Canon Powershot SX420 IS Digital Cameras 20.5 Megapixels 42x Optical Zoom red

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A lawsuit against Arri and Bravin was filed at the end of 2011; it was settled and dismissed in 2013.

KOMODO ® 6K is the latest breakthrough product in RED's long line of innovative image capture technology. In February 2013, Red filed for an injunction against Sony, claiming that several of its new CineAlta products, particularly the 4K-capable F65, infringed on patents the company held.

C70: dual gain 16 stop image, all sorts of controls on the camera making it a run and gun ideal tool (has 12bit RAW since recently). We take intellectual property concerns very seriously, but many of these problems can be resolved directly by the parties involved. Discover how Canon’s PTZ cameras, hardware controllers and apps can transform your remote, multi-camera setups. fps, and working with sensitivities up to ISO 3200 to suit shooting in difficult lighting conditions.

MP super 35mm sensor and offers 16 stops of dynamic range and a vast array of recording formats to suit Hollywood and indie films alike.Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location.

Some of the technologies we use are necessary for critical functions like security and site integrity, account authentication, security and privacy preferences, internal site usage and maintenance data, and to make the site work correctly for browsing and transactions.KOMODO also features a built-in Canon RF mount allowing users the flexibility to use numerous different lens adapters, such as Canon EF, PL and Leica M mount. Save time and money with a Canon subscription service that puts your printing needs first and lets you print your way. We are bringing the latest innovation to this year’s International Broadcasting Convention, one of the world’s biggest media and technology shows.

One fact overlooked by many is most Red uses are restricted to the lens they can use by the lens mount of the Red Komodo, which is has an RF mount and a RF to EF mount adaptor for full electronic communication - so you are going to have to use Canon lenses, even with older models of Red’s ecosystem of digital cinema cameras, all have been produced with the option to use Canon EF mount lenses, Komodo being the first to offer native RF lenses. This style of cinema camera also fits in nicely with Canon Cine line-up, if you think hard, Canon only have the newly announced Canon EOS R5 C to be used for remote, and hard to reach shooting, and it is well equipped to do that however, it is not equipped with industry standard lomo plugs, stop/start functions built-in, internal ND filters, built-in wireless video feeds, hot-swap batteries, the list is actually quite extensive and would make perfect sense from Canon’s perspective to add this to its cinema line-up to be used in tight working spaces and offer something truly unique to the Canon cine eco system. It features RED’s cinema grade image quality, color science and sensor technology into a portable form factor so users can take it anywhere and adapt it to any shooting scenario. I think 60 fps would be the most I would need (24 fps is my go to) - I think I can live with the crop that Red does to get 60 fps if ever.Our advanced compacts are the perfect, portable alternative or complement to a DILC, delivering exceptional performance and limitless creativity.