Decir ante todo que es una versión adaptada del libro, con lo que es normal que su extensión se reduzca y haya pasajes que se resumen en una página o poco más. Pero aun así, la obra de Tolkien es perfectamente reconocible bajo los trazados de cada viñeta. Basta echar un vistado a un paisaje, a un orco o a un enano para darse cuenta de que estamos observando Tierra Media en todo su esplendor. Also Ted Smart / Grafton took some of the publishing for their number and released the exact same book under ISBN 0 007 66370 6, also as a softcover. Grafton, was used by Unwin to get some books released. And as said When Thorin Oakenshield and his band of dwarves embark upon a dangerous quest to reclaim the hoard of gold stolen from them by the evil dragon Smaug, Gandalf the wizard suggests an unlikely accomplice: Bilbo Baggins, an unassuming Hobbit dwelling in peaceful Hobbiton.

I originally read the Hobbit when I was 11 in my English lessons which was great as I had already been a fan of Lord of the Rings for a couple of years, so I was very excited to spot this in a charity shop! The real success here is the scenery. The Shire is luscious and simple; it is homely and basic. I think it’s illustrated perfectly with its wondrous shades of green. This may seem like a simple thing, but it really is a vital thing. It is the crux of the story; it is the anchor that embodies Tolkien’s idea of “a far greener country.” It had to be done right; it had to embody the simple, goodly and unrefined aspect of middle-earth. And it did. The Hobbit is the story of Bilbo Baggins, a quiet and contented hobbit whose life is turned upside down when he joins the wizard Gandalf and thirteen dwarves on their quest to reclaim their stolen treasure. It is a journey fraught with danger – and in the end it is Bilbo alone who must face the guardian of this treasure, the most-dreaded dragon, Smaug. Just as The Hobbit was an immediate success 80 years ago, so this adaptation has become one of the best-loved graphic novels of the last quarter of a century. It is a beautiful and worthy tribute to the classic story.

Customer reviews

What a lot of things you do use Good morning for!” said Gandalf. “Now you mean that you want to get rid of me, and that it won’t be good till I move off.”

On the other hand, the illustrations are beautiful. Water-colored works of art grace the reader's eyes, always magnificent to look at. Indeed, David Wenzel did an amazing job of drawing the scenes and crafting the characters. Gandalf is perfect, as are the Dwarves and Bilbo. Smaug is awesome (when are dragons not?). The Elves weren't how I imagined them, but still fit the overall stylistic themes of the book. While reading the book I wondered, "What does Gandalf look like?" or "Why is it so hard to find Rivendell? This is going on forever.” Well, explained later in the story Gandalf is tall compared to the hobbits of course. He also has a long white beard. It took so long to find Rivendell because the path they were following had been marked where to go, but it was hard to see because moss had grown over the path and covered the marks. This hobbit was a very well-to-do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, and found himself doing and saying things altogether unexpected. He may have lost the neighbours’ respect, but he gained—well, you will see whether he gained anything in the end.Good morning!” he said at last. “We don’t want any adventures here, thank you! You might try over The Hill or across The Water.” By this he meant that the conversation was at an end. Of course a one volume release was also the best time to create a limited signed edition. And so Eclipse Books made 600 copies and had them signed and numbered by David Wenzel. As a long time fan of Tolkien since I was a child (having even been a TA in a college-level Tolkien studies class), I'm always interested in how Tolkien is adapted. When I saw this graphic novel edition of the Hobbit, I was very curious as to how the story would play in the medium of the "comic". And I'm actually happy to say that the novel itself comes across really well. The story, characters and plot are all evenly handled. However, a fundmental problem with the medium of comic books would definitely be visual approachability. In a less dense story, you could show the action in the graphics/drawings, and the dialogue in word form. But when there's a linear approach to a story's plot, the graphic medium may not be the best way to handle it...because I found the actual act of reading this book a bit frustrating...having to re-read panels over again because the flow of dialogue and action were a bit confusing (ie, do I read this bubble first? or that one? it seemed to change, depending on the layout. So, hence, minus one star. I particularly like the lush evocative illustrations of the Shire, and the atmospheric ones in the dragon’s cave. Most startling for me is the way David Wenzel has captured exactly what Bilbo looks like in my mind’s eye: a short dumpy male with a bit of a pot belly and plain, almost ugly features. He has a bulbous nose and a rubicund good-natured face. All the dwarves are well-drawn individuals and very convincing, as is Gollum, who is uncannily like the Gollum in the films. Smaug is a mean-looking and terrifying beast.

