Back to the Future: The Ultimate Trilogy [Blu-ray]

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Studios have done so well with their catalog on UHD so far. Bummer this is one to ruin that streak. Audio

Arthur F. Repola served as the post-production supervisor, but he became responsible for many aspects outside his role, including budgets, storyboarding, and general problem-solving. Those roles belonged to Kennedy and Marshall, but both were occupied on other films. Schmidt found editing the film difficult because he had to imagine where the special effects would later be added; there was no time or budget to re-edit afterward. in Doc's 50s home couldn't be more inviting. The Dolby Vision grading even allows for fans to catch some small details that others versions really The UHD and Blu-ray share these bonuses (and the Blu-ray includes the new master). It’s the same bonuses as before, although there is an additional bonus disc containing new material, separate from the rest. Sound: English DTS-HD Master Audio 5.1 and Dolby Digital 2.0, French European DTS Digital Surround 5.1 and Latin American Spanish DTS Digital Surround 5.1Chase found the work frustrating compared to his experiences with more fantastical prostheses that made it easier to hide defects. The rubber latex did not reflect light the same way as natural skin, so Chase used a stippling process (creating a pattern with small dots) to variegate the actors' faces to better conceal where the skin and prosthetics met; close-up shots were avoided. Doc's appearance was not altered significantly. Chase painted latex on Lloyd which, when removed, caused crinkles in the skin, onto which other elements, such as liver spots and shadows, were painted. Cast: Michael J. Fox (Marty McFly / Seamus McFly), Christopher Lloyd (Doctor Emmett Brown), Lea Thompson (Maggie McFly / Lorraine McFly), Thomas F. Wilson (Buford 'Mad Dog' Tannen / Biff Tannen), Mary Steenburgen (Clara Clayton), Elisabeth Shue (Jennifer), Richard Dysart (Barbwire Salesman), Harry Carey, Jr. (Saloon Old Timer), Flea (Needles) Editor’s Note: A few of the featurettes on this set are actually NEW content and are now marked as such above.] Casts were made of the actors' faces, from which plaster molds were made. Chase sculpted more subtle effects over the plaster molds using latex. For Lorraine, he crafted jowls and eye bags, plus body padding to reflect her increased weight and alcohol abuse. Instead of a receding hairline, Chase changed the style of George's hair; he used prosthetics only to give him a less-defined jawline. Biff's character changed more significantly because Chase wanted him to look "obnoxious"; he was fattened, given sideburns, and a comb over hairstyle to hide a growing bald spot. The prosthetics were combined with makeup and lighting to further age the characters. BLU-RAY - English SDH, Czech, Danish, Dutch, Finnish, French, Greek, Hindi, Hungarian, Norwegian, Polish, Romanian, Russian, Swedish

each disc. This set also includes a bonus disc with additional content, both new and returning from the 30th Anniversary Trilogy release. For review of interiors: the first sequence in Marty's home, for example, when Biff confronts George. Later in chapter 11 when Marty and Doc roam the high school UHD - English SDH, Czech, Danish, Dutch, Finnish, French, Greek, Hindi, Hungarian, Norwegian, Polish, Romanian, Russian, Swedish BLU-RAY: English SDH, Czech, Danish, Dutch, Finnish, French, Greek, Hindi, Hungarian, Norwegian, Polish, Romanian, Russian, Swedish Clarity is excellent on close-ups of Brown's doodads and gizmos, like the date readouts on the DeLorean dashboard or the remote control with which he

A rough cut of the film was test screened for audiences at Century 22 theater in San Jose, California, only three weeks after filming concluded. That night, Marty meets his eccentric scientist friend, Emmett "Doc" Brown, in the Twin Pines mall parking lot. Doc unveils a time machine built from a modified DeLorean, powered by plutonium he swindled from Libyan terrorists. After Doc inputs a destination time of November 5, 1955 (the day he first conceived his time travel invention), the terrorists arrive unexpectedly and gun him down. Marty flees in the DeLorean, inadvertently activating time travel when he reaches 88 miles per hour (142 kilometers per hour).