notes, Dexter morgan: serial killer

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Note 3: I'm planning on adding a new functionality to Dex, killing by chainsaw, so another update is on the way some day, which also means if anybody wants to translate Dex here are the strings. Pianist Freddie Redd—who wrote the score—and McLean had performed in the famous 1959-60 New York stage and film production; in L. Da Hui", "Days Go By", " Dirty Magic", "Don’t Pick It Up", " Fix You", "Genocide", " Gotta Get Away", "Have You Ever", "Hey Joe", "Hit That", "Huck It", "I Got a Right", "I'll Be Waiting", "Killboy Powerhead", "L. Dexter: The Storyteller" – a fragrance that weaves an intoxicating narrative, capturing the essence of mystery and intrigue.

He was very urbane and appreciated the finer things in life, but he had a common touch with people—he got along with a whole spectrum. The free jazz movement influenced all of us to get a little freer in our playing, to try to get away from such a structured style. Out of Dallas, Texas, Ervin signed with Prestige in 1963 after several strong sideman appearances with Charles Mingus and dates for Bethlehem, Savoy and Candid. Derringer Books is an accredited member of the Antiquarian Booksellers' Association of America (ABAA) and has been selling used and rare books and ephemera since 1998.Propelled by the unrelenting swing of Larance Marable, the “West Coast Philly Joe Jones,” Gordon, Banks, and trombonist Richard Boone—the latter an Arkansan who later gained notoriety with Count Basie for his authoritative “mumbles” vocalese, and moved in 1970 to Copenhagen and an eventual sinecure in the Danish Radio Orchestra—take concise, pithy solos. Like much of his Copenhagen writing, it’s more a composition than a tune, with attractive changes that beg for a lyric.

Shortly after his first jail stay, Gordon penned “Stanley the Steamer” for a 1955 Bethlehem date led by West Coast bop drummer Stan Levey. A Review of Tyshawn Sorey’s “Reimagining Max Roach’s ‘Members Don’t Get Weary’ Concert at Public Records, Brooklyn, Jan. Composed by Henry Mancini for a Jack Lemmon–Lee Remick vehicle directed by Blake Edwards, “Days of Wine and Roses” is an extended ballad feature for the tenorist, who constructs his solo over Higgins’s inimitable medium bounce, before giving way for several well-conceived Walton choruses. On the hard-charging “Home Run,” the front line slams out three bars of a chord not dissimilar to the opening of Thelonious Monk’s “Little Rootie Tootie” before resolving into the form of Ray Brown’s “Two Bass Hit. I have documented the calculation of the Adams spectral sequence of t m f tmf t m f at the prime 2 2 2 here (warning: this downloads a 12MB file behind the scenes).

The album you refer to as “The Group” (Quintet with Freddie Hubbard, Cedar Walton, Buster Williams and Dexter’s favorite drummer, Billy Higgins) I’ve always known as “Generation” – and it’s a great one too! A Dameron connoisseur, Harris plays laid-back Bud Powell lines on both takes of “Lady Bird” and and comps valiantly throughout. On the road with Hampton, Gordon mastered the ritualistic dueling tenors function, telling ebullient stories with pretty notes, Lester Young style, in counterstatement to the brash, declarative Herschel Evans tales of Illinois Jacquet. Over the next four years, he did several tours on a circuit that took him from Western Canada to his native Los Angeles. Schlitten and Gordon remained in touch, and in February 1969, Gordon signed a two-album contract with Prestige.

The first of Coker’s four compositions is “Dolo,” a twisty “Rhythm” variant taken at a racehorse tempo. Here he uncorks a solo as long and effervescent as his personality, quoting “Santa Claus Is Coming to Town” and “Here Comes the Bride” along the way. They provide expert and detailed descriptions, disclose all significant defects and/or restorations, provide clear and accurate pricing, and operate with fairness and honesty during the purchase experience. Eventually, the Malden local government would bestow upon Dexter the position of "Informer of Deer", responsible for alerting the town of nearby deer sightings, despite the fact that there were no deer in Malden at the time. Gordon had recorded Cole Porter’s “Love for Sale” at the Montmartre in 1967, and addresses it similarly, stating the theme over a Latin groove, as played by Cannonball Adderley and Miles Davis on the 1958 album Something Else.hit the scene with Horace Silver in 1956, and spent much of the Sixties working with Cannonball Adderley and Oscar Peterson. Though these would be his last New York performances until 1976, American enthusiasts enjoyed numerous Gordon recordings with the Danish Steeplechase label, which signed him in the latter part of 1972. A lot of joy always came through in Dexter’s playing, and it’s probably the thing about him that influenced me most. On the alternate take of “Sticky Wicket,” a minor blues by Gordon, Moody responds disjointedly to Gordon’s quotefest; on the master take, Gordon concocts a new invention, and Moody plays only on the opening and closing unisons. Minniver” wasn’t named for a personal friend: rather it’s for the title character of the 1940 novel by Jan Struther, filmed in 1942 with Walter Pidgeon and Greer Garson in the featured roles (I believe Dexter admired Garson particularly).