I have provided opportunities for children to work with their talking partners to support their composition. Additional tip : Print off nets of cubes and cuboids ( photocopiable card ) and ask children to decorate their magic boxes then assemble them. There are plenty of jokes and things to smile about. In Kit’s books you’ll meet a cast of crazy characters, including the dreadful Dave Dirt. And like Dave, the poems are never afraid of a bit of slobber or snot. Free verse poetry is poetry without many of its usual rigours, which opens up the doors for lots of creative possibilities. That being said, it might feel a bit daunting for some budding writers when they have no form to follow, so we’ve come up with some lovely resources to make free verse poetry at KS2 a bit more fun and accessible!

The imaginative poem ‘The Magic Box’ by Kit Weight provides a wonderful opportunity to appreciate, perform and compose a fantasy poem. These resources are presented beautifully to also evoke an individual written response from the learners. Other witty examples included: It’s Spring, It’s Spring and It’s Winter, It’s Winter, these poems are a bit different than what you expect and would be an excellent fun poem to present in class and get the children to figure out what has gone wrong. Whether it’s a poem of laughter or lament, Kit always reads with perfect rhythm and pace. Listen out in ‘Heads or Tails’, for his keen sense of comic timing. Presentation B provides an opportunity to concentrate on the final 3 verses of the model poem - the ‘impossible things’ verse, what their box is made of and where they will travel in their box. The Magic Box’ is probably Kit Wright’s best known poem. Just like the magic box, his poetry contains an extraordinary collection of contrasts.

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He includes some of his better known pieces e.g. Hot Dog, Great Snakes and Rabbiting On, all of which are fun, well written examples of poetry for young children to engage with. The Magic Box is Wright’s best-known poem for children. It is often read in schools, and Wright himself often does readings of the poem. His poems for children are much beloved, by turns comic, silly, sad, and magical.

Kit uses rhythm and rhyme as well as assonance and alliteration to create poems that sound pleasing to the ear. Some use repetition and refrain and sound almost like a song. Some are quite twisting for the tongue! I have looked at three poems from Kit Wright to explore his style: 'The Sea in the Trees, Watch your French', Heads or Tails The fate of the Supermarket Market Manager; I thought this was a fun description of an overly generous Shop Manager that ends up getting fired because of his good nature, it encompasses very good examples of rhyming prose for students learning the nature of poems. Following this you could get students to write a poem about their own quirky character in a similar style to this example. You can put anything in the box – a snowman, dragon’s fire, even the first smile of a baby. The box can be made of anything you want – stars, secrets, or dinosaur toes. In the box, you can do anything – even surf! – no matter how strange or impossible it might seem.Kit Wright (b.1944) is an award-winning English author, who writes for both children and adults. Following a scholarship to Oxford, Wright became a lecturer in Canada, before returning the England to work as a full-time writer with a position in the Poetry Society. Prior to writing The Magic Box he had already won many awards, including the Faber Memorial Prize (1978), the Arts Council Writers Award (1985), the Heinemann Award (1990) and the Hawthornden Prize (1991). Kit Wright (b. 1944) is the author of more than twenty-five books, for both adults and children, and the winner of awards including an Arts Council Writers’ Award, the Geoffrey Faber Memorial Prize, the Hawthornden Prize, the Alice Hunt Bartlett Award and (jointly) the Heinemann Award. After a scholarship to Oxford, he worked as a lecturer in Canada, then returned to England and a position in the Poetry Society. He is currently a full-time writer. Wright’s reading voice is an example of what “well-spoken” refers to. He is clearly aware of the assumptions this can lead to, teasing himself for it in ‘How the Wild South-East Was Lost’, which he introduces as an attempt “to describe my upbringing as though it had been other than soft.” Other introductions include explanations of references, inspirations, and allusions to other poems – or songs. One of the high points, ‘The Orbison Consolations’, suggests to the singer of ‘Only the Lonely’ that he should restrain his hyperbole, giving a list of other types of people who, right up to “lastly the ghastly / Know the way you feel tonight.” The Poem “Sea in the Trees” describes an old man sitting in the shade of a large ash tree, dreaming of the sea. I enjoyed reading this poem because of its strong connection to nature making it very soothing and relaxing. There are some good uses of rhyme with ‘made’ and ‘shade’, and ‘tree’ and ‘sea’. The poem very cleverly links the tree to the sea, harbor and a ship through various literary devices such as imagery and personification. This poem is suitable for KS2, not so much KS1. Children could be asked try and identify any literary devices, they can perform the poem themselves or make their own poem based on the main theme from Wright’s poem. Rhyming words can be analyzed, words that may be unknown could be explored. Children can review the poem saying why they liked it or not. The meaning of the poem: what the poet is trying to do, can be explored.