We’ve also got loads of top outboard including Urei 1176s, LA2A, EAR 660, Pultec, Lang and Decca EQs, Decca limiters, Roland Tape Echoes as well as EMT plates and a unique tile room echo chamber. You may instruct us to provide you with any personal information we hold about you; provision of such information will be subject to the following:

if we believe that the documents may be relevant to any ongoing or prospective legal proceedings; and We use ATC SCM25 monitors, alongside NS10’s and Eastlake JM3T’s which are all fed by a Grace Designs monitor controller, which is incredibly transparent and also has excellent headphone amps. The console is definitely one of the biggest drawing points of the studio. The mic pre/EQ modules are based on the legendary 1081, and are considered by many to be one of the finest modules that Neve ever made. It has a really smooth and musical EQ, which just sounds fantastic. People love what they get from it. The rooms feel comfortable to work in, and sound great. We’ve taken a lot of care with the decor and lighting, and the space is really conducive to working creatively and efficiently. What are some of the biggest challenges you have faced in recent years? Another benefit we’ve experienced with these is keeping your roommates, family and neighbors from being disturbed by noise. Sometimes you need to get loud for the right feeling to come through on the final mix, and with some of the more encapsulating vocal isolation booths, you’ll be able to sing and scream at top volume, while the people next door will barely be bothered. This goes both ways as well, since the inner layer helps to dampen any sounds coming from other parts of the house, like if someone’s watching TV, running air conditioners or just from the natural hum happening in any room.We may disclose your personal information to any member of our group of companies (this means our subsidiaries, our ultimate holding company and all its subsidiaries) as reasonably necessary for the purposes set out in this policy. Information that we collect may be transferred to the following countries which do not have data protection laws equivalent to those in force in the European Economic Area: the United States of America, Russia, Japan, China, and India. That’s how Snap Studio was born. In fact, that same album recording project that inspired the earliest version of Snap Studio took me all the way to the GRAMMY Awards Red Carpet. With the right tools and inspiration, the sky is the limit! I’ve worked with UAD for a long time too, I love how they operate and think they sound fantastic. I’m a big fan of all the Kush Audio plugins, plus I love the BX Townhouse bus compressor. My mix bus will often feature a Novatron, and Townhouse. Even if you have a top-quality microphone and headphones, good gear can only take you so far when recording your voice on the road without proper insulation surrounding you. That’s where a portable recording booth, also called a vocal isolation booth, can make or break your vocal takes.

For over 10 years now, Snap Studios has welcomed a host of heavyweight artists and musicians through its doors, from the likes of Liam Gallagher, FKA Twigs, Clean Bandit and Coldplay among others. Studio manager and resident engineer Marco Pasquariello has been integral to the studio's success story from the very beginning, having himself constructed a noteworthy body of work featuring Club Kuru, Paloma Faith, Craig David and Bill Fay to name just a few. Marco's diligent nature coupled with an easy-going disposition and impressive knowledge of the craft (and gear) has provided Snap with a solid foundation upon which it's built an enviable reputation as one of the top recording facilities in London. No mean feat. Before you disclose to us the personal information of another person, you must obtain that person’s consent to both the disclosure and the processing of that personal information in accordance with this policySome of the better known names would be Kate Bush, Stormzy, Craig David, Clean Bandit, FKA Twigs and Liam Gallagher. Liam’s album was his debut record, and it went straight in at Number 1! We were really proud of that one. There has already been so many great records that have come out of the studio, and we want that to continue for as long as possible!

In an increasingly corporate, money-driven music business, Snap certainly proves that a small, independent venture can succeed by virtue of the skills of those involved and their belief and passion rather than money and marketing muscle, and that’s something we’re really proud of. What about the industry climate? Has this affected you and if so how? In practice, you will usually either expressly agree in advance to our use of your personal information for marketing purposes, or we will provide you with an opportunity to opt out of the use of your personal information for marketing purposes. When Mark Thompson secured the space it was remodelled entirely, and now houses Studio 1, with a 55‑square‑metre live room and a slightly smaller control room, as well as the much smaller Studio 2 and a few other facilities. Despite its comparatively 'comfy' dimensions, it is capable of hosting quite large recording projects, mainly due to its clever layout and the versatile interconnections between the various rooms. Interestingly, the building has a long musical pedigree. The premises were used by songwriter/producer Anthony Marshall and his firm Snap Management (hence the name of the studio) just before Thompson and Funky Junk took over the lease. But originally, in the early 20th Century, the building was home to the Boyd Piano Factory, owned by the same group as the Decca Record Company, who are said to have manufactured gramophones in Manor House at that time, quite possibly on the same premises.

2. Isovox Portable Mobile Vocal Studio Booth

Overall, it’s pretty incredible that such a large booth can fold up and be transported so simply, then be set up again wherever you want. This also works great for small apartments or places where room is limited. Simply store it after your session is done, instead of having a permanent vocal booth taking up valuable floor space. We have used the Prism ADA-8XRs at the studio and they sound superb. Still one of the best after 20+ years, but my Orpheus was just getting a little long in the tooth for my setup and I was recommended the new Lynx Aurora by an engineer friend. Yeah, the Aurora (n). I love it! I had been using a Prism Orpheus for about 8 years, but upgrading my Mac meant that I needed to upgrade my converters too because the Firewire conversion was too buggy. The live area in Snap Studio 1. The control room in Studio 1 is based around a vintage Neve console. Not only is Snap full of rare outboard processors and effects, but it also features a real echo chamber. A pair of Pye limiters and two Decca compressors, which came from a mastering console in Nigeria. Rare outboard at Snap includes a pair of blue Allotrope mic preamps, two Rosser EQs which once belonged to Mayfair Studios, and an LA2A copy which came from Moulin Rouge in Paris. Studio 2 is suitable for editing and overdubbing, and it also hosts an impressive synth collection, including a Yamaha CS80 (left). Snap is home to a number of desirable microphones, including a Neumann U47 that was used for recording Miles Davis by the previous owner.Snap Studios opened in early 2011, and in its short yet extremely busy history, its success shows that he, studio manager Marco Pasquariello and their staff must have made a lot of right decisions. Their work has garnered accolades including a Music Producers Guild Studio Of The Year award in 2013. More Than Meets The Eye

We may disclose your personal information to any of our employees, officers, insurers, professional advisers, agents, suppliers, or subcontractors as reasonably necessary for the purposes set out in this policy.I think a lot of the newer producers in that time came to realise that there are some things which can only be done right with good spaces, and the right equipment/environment/skilled engineers to capture those sounds. We will take reasonable technical and organizational precautions to prevent the loss, misuse, or alteration of your personal information.