LEWITT LCT 440 PURE XLR condenser microphone for voice, singing, instrument recording, and streaming

Product Information

The 1" true condenser capsule captures the signal with an impressive amount of depth and clarity. Preserve your individual personality and all the emotion you've put into your performance. PURE recording

However, if I had the choice between all 4… I’d go with the Lewitt. That’s partly because the TLM-103 has a high-frequency roll-off after 16 kHz. That’s probably why you liked it so much on drums (as overheads, right?), it’s great for taming the harshness of cymbals! Same thing for the KSM32.A Mic with a Cause - By choosing the LCT 440 PURE - VIDA EDITION, you're not only investing in your craft but also contributing to the protection of our planet. This microphone is part of the ongoing legacy of musicians supporting the "Rainforest of the Austrians" project in Costa Rica, where royalties, benefit concerts, and donations have played a crucial role in safeguarding nature and our Earth's atmosphere for over 30 years. A real studio workhorse, AKG’s C414 comes in two modern editions, with the difference being capsule design. While the C414 XLS provides a flatter frequency response and is suited to a wide range of sources, the C414 XLII’s capsule design, based on the revered C12, introduces a 3kHz presence boost that’s particularly flattering for female vocalists.

Conversely, the more honest sound of the LCT 440 Pure is more suited to simpler mixes, perhaps just a guitar and voice, where the extra bottom end won’t be getting in the way of other instrumentation. However, the broader, flatter response of this microphone also makes it easier to EQ into shape, should the natural tone of the mic not suit the mix. Head-to-head: vocals Lastly, the industry-leading 10-year warranty offered by RODE is also something to consider. However, all of the microphones we’ve talked about so far (especially the Sennheiser MKH 416) are incredibly durable and should last you MANY years. The RODE NT1 sounds much more neutral and balanced because it doesn’t boost the higher frequencies. The RODE NT1-A actually sounds quite harsh in the top-end. It’s also one of the few budget large-diaphragm condenser microphones that doesn’t roll-off any of the high-frequencies. It’s very transparent and has LOTS of clarity. The most impressive thing about this microphone is the sound it captures. It is very detailed and refined, with clear reproduction of sound source(s). It's neutral and true to the source, without coloration, but tuned to give a slight boost in high frequencies. It has nothing in similar with the nasty/piercing sound of the overly bright cheep condenser microphones.On my voice (baritone) it just kills.On acoustic it kills again.On electric guitar near and far it kills. Personally, I prefer condensers that sound bright and modern. That being said, the KSM32 isn’t the type of microphone I’d choose over the TLM-103, that’s for sure! Today we're looking specifically at the Lewitt LCT 440 Pure, which is its mid-range condenser aimed at a range of studio applications including vocals, speech and acoustic instruments, although Lewitt claims it has more than enough ability to be classed as a proper studio all-rounder. That being said, the reason you’d pay more for a condenser microphone is for the TOP-END and the fact that these more “budget” microphones compromise on that isn’t acceptable to me.

Trying to find things i don't like is hard as the LCT440 is a dynamite performer on everything i've put in front of it so far.The leap in quality of recorded sound has made a big impression upon me and i'm over the moon i made the choice of Lewitt. If you’re unfamiliar, the Lewitt brand is relatively - in the world of microphones - quite young. Founded in Austria in 2009, it has built a reputation for creating high-quality, beautifully designed recording microphones that offer an alternative to familiar brands like Shure and Neumann. Technically speaking, the Sennheiser MKH 416 is also a condenser microphone, but it’s MUCH more directional than the Lewitt LCT 440 PURE. On the other end, it can handle the SPL of 140 dB, so you can throw it in front of the loud guitar amp or drums without worrying it will distort. You should get an instant answer on whether your application has been successful, though in some rare cases Klarna or V12 may need to look at the application in more detail.

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It’s made even more versatile by its three polar patterns (cardioid, omni and figure-eight); a -10dB pad, great for capturing louder sources, and a low-cut for curbing unwanted proximity induced low-mid boost while in either of the directional modes. Looking through the grille on the two mics reveals a larger, one-inch capsule in the LCT 440 Pure, compared to the 0.67 inch capsule in the LCT 240 Pro, and while the accessories in each box also differ slightly, it’s this difference in the capsule that really sets the two mics apart. The LCT 240 Pro on the other hand has a little more nice, mid-focused character to it. This means it’s great for guitars and some voices, but not quite as versatile as the LCT 440 Pure. Actually, the RODE NT1 is a perfect example of what more affordable condenser microphones can produce in regards to frequency response. Sonically, it sounded a little more mix-ready, balancing out the woody tones of the body with the bright strings and subtly rolling off the low end in a pleasant manner. By contrast, the LCT 440 Pure had a more honest tonality, with a stronger bottom end, flatter, less-hyped midrange and smooth, open top.

Lewitt Limited Edition LCT 440 Pure Puristic Studio Condenser Microphone, VIDA Edition Specifications: I cant believe it’s been five years since we first met Austria-based LEWITT Microphones. In that short time, LEWITT has built quite the lineup, with a reputation for sonically clean, technologically innovative, and visually unique microphones. The various lines of handheld, dynamic, and digital-interface mics are headed up by the LCT line of studio condenser mics.

LCT 440 Pure key features

It’s been gaining some popularity recently and with good reason! Some of its owners have gone as far as comparing this budget condenser microphone to the esteemed Sennheiser MKH 416. The LCT 440 Pure’s design provides ultra-low self-noise, eliminating any operational noise for the purest signal possible. It is also able to handle high sound pressure levels, making it great as an all-round microphone. Its robust and highly durable housing features a built-in grille, which not only reinforces the strength of the microphone but helps to improve the audio performance. With super-low self-noise and the ability to handle ear-shattering sound pressure levels, one thing is for sure - nothing will limit your performance on the technical side. PURE function That could come in handy if you’re recording instruments like the electric guitar, but I personally prefer the Lewitt LCT 440 PURE because it remains flat even in the top-end.