Whatever the story, there’s much of the past in his music, a conscious anachronism in an era when the present is constantly trying to erase itself. Stop Living Blind’ and ‘Somethings Gotta Give’ offer a more mellow and laid back side to Webster, illustrating the range of the project. The messages of his songs are raw and vital, as each track clearly has a purpose and there are no filler moments.

The first song on the album is Down The Road, it gives you a clear impression of the style of music that Webster is going to grace the listener with through this album.Read more about the condition New: An item that is still in its original shrink wrap from the manufacturer and the original manufacturer’s seal (if applicable) has not been removed.

This amount includes seller specified domestic postage charges as well as applicable international postage, dispatch, and other fees. Webster describes the city as his heart and it reminds the listener of the impact your home town can have on a person. The positioning of the songs in the album compliments his music well as it doesn’t give the listener the feeling that they are listening to the same song on repeat which can be found with a number of artists.Better still to square the Liverpudlian and former electrician in the folk tradition, but only because he chooses the least complicated ways to connect with people; a strummed guitar, some welcoming chords and a proudly accented voice, basic tools made good by joy and artistry. Webster originally grew in renown for providing new soundtracks to Liverpool Football Club’s rising fortunes, playing to 60,000 fans attending the 2019 Champions League Final in Madrid and performing around the world, as far afield as Australia and Dubai. Opening track ‘Down the Road’ is energetic and distinctive, immediately highlighting Webster’s ability to craft tracks that feel simultaneously classic and modern.

The message of hope is an important one that should resonate with everyone who is struggling through these strange times.It has an acoustic start with a slow tempo which takes a complete turn when an unsuspecting tempo change hits the listener taking away a sense of predictability that might be expected from this genre of music. As he sees it though, the means to combat all of this are rooted in community, in throwing away the meaningless and cutting spite and division out of lives (advice given on the street corner yell of Change) before rescuing those who’ve slipped between the cracks and lifting them up (Out On The Street, its scouse-psych overtones handed down through generations of the city’s best like an heirloom).