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It’s a sweeter, subtler affair than the big anthems they’d later become known for, but it still rocks.
They ended up becoming one of the biggest acts of the 1970s, selling more singles than any other band, helping shape an entire genre, and becoming a major influence on countless others. It also features latter-day hits like "My Oh My," but Slade never got better than they did at their stomping glitter-rock peak, and Feel the Noize captures the essence of that era. A bonus second disc then digs into the darker recesses of the Top 75 to pull out the band's lesser successes. The mid-1970s marked the start of Slade’s commercial decline, but they still had a few more tricks up their sleeve before they went out.All tracks are written by Noddy Holder and Jim Lea except "Get Down and Get with It" by Bobby Marchan, "Look Wot You Dun" by Holder, Lea and Don Powell, and "Radio Wall of Sound" by Lea No.
It’s impossible to get through the festive period without being blasted with it at least 5 times a day. Slade may have never truly caught on with global audiences (often narrow-mindedly deemed "too British-sounding"), but the group became a sensation in their homeland with their anthemic brand of glam rock in the early '70s, as they scored a staggering 11 Top Five hits in a four-year span from 1971 to 1974 (five of which topped the charts). All tracks are written by Noddy Holder and Jim Lea except "Get Down and Get with It" by Bobby Marchan and "Look Wot You Dun" by Holder, Lea and Don Powell The Very Best of Slade disc one track listing No. K. chart entries serve up a peerless examination of what remains one of British rock's most flawless careers. To recreate the feel of a live gig, the band recorded it in a single take, adding authenticity with some boisterous foot stomping and hand clapping.After two albums, Slade had a reputation as a great live band but hadn’t yet broken into the mainstream. The success of the compilation encouraged other bands of the Glam Rock era to release their own 'Greatest Hits' packages.
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