this book, originally published as three comics, has a really VERY well done adaptation of the book - though, of course, necessarily much reduced in literary value- and exceptionally beautiful artwork with only one or two small shortcomings. It is a journey fraught with danger - and in the end Bilbo alone must face the guardian of the treasure, the most dreaded dragon in all Middle-earth... This version of the Hobbit is quite dense for a graphic novel, with a lot of narration. There are some interesting choices in what to include, as goes for any adaptations of prose novels to other mediums, and I probably would have cut some more of the endless descriptions of travels and stretched out some more adventures. But it still overall works. Not that Belladonna Took ever had any adventures after she became Mrs Bungo Baggins. Bungo, that was Bilbo’s father, built the most luxurious hobbit-hole for her (and partly with her money) that was to be found either under The Hill or over The Hill or across The Water, and there they remained to the end of their days. Still it is probable that Bilbo, her only son, although he looked and behaved exactly like a second edition of his solid and comfortable father, got something a bit queer in his make-up from the Took side, something that only waited for a chance to come out. The chance never arrived, until Bilbo Baggins was grown up, being about fifty years old or so, and living in the beautiful hobbit-hole built by his father, which I have just described for you, until he had in fact apparently settled down immovably.

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Very pretty!” said Gandalf. “But I have no time to blow smoke-rings this morning. I am looking for someone to share in an adventure that I am arranging, and it’s very difficult to find anyone.”

J.R.R.Tolkien (1892-1973) was a distinguished academic, though he is best known for writing ‘The Hobbit’, ‘The Lord of the Rings’ and ‘The Silmarillion’, plus other stories and essays. His books have been translated into over 40 languages and have sold many millions of copies worldwide. The premise," Wenzel said, " was to make one of Tolkien’s character races seem to exist in reality. We found out that there were incidences where dwarfs were integral to moments in history. Some of the hieroglyphics in ancient Egypt show dwarfs making jewelry. Their small hands allowed them to make intricate designs." In March, 2002, Dixon turned his attention to CrossGen's output, salthough he co-wrote with Scott Beatty the origin of Barbara Gordon's Batgirl in 2003's Batgirl: Year One. For CrossGen he took over some of the comics of the out-going Mark Waid, taking over Sigil from #21, and Crux with #13. He launched Way of the Rat in June 2002, Brath (March '03), The Silken Ghost (June '03) and the pirate comic El Cazador (Oct '03), as well as editing Robert Rodi's non-Sigilverse The Crossovers. He also wrote the Ruse spin-off Archard's Agents one-shots in January and November '03 and April '04, the last released shortly before CrossGen's complete collapse forced the cancellation of all of its comics, before which Dixon wrote a single issue of Sojourn (May '04). Dixon's Way of the Rat #24, Brath #14 and El Cazador #6 were among the last comics released from the then-bankrupt publisher. All of them at once,” said Bilbo. “And a very fine morning for a pipe of tobacco out of doors, into the bargain. If you have a pipe about you, sit down and have a fill of mine! There’s no hurry, we have all the day before us!” Then Bilbo sat down on a seat by his door, crossed his legs, and blew out a beautiful grey ring of smoke that sailed up into the air without breaking and floated away over The Hill.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. The Hobbit' is the story of Bilbo Baggins…a quiet and contented hobbit whose life is turned upside down when he joins the wizard Gandalf and thirteen dwarves on their quest to reclaim the dwarves' stolen treasure. It is a journey fraught with danger – and in the end it is Bilbo alone who must face the guardian of this treasure, the most-dreaded dragon Smaug. His Punisher OGN Kingdom Gone (August, 1990) led to him working on the monthly The Punisher War Journal (and later, more monthly and occasional Punisher titles), and also brought him to the attention of DC Comics editor Denny O'Neil, who asked him to produce a Robin mini-series. The mini proved popular enough to spawn two sequels - The Joker's Wild (1991) and Cry of the Huntress (1992) - which led to both an ongoing monthly series (which Dixon wrote for 100 issues before leaving to work with CrossGen Comics), and to Dixon working on Detective Comics from #644-738 through the major Batman stories KnightFall& KnightsEnd (for which he helped create the key character of Bane), DC One Million , Contagion , Legacy , Cataclysm and No Man's Land . Much of his run was illustrated by Graham Nolan. A brand new revised edition of the best-selling graphic novel based on the enchanting prelude to The Lord of the Rings. The Hobbit is the story of Bilbo Baggins, a quiet and contented hobbit whose life is turned upside down when he joins the wizard Gandalf and thirteen dwarves on their quest to reclaim their stolen treasure. It is a journey fraught with danger - and in the end it is Bilbo alone who must face the guardian of this treasure, the most-dreaded dragon, Smaug.