Each group of people would assemble in the sitting room of Leslie’s London flat in anticipation. Deceased of all descriptions would come and talk to them, not only their relatives. It was as if there was a microphone in the spirit world and the spirit would stand in line waiting their turn to speak. Voices would come from all corners of the room and often several would converse at once, giving detailed descriptions of their life on Earth and other pieces of personal information. An extremely vital aspect of the Leslie Flint communications is their spirituality and profound ease of communication and natural spontaneity that one can only rarely hope for in most other seance communications provided by other mediums. Unfortunately for one reason or other, spiritualism via physical mediumship has been steadily declining toward the end of the last century and beginning of this century, and most modern mediums tend to only emphasize proof of survival, personal messages, physical phenomena, and mundane subjects. Even though these are important and do have their place, they should never be the be-all and end-all of all communications between our world and theirs. I had made my decision. I would give up the whole business of trying to be a medium.” Leslie Flint’s Parents Abandon Him and Young Leslie Spontaneously Experiences Clairvoyance Leslie at 4 Years of Age with his Mother and Father As such, I was particularly interested when I found out about the work of Leslie Flint, who has been proclaimed as the most gifted direct voice medium in history. In contrast to a trance medium, like Kevin Ryerson, where spirits utilize the medium’s vocal cords to communicate with human beings, a direct voice medium is able to use his or her life energy to allow spirit beings to communicate in their own natural voices through an energetic device, an energetic voice box or amplifier, a device that allows spirits to speak to human beings directly.

Grant, John. (2015). Spooky Science: Debunking the Pseudoscience of the Afterlife. Sterling Publishing. p. 45. ISBN 978-1-4549-1654-3 Kevin channels a spirit guide named Ahtun Re who has demonstrated the ability to make past life matches with a high degree of accuracy. When Ahtun Re communicates though Kevin, Kevin’s voice, accent, facial expressions and mannerisms change. Ahtun Re has an engaging sense of humor. Though Kevin is well read, Ahtun Re has an encyclopedic fund of information, which neither Kevin nor I possess.tape recordings were made of Leslie Flint’s direct voice mediumship in which deceased relatives spoke to their living loved ones in their own, recognizable voices. In addition to sharing memories with their living loved ones, these spirits also described, in detail, what their life in the spirit world is like. These tapes were reviewed by Neville Randall, who compiled descriptions of the spirit realms in his book Lif e After Death. These accounts are the most vivid descriptions of the spirit world that I have encountered and will be shared in subsequent articles. Rudolph Valentino as a Past Life of John Travolta The medium could not have created the voices, nor could an accomplice, because they varied so in quality between men, women, young people, speakers with accents, British speakers, Southern American speakers, and a great variety of others. Also, the witnesses attested that the voices came from all parts of the room, not from any individual. They usually came from the direction of the medium, but the medium was often gagged as a test, and at least once, a throat microphone was placed tightly on his throat to detect any voice. By the time 'Voices in the Dark' was first published in 1971 Flint had already been a medium for over 40 years - yet he continued with his work for another 20 years. His experience and knowledge of what happens to us after death is second to none. Tell her to give my regards to Edward - she will understand. I'll be very upset indeed if you don't tell them. Tell them to come and talk with me. I want them to be happy. Don't forget, please. Thank you”.

I never really believed that dogs and cats and horses had a soul. I realize now that we are very much responsible for the animal kingdom and that they depend a great deal more on us than we realize. Mrs. L. Piper was a gifted medium who also enabled voices of the deceased to speak. Dr. James Hyslop, a professor of logic and ethics at Columbia University, initially a skeptic, was converted to accepting the afterlife after he studied Mrs. Piper and she repeatedly produced high quality evidence for the afterlife. In Life After Death (1918) he wrote, Based on twenty-two years of research, this compelling and revelationary book contains spectacular eye-witness accounts of seance phenomena and dramatic communi- cations from several famous people, notably Sir Winston Churchill, from the spirit world. Fascinating information written by Robin P. Foy. Go here to find out more: In Pursuit of Physical MediumshipI have been blessed to work with Kevin Ryerson, a world-famous trance medium, who has been featured in the four of Shirley MacLaine’s books. The way that Kevin works is that he goes into a meditative state or a trance, much like sleep, and he allows spirit beings to use his vocal cords to speak to human beings. I have worked with Kevin monthly since 2001. I have a dog here that I was very fond of. If anyone had told me years ago on Earth that animals existed after death, I would not have believed it. The creativity of his testers was remarkable: "He was bound to a chair, his mouth sealed with tape. At other experiments he wore a throat microphone to detect possible vibrations in his vocal organs. He was observed through an infra-red viewer." Then the dozen sitters heard the excited voice of the “dead” airman speaking to them. No trumpet is used at Flint’s seances; the spirit voices speak out of the air: “Hello. hello, hello!” He repeated. “My name’s Peter. I want to get in touch with my mother. Do please help me, somebody. I was just twenty. I am their only son”. The voice box, automatically transmitting those thoughts as sound, will reach the sitters as the voice, therefore the sitters are very important. Some sitters may actually feel the power being drawn from them, and at the end of a sitting may feel rather depleted. This may be especially so in the case of a single sitter.

The above videos were selected to give you a clearer conception of the nature of Leslie Flint's work and how he served as a living communication "bridge" or "telephone" between this life and the life beyond. Amazingly enough, many of these communications were recorded on tape so that others may also listen and learn from them while leaving for all humanity, the most elaborate evidence of life after death ever heard. The speakers talked openly and honestly, with conviction, emotion, and personality that could not be staged.Mary Roach. (2008). Six Feet Over: Adventures in the Afterlife. Canongate Books. p. 179. ISBN 978-1847670809 Professor Richet also pointed out that the communicating spirit must lower his or her own frequency to the lower one of the Earth and remember what his voice sounded like during its lifetime and recapture memories of happenings which will give proof of his or her identity to the person with whom the spirit wishes to communicate. If the communicating spirit is successful, the voice will sound like the voice it had while it was living on earth. Light Interferes with the Use of Ectoplasm, hence Voices in the Dark

She gyrated her hips and weaved her arms, the while chanting what sounded gibberish to me but was acclaimed enthusiastically by the others as ancient Egyptian. The bounteous bosoms flopped alarmingly as the dance grew more energetic, first to one side and then to the other, and the arms kept weaving like tentacles of a busy octopus. During pre-production for the 1973 film Don't Look Now, director Nicolas Roeg and actress Julie Christie were invited by Flint to a séance he was holding for some American parapsychologists who were coming to observe him. Roeg and Christie attended and sat in a circle in the pitch dark and joined hands. Flint instructed his guests to "uncross" their legs, which Roeg subsequently incorporated into the film. [7] Style of mediumship [ edit ] When taking part in séances with Flint, participants would report hearing the voices of the dead surrounding them in the room. [8] Flint would perform bound and gagged in an attempt to prove that he was not throwing his voice. [8] [9] He claimed that he was able to conjure ectoplasm from which he could then reconstruct vocal cords. [9] However, Flint always insisted on performing in the dark, so séance-goers were unable to see him during the performances. [3] He would sometimes even perform in a cupboard. [3] Ahtun Re has shared that he is a product of human evolution and that his last incarnation was about 3500 years ago in ancient Egypt, where he was a military general under the Pharaoh Akhenaten. Ahtun Re has related that when his family was killed by an enemy force, he renounced violence and became a priest in the temples of Egypt. The Physical Mediumship of Daniel Dunglas Home | Uri GellerMs. Cook was far from being a sylph, she was broad in the beam and her bosoms were of Earth Mother proportions.