf Little, Miriam Margolyes, Lucy Montgomery, Vic Reeves and Alexei Sayle. Two children provide the voices of Beanie - Bobby Fuller, known for his role of Jake on CBBC’s Sadie J - and his older sister Beryl - Rachel Rawlinson. Aided by his shouty older sister Beryl, who has been shrunk to the size of a doll by one of Stella’s electric bubbles, Beanie sets out on a crazy adventure to rescue his parents and save the universe. The stellar cast has provided the voices for the lead characters chosen from the many drawings submitted by children aged 5- 13 the result of over 250 workshops and individual uploads to The Tate Movie Project’s online movie studio. The online studio has had more than 500,000 hits since it went live last July and a touring Movie Studio has spent months on the road visiting galleries, schools and festivals across the country encouraging children to use art as inspiration for their drawings and story ideas. The Itch of the Golden Nit follows 11 year old hero Beanie on his mission to save his parents from Evil Stella and to return the Golden Nit to its rightful place at the heart of the sun, thereby saving the universe. It’s a surreal and spectacular adventure that only the wild imaginations of kids could dream up! As it was lots to do and remember we were glad we practised before everyone arrived. We did this by interviewing some of the facilitators who had run the Tate workshops.

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But this is no ordinary nit. The Golden Nit is the battery that powers the sun and if Beanie doesn’t get it home by sunset the sun will die and the universe is doomed. Around 2,000 children will see their own work in the film. "It has been a collaborative effort from the get-go," said Burton. "We've seen it more as a big community movie crew that has crowdsourced the film." Jane Burton, creative director of Tate Media, said the team was extremely happy with the result. "We wanted it to be something that people would enjoy watching as much as the children enjoyed making it," she said. The Itch of the Golden Nit has been a huge success. Are you considering making another film collaborating with children in this way?

You walk into a little booth, they say 'read these words', you read the words and then they put the animation to it" Dom said.

The reason for doing this was to obtain subtlety in the characters and their relationships – in their facial expressions and movements – I just don’t think I could do that with drawings. Some people can but not me. Since then Sarah combined her love of animation with teaching, working as a lecturer at Humberside University, then The National Film and Television School and as Head of Animation at Savannah College for Art and Design, in Georgia, USA. The Tate was the perfect partner for the project ( along with CBBC of course) because they gave the whole thing a really strong environment. The workshops were framed in the context of looking at art works and they had a massive influence and what the children drew and wrote. Much of the initial story came from a workshop in Tate Liverpool where we showed the children Picasso’s Weeping Woman ( which was there as part of the Picasso Peace and Freedom exhibition), we asked why they thought she was crying and within the context of a script workshop – where they shouted out ideas, developing on each other thoughts; we got an amazing story chain about a girl called Diana whose hair grew 5 meters every 5 seconds, it grew so fast she had to wash it in the Mersey, one day a dead kitten fell out, her only friends were the nits that lived in her hair etc etc…quite dark but quite brilliant material. The main thing I learnt from the project was that children really soak up the visual world around them so it is very very important to expose them to good design early on… even if they don’t speak about it – it definitely has a massive effect we could see it clearly in the drawings.