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Let It Bee

Let It Bee

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Description

Or maybe they did, but when this star crossing happened what transpired from it maintained a resolutely female perspective.

Voice Of The Beehive - Let It Bee - Discogs Voice Of The Beehive - Let It Bee - Discogs

Released in 1988 on London Records, the album earned positive reviews from music critics and was a success on U.Their music came as a breath of fresh air among a heap of designer pop, acidhouse music and blandness. Sorrow Floats, Man in the Moon, Oh Love, and Trust Me, may sound like filler on first listen, but they fit so seamlessly into the flow of the album that they grow on you quickly with further listens. The album includes a cover version of The Partridge Family's " I Think I Love You", which became their biggest hit in Australia, peaking at No.

Review: Voice Of The Beehive - Let It Bee (reissue

Opener The Beat of Love – one of five singles the album spawned – thumped its Doc Martens all over the subject of violent relationships, whilst I Say Nothing dealt with non-conformity to a sparkling avalanche of major chords. A remastered gatefold vinyl edition pressed on transparent honey yellow will also be made available.There are also bundles with a special 3-track promo CD, with an exclusive piano version of ‘Oh Love’.

Voice Of The Beehive – Let It Bee (1988, Vinyl) - Discogs Voice Of The Beehive – Let It Bee (1988, Vinyl) - Discogs

The duo arrived as LA refugees in 1986, primarily to escape what they described as the ‘sleazy politics’ of the West Coast music business, and would eventually stay on for a decade. Thirty odd years on, the fact that almost nobody still in the mainstream is addressing some of these subjects – where once they were brought into millions of living rooms on Top Of The Pops – is a telling indictment of society’s longstanding inability to confront them. Finally, Just a City ends the album off strong with yet another catchy chorus to fill your head with at random times.They teamed with British musicians Mike Jones, Martin Brett, Mark Bedford and Daniel Woodgate, the latter two of whom were former members of Madness. Elsewhere, the two additional versions of I Walk The Earth are proof of its durability, but it’s easy to understand why the rest was excluded from the original version. To the untrained eye there was perhaps a hint of novelty around Voice Of The Beehive, a British quintet fronted by Californian sisters Tracey and Melissa Belland, joined by Daniel ‘Woody’ Woodgate (formerly of Madness), along with Mike Jones and Martin Brett. The 80s were the finest decade in pop to my mind but few of the greatest stars ever charted: Virginia Astley is obvious.

Voice Of The Beehive – Let It Bee (2022, CD) - Discogs

In October 2017, Bryn and Belland reformed with the original line-up to play a pair of concert dates in London, including the '80s/'90s revival show Indie Daze 4. In these worlds the titular and metaphorical Man In The Moon was the perfect partner because he never spoke, whilst the subject of What You Have Is Enough turned out to be a lazy consumerist in urgent need of some perspective. Great sleeve too, well printed with vibrant colours and clear fonts - not just a straight scan like some reissues (has been cleaned up very well). This chart was licensed by ARIA until they commenced producing the chart in-house from 13 June 1988.The entire album is brimmed with bright, sugary melodies that almost rot your teeth with their saccharine goodness. All titles Copyright Control except 7 Copyright Control/Warner Bros Music and 1 Copyright Control/Zoo Music.



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