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Revolver

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Riley, Tim (2002) [1988]. Tell Me Why – The Beatles: Album by Album, Song by Song, the Sixties and After. Cambridge, MA: Da Capo Press. ISBN 978-0-306-81120-3. a b Medsker, David (29 March 2004). "The Beatles: Revolver". PopMatters. Archived from the original on 19 June 2013 . Retrieved 24 June 2017. Fine, Jason, ed. (22 September 2020). "The 500 Greatest Albums of All Time: 11. The Beatles, Revolver". rollingstone.com . Retrieved 24 September 2020. Album Top 100 (13/09/2009)". spanishcharts.com. Archived from the original on 8 October 2012 . Retrieved 28 June 2017.

A bonus disc on the new expanded, remixed and remastered box set of 1966’s Revolver offers an even more transformative experience: a jaw-dropping sequence of Yellow Submarine work tapes traces the song’s evolution from a fragile, sad wisp sung by John Lennon to its later iteration as a Ringo Starr-directed psych-pop goof. That the band steered Yellow Submarine from morose folk trifle to boisterous stoner singalong seems improbable, but the tapes don’t lie: through a combination of focused acoustic woodshedding and whimsical studio risks, the band arrived at the more familiar, upbeat Yellow Submarine. On the United States Billboard Top 200 albums chart the set debuted at number 15. On the Japanese Oricon weekly album charts, it debuted at number 6, selling over 35,000 copies in its first week. [18] The set was certified triple platinum by the RIAA in April 2010. The set was also certified Diamond in Canada in March 2010. [19]Along with the restoration of the original album artwork by Voormann, the record sleeve that holds the session outtakes features Robert Freeman's proposed cover design, featuring the heads of the Beatles in a psychedelic circle. [8] Reception [ edit ] On 7 December 2009, The Beatles (The Original Studio Recordings) was also released as a limited edition of 30,000 apple-shaped USB flash drives. This event marks the first appearance for the Beatles catalogue in a high-resolution digital format being encoded in 44.1 kHz/ 24-bit FLAC format. CD-standard is 44.1kHz/16-bit. The 16 GB flash drive also includes 320 kbps MP3 copies of the albums, a specially designed Flash interface, and all the visual elements from the boxed set– the mini-documentary films, original UK album art, rare photos and expanded liner notes. [9] Offiziellecharts.de – The Beatles – The Beatles In Stereo" (in German). GfK Entertainment Charts. Retrieved 20 September 2023. Based on retail sales up to early October 1966, Revolver was the eighth-highest-selling album of the year in the US. [357] Although commercially successful, it ranked only equal tenth (with Help!) on the list of the Beatles' biggest-selling albums in the US, as supplied by Allen Klein in 1970. [358] According to figures published in 2009 by former Capitol executive David Kronemyer, further to estimates he gave in MuseWire magazine, [359] the album had sold 1,187,869 copies in the US by 31 December 1966 and 1,725,276 copies by the end of the decade. [360] In 2004, Revolver appeared at number 2 in The Observer 's list of "The 100 Greatest British Albums", compiled by a panel of 100 contributors. [446] In 2006, it was chosen by Time magazine as one of the 100 best albums [450] and topped a similar list compiled by Hot Press. [451] That same year, Guitar World readers chose it as the tenth best guitar album of all time. [452] In 2010, Revolver was named the best pop album by the official newspaper of the Holy See, L'Osservatore Romano. [453] In 2013, Entertainment Weekly placed the album at number 1 in its "All-Time Greatest" albums. [451] [454] In September 2020, Rolling Stone ranked Revolver at number 11 on its new list of the "500 Greatest Albums of All Time". [455]

Gold & Platinum Certification - March 2010". Canadian Recording Industry Association. Archived from the original on 26 August 2011 . Retrieved 20 June 2010.Beatles' 'Revolver' judged best album". Jam!. Associated Press. 4 January 2001. Archived from the original on 13 November 2004 . Retrieved 18 April 2020. Revolver is the last Beatles album where you can really hear the influence of American soul and R&B. “Taxman” is obvious, as is “Got to Get You Into My Life,” which John called “our Tamla-Motown bit.” But you can also hear it in “And Your Bird Can Sing” and “Love You To,” whose Indian influence is anchored by a beat heavy enough to drive a dance floor regardless of the continent it’s on. And where the beat of “Tomorrow Never Knows” is rightly cited as a precursor to techno and drum ’n’ bass, it’s also a take on the syncopations of James Brown drummer Clyde Stubblefield, who said he got his style, in part, from listening to washing machines and trains—the funk of daily life. Their growing conceptual interests didn’t get in the way of their roots as a bar-and-dance band, and their ability to bridge the two—or, more importantly, to dissolve the distinction between them—is part of what makes Revolver Revolver. Four people, one room. Billboard Japan Hot Albums – Week of 2 November 2022". Billboard Japan (in Japanese) . Retrieved 4 November 2022.

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