The album sleeve is also printed on thin card buff finish however it is NOT laminated thus saving Apple 1d or 2d per sleeve remember EMI would be passing all pressimg cots on this means the sleeve will scuff and wear easily . Fakes don’t have that Bell Sound stamp, but the people who made the illegal copies did try to imitate the originals by including the “sf” initials too. All the new ‘Let It Be’ releases feature the new stereo mix of the album as guided by the original “reproduced for disc” version by Phil Spector and sourced directly from the original session and rooftop performance eight-track tapes.

The ‘Let It Be’ album has been newly mixed by producer Giles Martin and engineer Sam Okell, All the new ‘Let It Be’ releases feature the new stereo mix of the album as guided by the original “reproduced for disc” version by Phil Spector and sourced directly from the original session and rooftop performance eight-track tapes. This album has been prepared using the 2009 digital remasters which had been created from the original stereo analogue master tapes. There is further weakening to the inner parts of the box, some creasing and small tears where the book sits in the recess, but this is the norm for this design of box and copies that have not shown any age distressing are almost mythical and very rarely seen these days.

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This may not be The Beatles greatest recording moment, but it holds up very well despite all the bashing its gotten over the years. Although many criticised this album for what it's not (especially coming after Abbey Road)it shows the group as they are at the time, fragmenting all the while still making great music. Like most of the band’s previous releases, the album topped record charts in many countries, including both the US and the UK.In January 1970, the remaining Beatles finished the album with the completion of Let It Be and I Me Mine. It was released on 8 May 1970 by the band’s Apple Records label shortly after the group announced their break-up.