Doctor Ferreiro visits Carmen in her bed and prescribes her two drops of something to help her sleep. com/pans-labyrinth/study-guide/summary-part-1 in MLA Format GradeSaver "Pan’s Labyrinth Part 1 Summary and Analysis". Not only are the adults in Ofelia’s life trying to convince her to fit in more with the adult world, but they also represent the authoritarian government of Spain. He picked a ruby flower from the royal gardens to lay on Cintolo’s grave and sent one of his fairies up to find the girl.

Abruptly, Vidal stabs the younger man repeatedly in the head and then shoots the older man several times. Her name was Ofelia and she knew everything about the pain of loss, although she was only thirteen years old. Pan’s Labyrinth: The Labyrinth of the Faun is an elegiac love letter to fairy tales and a worthy companion piece that also stands strongly on its own.This is all I could get,” the doctor said quietly, handing Mercedes a small parcel wrapped in brown paper. She speaks to her unborn little brother and tells him that he will meet their mother soon, and easily be taken in by her beauty. It took Cintolo three days and three nights to finish the sculpture and, when he told the Faun to rise from his chair, so did his wooden image. Deeper and deeper into the forest the cars drove, with the girl and the mother and the unborn child. But the darkness inside the house was far more frightening, and the girl knew that it was fed by the man who’d brought them here.

Excerpts and links may be used, provided that full and clear credit is given to Jessica Scott and SpookyKidLit. She emerges from the tree, but is distressed to find that her beautiful dress is covered in mud, as the sky opens up in a rainstorm. The son was still moving, his hands red with his own blood as he pressed them against the gaping wounds on his face.

She often wondered whether her mother felt the same, but she couldn’t find the answer in her pale face. It is said that long, long ago, there lived a princess in an underground realm, where neither lies nor pain exist, who dreamt of the human world. As they both get out of the car, Carmen tells Ofelia that the baby, a boy, is not well, and leans over the side of the car feeling sick.

Her father had died just a year ago and Ofelia missed him so terribly that at times her heart felt like an empty box with nothing but the echo of her pain in it. It even made him forget what a miserable place this was, so far away from the cities and battlefields where history was written. The faun-like creature, meant to be Pan, puts Ophelia through morality tests: a kind of labyrinth that is both literal.The Fairy had disappeared, and when Ofelia stepped through the arch, it cast a cold shadow on her skin.

They fought the very darkness Vidal served and admired, and he had come to the old forest to break them. They had been driving for hours, farther and farther away from everything Ofelia knew, deeper and deeper into this never-ending forest, to meet the man her mother had chosen to be Ofelia’s new father. After he leaves, he meets Mercedes in the hall and she tells him to go visit someone who has a leg wound.He filled the royal gardens with flowers sculpted from rubies and fountains sculpted from malachite. When Vidal asks about his son, Ferreiro tells him that he has nothing to worry about, but that Carmen ought not to have traveled so late in her pregnancy. The faun hands Ofelia The Book of Crossroads, which include the instructions for how to complete the three tasks.