Tilta Power Supply Base Plate Compatible with RS 2/RS 3 Pro/RS 3 Gimbal Power Cable Constant Power Power Solution Camera Accessories Easy Assembly TGA-PBP

Product Information

Optimized the follow curves for PTF mode to make the follow speed of tilt and pan axes stay the same. Being DJI, it does just that with build quality that instantly impresses; solid, beautifully finished and with a simple style that shows a high level of product design without going over the top. Once done, the DJI RS 3 Mini is everything you could want for mirrorless camera stabilisation; the balance and reaction speeds are excellent. A Sony A73 with 35mm or even 24-70mm and the rig works as well as any other; swap for a Canon EOS R5 C with 24-70mm, and that only just pushes the small gimbals limits! The camera’s OLED is clear and used as a straightforward gimbal, with the camera mounted high above the rear arm. Even dropping the camera down to ground level, there’s enough arm clearance to pull out the screen so you can see what’s happening. The only time seeing the screen becomes difficult is when using the 3D Roll 360. One of the instantly notable features in the new larger 1.8 OLED full-colour screen. This is 28% larger than the one on the RS2 and allows you to switch settings, with the optional RavenEye plugged in, you can also get a live view stream.

Note: When one power port serves as an input port, the other becomes an output port, or vice versa. Two plugs can’t be input power at the same time. Added photo capture, video recording, camera settings, autofocus, and focus pull support for the Sony A7R5 camera with supported Sony E mount lenses using a Multi-Camera Control Cable (USB-C). To use autofocus on the Sony A7R5 camera, half press the camera control button on the gimbal. In the test, the Bluetooth connection between the camera and the gimbal worked well, with the record button on the gimbal robustly connecting with the function on the camera as if they were connected by cable.Update the firmware for the DJI Ronin Image Transmitter using the DJI Ronin app by connecting the Image Transmitter via Wi-Fi. Do not disconnect the DJI Ronin app and DJI Ronin Image Transmitter during the update process.

The build of the DJI RS 3 Mini is small and solid, with only three parts to the entire rig. Firstly you have the actual RS 3 Mini with full aluminium arms and an extremely well-finished design. Then into the base, you can screw in the small tripod that enables you to sit the gimbal down for set-upset-up and balancing, and then when in use, this also doubles as part of an extended handle. The last major part of the RS 3 Mini is the base plate that bolts to the base of your camera and then slots directly into the tilt arm of the gimbal. The performance of the Ronin RS3 Pro in isolation is excellent. Other manufacturers don’t, as yet, match the build quality; the fact that it will equally easily balance a Sony A7 III or Sony FX6 without issue means plenty of scope for all levels. Imaging modes such as panoramic and timelapse, along with a few others, can be accessed and, with the automatic shutter release, are all simple enough to use, with the App taking control of most of the difficult features. DJI RS 3 Mini can connect to only one camera at a time. When connecting to another camera, it will automatically disconnect from the previously connected camera. DJI RS 3 Mini supports Bluetooth shutter connection and camera control cable connection. Detailed operations are as follows.As with previous Ronin’s, the main gimbal is only part of the story. As a stand-alone product, it’s good, adds the optional accessories, and the Ronin RS3 Pro transforms into an essential filmmaking tool that can be used on any production size. Looking at the features of the Ronin RS3 Pro and the first thing you notice is the enhancements in design. The longer carbon arms and large touch screen OLED make mounting the camera and navigating settings that much easier. Fewer wires with Bluetooth shutter control Using the App opens up some of the more advanced features; these are generally accessible through the grip but easier to understand through the larger interface of your mobile screen.

A big new addition to the Ronin RS3 is the LiDAR focus technology. This optional module sits on top of the camera’s hot shoe and plugs into the DJI Focus Motor (Also optional) and RS3 Pro. Once plugged in and calibrated, it then creates a fast AF system for manual Cine lenses. As each lens needs to be calibrated before use, DJI has ensured that up to three lens preset profiles can be stored. If this is your first (or you’re coming up from the Osmo Mobile 6 or DJI Mini 3 drone), then you need to brace for a slower process (switching from portrait to vertical is definitely not as easy as pressing a button). Getting used to all the options might take a while, too, but they’re easily reset and the menu is intuitive (more so than many mirrorless cameras!)Added support for mapping M button to the C1 or Fn1 button of the Sony A7S3, A7M3, ZV-1 and NiKon Z50 and Z6II cameras.

What I also really like is the expandability of the system. For myself, I don’t need the optional High Bright Remote Screen, but it’s nice to think that one day I may be running a production that requires more than just myself monitoring what’s going on! Then there’s the usual design consideration for the micro tripod; like an after thought, this still bolts to the base, and while it could be argued that it’s optional, it’s not; you need it for the initial balancing and installation of the camera, so couldn’t it be a neat integral part? The RS3 Pro is all about saving effort for the filmmakers; in use, it’s there to assist and make difficult shots easy, as well as having wide camera compatibility. To that end, DJI has extended the carbon fibre arms to give more space to the mounted cameras. This means that professional bodies and lenses such as the Sony FX6 and Canon C70 with 24-70mm f/2.8 lens can now be fitted. The payload limit is still 4.5kg which is quite substantial.

What’s nice about the RS3 Pro is that it’s affordable at the base level of a single-handed gimbal stabiliser. Then as your needs progress, you can bolt on that additional functionality. Then, when you need something a lot more, the RS3 can be unbolted from the grip, placed onto a car, aerial or another rig, and incorporated. It is simply the most expandable and flexible gimbal out there. The Ronin design has come a long way in a short time. DJI’s original single-handed gimbal stabiliser, the Ronin-S, put advanced filmmaking tech in the hands of small production companies and amateurs. With the Ronin RS3 Pro, DJI gives access to filmmaking equipment that can expand with you from being used as a basic gimbal to a full-blow solution for large-budget productions with the addition of the many accessories available. The RS3 Pro can also be used with the 4D Hand Grips, Master Wheels and Force Pro for gimbal and focus control. Added photo capture, video recording, zoom and autofocus support for Sony A7R5 camera with supported Sony E mount lenses using a Multi USB Camera Control Cable. To use autofocus on the Sony A7R5 camera, half press the camera control button on the gimbal.